R. Murray Schafer and the Preservation of the Sonic Environment of the Natural World Jonathan Yeoh 10100149 MUSI 333 Dr. Friedeman Sallis R. Murray Schafer and the Preservation of the Sonic Environment of the Natural World R. Murray Schafer (1933-) is arguably one of the most influential living composers in the world today, and has developed extremely pertinent thoughts regarding the link between music, sound, and environmentalism. Through his music, writing, and pedagogy
Despite the many benefits data gathering provides I would feel more confident with my own skills if I was provided trainings and staff development. References Blacher, J., Murray-Ward, M., & Uellendahl, G. (2005). School counselors and student assessment. Professional School Counseling, 8(4), 337. Ekstrom, R., Elmore, P., Schafer, W., Trotter, T., & Webster, B. (2004). A survey of assessment and evaluation activities of school counselors. Professional School Counseling, 8(1), 24. Naugle, K. A. (2009)
& Thorne, T. B. (Eds.). (2005). Connections in the history and systems of psychology (3rd ed.). New York, NY: Houghton Mifflin Company. Trull, T. (Ed.). (2005). Personality assessment. Belmont, CA: Cengage Learning, Inc. Weiner, I. B., & Greene, R. L. (n.d.). Handbook of personality assessment. (Original work published 2008) Retrieved from http://books.google.com/.
harpsichord playing in particular, but her accomplishments go far beyond the baroque repertoire. She has coached Canadian singers not only in baroque oratorios but in romantic German opera and lieder, and twentieth-century works. The composer R. Murray Schafer studied with her, and so did the keyboard artists Douglas Bodle, Elizabeth Keenan, Patrick Wedd, and Valerie Weeks and the singers Elizabeth Benson Guy, Mary Morrison, Gary Relyea, Roxolana Roslak, and Teresa Stratas. Countless other musicians
Intro: In Steven Connor’s ‘Ears Have Walls: On Hearing Art’ (2005) Connor presents us with the idea that sound art has either gone outside or has the capacity to bring the outside inside. Sound work makes us aware of the continuing emphasis upon division and partition that continues to exist even in the most radically revisable or polymorphous gallery space, because sound spreads and leaks, like odour. Unlike music, Sound Art usually does not require silence for its proper presentation. Containers
“Managing Depression in Medical Outpatients” New England Journal of Medicine, 343 (26) page 1942-1949 Wilkin P & Baker P (2004) “The Craft of Caring” Psychiatric and Mental Health Nursing, Arnold Press, London page 26-33 Wilkinson P, Kelvin R, Roberts C, Dubika B, Goodyer I (2011) “Clinical & Psychosocial Predictors of Suicide Attempts and Nonsuicidal Self-Injury in the Adolescents Depression, Anti-Depressants & Psychotherapy Trial (ADAPT)” The American Journal of Psychiatry 168(5) page
Muzak Š.a true storyŠSo there I was last year, walking through the supermarket on an afternoon like any other, trying to get everything I needed: Špicking over the vegetables, as out of a murky fog, I realized that my foot was tapping out a sonorous beat, apparently out of my concentration. What's more amazing, I now see, is that the lazy rhythm from my foot matches a melody which has been ringing behind my thoughts as I decided what kind of onions to buy&emdash;also without me being fully