The Crucible – Pity It's shocking how people die for no reason. It was happening in Salem in 1692 for the witch trials. Rebecca Nurse was a woman with good reputation, and because of spectral evidence she was sentenced with death. The only way to escape from death was to accept that she was a witch. This is still happening now. Osama Bin Laden was the reason for 7000 people's death in New York. We have to look at the society of Salem and pity them because of the repressions that made order
Mood and Atmosphere of The Pity of Love, Broken Dreams, and The Fisherman The Pity of Love is a short, relatively simple poem, yet it still manages to create a feeling of anxiousness, of desperate worry. Yeats achieves this in only eight lines of average length by extremely careful and precise use of language and structure. The poem begins with the line "A pity beyond all telling•, immediately setting the general tone and basic point of the piece, elevating his despair to its highest levels and
Pity the Bear in Judith Minty's story, Killing the Bear Judith Minty's story, "Killing the Bear," is a rather chilling tale about a woman who shoots a bear to death. The story is not merely a simple account of the incident however. It is full of stories and facts about bears, which affect how the reader reacts to the story. In the beginning, the reader expects the bear to be portrayed as a cold-blooded monster who must be killed for the safety of the primary character however this expectation
misfortune. In this case, Macbeth has two out of the three conditions to qualify as a tragic hero; extreme arrogance and tragic flaw. Even though Macbeth qualifies for most of the conditions of a tragic hero, he does not deserve the remaining condition; pity. During the beginning of the play, Macbeth is praised which raises his social standing, and later develops arrogance which ultimately leads to his downfall. Shakespeare cites “What he hath lost, noble Macbeth hath won” (1: 2: 78). This quote represents
the classical view, tragedy should arouse feelings of pity and fear in the audience. Does Macbeth do this? Tragedy has most definitely influenced the viewer’s thoughts on Macbeth within this play. In Shakespeare’s Macbeth, the audience sees a gradual breakdown in the character of Macbeth himself, due to the tragic events that unfold during the play. This has a direct effect on the audience’s views and thoughts of Macbeth, thus creating pity and fear within the audience. Macbeth, being a man and
message. The speaker is trying to express the message that man always pray to the Divine God for Mercy Pity Peace or Love. This song applies all of the qualities of mercy pity peace and love to have a human characteristic. [I have not corrected Marielle’s grammatical or spelling errors because she was asked not to revise her responses.] She feels all humans have these characteristics of Mercy, Pity, Peace and Love. So when praying, one prays for these characteristics because one feels it is necessary
anti-Semitic arguments is that they lack the perspective of the sixteenth century audience. Throughout Shakespeare's The Merchant of Venice (M of V), the audience's perception of Shylock moves between utter hatred and varying amounts of pity. In contrast to today's audience, the original sixteenth century audience saw Shylock's religion as his biggest shortcoming. Our first glimpse of Shylock's character comes in Act I, scene 3, where Shylock reveals to the audience why
Pity for Emily??? In the short story A Rose for Emily, by William Faulkner there is a very interesting character. Her Name is Emily Grierson and she is a rich southern gentile. All her life it seems that she was raised at a standard that was above the rest. By living such a secluded and controlled life it set her up for the happenings in her future. When her father passed away she had nobody to tell her what to do and how to act. This was very devastating and she had a hard time dealing with change
WERTHER AND SELF DECEPTION Romanticism was deeply interested in creating art and literature of suffering, pain and self-pity. With poets pining for a love long gone and dead and authors falling for unavailable people, it appears that romantics in literature were primarily concerned with self-injury and delusion. In Goethe's novel "The Sorrows of Young Werther", we find another romantic character fulfilling his tragic destiny by falling victim to extreme self-deception. Werther's story may appear
itself...in a dramatic, not narrative form; with incidents arising pity and fear, wherewith to accomplish its catharsis of such emotions’ In Shakespeare's play, Macbeth, the character of Macbeth murders his king, Duncan, for personal motives, there appears to be little subjective reasoning for the murder. This perhaps encapsulates the notion of an incident which has the potential to arise pity from an audience. The reader pities Macbeth despite the obvious character flaws of greed and corruption
she is yet to find “home”. Frustration slowly builds up in Jane’s mind and she awaits the perfect chance to let it all out, “You think I have no feelings, and that I can do without one bit of love or kindness; but I cannot live so: and you have no pity” (33) With the anger and anguish built up inside of Jane, she finally finds a chance to move out, leaving behind a broken relationship with her aunt Mrs. Reed. Jane works towards living a better life, a more worthwhile life leaving what happened in
Macbeth is an epic tragedy inspiring pity and remorse because the hero, though flawed, is also shown to be human. The play portrays a journey of self-discovery and awareness as both Macbeth and Lady Macbeth pass from happiness to misery. Their punishment is well deserved but the retributive price is enormous. Evil, both internal and external corrupts their minds, distorting their positive traits and exaggerating their worst. Both fall victim to ‘vaulting ambition’, pride and greed, tempting them
direct indication of the playwright’s attitude. According to Aristotle1, “the tragic hero evokes our pity and terror if he is neither thoroughly good nor thoroughly evil, but possesses an equilibrium of both qualities. The tragic hero suffers a change in fortune from happiness to misery because of a mistaken act, which he performs due to his ‘hamartia’ – error of judgment. The tragic hero evokes our pity because he is not thoroughly evil and his misfortune is greater than he deserves, and he evokes our
Aristotle defined catharsis as the purging of the emotions of fear and pity. In the play, Claudius has the emotion of fear because he is afraid of Hamlet knowing that he killed his father. Claudius knows that Hamlet is capable of killing him. He knows that he cannot kill Hamlet to protect himself or to prevent the people from knowing who killed the king because the people love Hamlet too much. Claudius feels pity after he sees the "Mouse Trap" because he realizes what he had done
tragedy should arouse feelings of pity and fear in the audience. Does macbeth do this? Shakespeare’s Macbeth is definitely a tragedy in the sense that it arouses feelings of pity and fear in the audience. Macbeth is a weak minded man who, if sees an opportunity for power follows his ambitions and takes it, even if this is not the rightful thing to do. He is easily persuaded and suffers great guilt. Macbeth the character on his own creates the feeling of pity and fear in the audience. This added
and remote, taught him what he could not do without, what was essential life. He spoke of the hostility of the landscape. The mountain seemed to speak to him: "Why came ye here before your time? This ground is not prepared for you . . . I cannot pity or fondle you here, but (must) forever relentlessly drive thee hence to where I am kind." This landscape is hostile, not kind. It is "unforgiving and inhospitable to man" (Sidney). He responds to this imagined chastening with an apology, a verse explaining
with incidents arising pity and fear, wherewith to accomplish its catharsis of such emotions’ And immediately we are brought to tragedy and what the concept of a hero is. In Shakespeare's play, Macbeth, the character of Macbeth murders his king, Duncan, for personal motives, there appears to be little subjective reasoning for the murder. This perhaps encapsulates the notion of an incident which has the potential to arise pity from an audience. The reader begins to pity Macbeth despite the obvious
instances in these scenes that concern the invisible man and the symbolic role of white and black in the novel is when the narrator is sent to the paint factory by the young Mr. Emerson to try to find a job. Mr. Emerson, however, only sends him out of pity. The narrator arrives and immediately notices the huge electric sign that reads "KEEP AMERICA PURE WITH LIBERTY PAINTS". Later on, the reader will learn that Liberty Paint is famous for its white paint called none other than "Optic White". In effect
Oedipus in the Oedipus Tyrannus The aim of tragedy is to evoke fear and pity, according to Aristotle, who cited the Oedipus Tyrannus as the definitive tragic play. Thus pity must be produced from the play at some point. However, this does not necessarily mean that Oedipus must be pitied. We feel great sympathy ('pathos') for Jocasta's suicide and the fate of Oedipus' daughters. Oedipus could evoke fear in us, not pity. He is a King of an accursed city willing to use desperate methods, even torture
and elicit varying reactions. Ovid constantly tugs at our emotions and draws forth alternating feelings of pity and disgust for the matters at hand. "Repetition with a difference" in these two narratives shows how fickle we can be in allotting and denying sympathy, making it seem less valuable. Both tales begin drawing forth a sense of disgust for the situation in general yet arousing pity for each girl's predicament. Ovid clearly labels the love Byblis and Myrrha pursue illegitimate when he summarizes