Metropolitan Opera Essays

  • Metropolitan Opera Essay

    890 Words  | 2 Pages

    The Metropolitan Opera, commonly referred to as "the Met", is a company based in New York City, resident at the Metropolitan Opera House at the Lincoln Center for the Performing Arts. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. The music director is James Levine. It was founded in 1880 as an alternative to the previously established Academy of Music opera house. The Metropolitan Opera is the largest classical music organization in

  • Peter Gelb Case Study: The Metropolitan Opera

    1429 Words  | 3 Pages

    Introduction The Metropolitan Opera, located in New York, NY, is cultural institution steeped in history and known for its bombastic opera productions. The original opera house opened in 1883, and eventually the large scale performances outgrew the space. Lincoln Center presented an opportunity for a new home, and since 1966 some of the most iconic moments in opera history have occurred on that stage. Between 2013-2014 the Metropolitan Opera weathered the most contentious labor negotiations in

  • The Italian Social Structure's Role in Creating Culture

    630 Words  | 2 Pages

    to genetically endowed behavior. From antiquity to modern times, Italy has played a central role in world culture. Italians have contributed some of the world's most admired sculpture, architecture, painting, literature, and music, particularly opera. Although the nation was politically unified less than 150 years ago, the Italians do not consider themselves to be a "new" people, but see themselves instead as the descendants of the Ancient Romans. Moreover, regional differences persist because

  • Mary Gaitskill Tiny Smiling Daddy

    1976 Words  | 4 Pages

    The opera La Boheme is, according to the Metropolitan Opera, a story about two people, Mimi and Rodolfo who fall in love. However, Rodolfo no longer wants to be with Mimi and they part ways, but the twist is Mimi is secretly suffering from an illness that she has not told him about

  • Mahler’s Youth and a Brief Analysis of his Second Symphony

    2013 Words  | 5 Pages

    The main focus of this paper is going to be about Mahler’s youth and also his second symphony ‘Resurrection’. Since there is little information regarding his youth in Vienna (1875-1880)it is necessary to do a situational analysis of Mahler’s context, in which I will try to establish a connection between the socio-political context and the young Mahler, based on situational logic. It is also necessary to recall Mahler’s childhood years to understand the whole effect of his work. Therefore, this paper

  • Tracing Opera's Roots in New York City

    1666 Words  | 4 Pages

    The history of opera companies in New York City may bring to mind the largesse of the Metropolitan Opera Company, but for years before that opera was alive and well, and even thriving, in New York City. High society in New York had long been envious of the elegance associated with European opera outings, but it wasn't until 1825 that the first production of an opera was performed on a New York stage – an Italian opera troupe performing the premiere of Rossini’s The Barber of Seville. A review from

  • Gustav Mahler

    1053 Words  | 3 Pages

    spent at a serious of regional opera houses (Hall in 1880, Laibach in 1881, Olmutz in 1882, Kassel in 1883, Prague in 1885, Liepzig in 1886-8, Budapest from 1886-8, and Hamburg from 1891-7), a normal career path, until he arrived as head of the Vienna Opera in 1897. Mahler ended some of the more slovenly performance pra... ... middle of paper ... ...r. Mahler's chamber music composition was limited to his student days, and the closest he came to composing an opera was Rubezahl, for which he prepared

  • Gustav Mahler

    640 Words  | 2 Pages

    write an opera called Ernst von Schwaben as a tribute to his lost brother. In 1875, he went to Vienna to study at the conservatory, where he stayed for a few years. After completing his studies, he took a series of producing steps throughout Central and Eastern Europe, including many cities such as: Budapest, Hamburg, and Leipzig. Then he moved to Vienna, where he conducted the state opera orchestra. Mahler succeeded in transforming the staging and performance standards of the opera house. It

  • George Gemistos Plethon on God: Aristotle vs Plato

    4375 Words  | 9 Pages

    George Gemistos Plethon on God: Aristotle vs Plato In this paper I examine George Gemistos Plethon's defense in his De Differentiis of Plato's conception of God as superior to that of Aristotle's. (2) Plethon asserts that the Platonic conception of God is more consistent with Orthodox Christian theology than the Aristotelian conception. This claim is all the more interesting in light of the fact that Plethon is, as it turns out, a pagan. I argue that Plethon takes the position he does because

  • Informative Essay On Kathleen Battle And Linda Maguire

    1242 Words  | 3 Pages

    Many people may ask what is opera? Opera is a form of work that is very dramatic. It is sung by singers called opera singers who are known for their very beautiful voices. Opera began in the Baroque period, it originated in Italy and it quickly became popular spreading all over Europe. With this style, the singer has to have a certain type of voice, they have to be able to project their voices differently than normal singer. The opera singers were usually accompanied by orchestras and different instruments

  • The Opera Cosi Fan Tutte

    736 Words  | 2 Pages

    Wolfgang Amadeus Mozart’s composed the opera Cosi fan Tutte in which is a musical classical masterpiece depicting the, story, strength, struggle and tests on love amongst individuals. A beautiful depiction of this opera took place at the Metropolitan Opera House in New York City on May 3, 2014. The concept of Cosi fan Tutte has been that a man Don Alfonso is trying to persuade and prove to two young officers Ferrando and Guglielmo that their women are unfaithful. Don Alfonso claims that “a woman’s

  • Opera Research Paper: Wolfgang Amadeus Mozart

    943 Words  | 2 Pages

    Opera Research Paper Evan Hochberg April 21, 2014 Wolfgang Amadeus Mozart was born in 1756 in Salzburg, part of what is now modern day Austria (BBC, 2014). The son of a Musician, Leopold, Mozart was born into a musical upbringing. He quickly became very proficient at the harpsichord, and was even composing his own works at the ripe young age of 5 years old. Mozart gained important development on an early childhood trip through Europe, where he and his family met and played for famous musicians of

  • Giacomo Puccini- Artist

    1804 Words  | 4 Pages

    music continued well into his teenage years and in 1874, at the age of sixteen, he studied at the Istituto Musicale Pacini with Carlo Angeloni (Budden). Two years later, Puccini attended a performance of Verdi’s Aida and discovered his true love for opera (Budden). He showed so much potential that the Queen of Italy and a relative gave him money to attend the Milan Conservatory (Budden). He was accepted to the school, even though he was ever the age limit and he scored so well on his entrance exams

  • Feodor Ivanovich Chaliapin

    875 Words  | 2 Pages

    Ivanovich Chaliapin is one of the most influential opera singers of his time. He was a renowned Russian operatic bass who was uncharacteristic in the fact that he did dramatic portrayals in his singing (Shelokhonov). He did not come from a charmed life, but was blessed with a natural talent that was recognized by famed Dmitry Usatov who took his talent to new levels (Funk and Wagnall). He went on to find great fame and appeared in most all of the great opera houses of Europe, England, and the United States

  • Why Is Handel Important In French

    2148 Words  | 5 Pages

    commonly played in gardens because they preferred outdoor spectacles (Borroff 287). So when two attempts in 1645 and 1660 were made to import Italian opera into France, the French were not too pleased. Francesco Cavalli was the composer who made the second and last attempt to bring opera to France (Holden 189). From 1660 to 1662, he presented two operas in Paris, which inevitably failed. Although France did not

  • The Life of Amazing Opera Singers

    890 Words  | 2 Pages

    of amazing Opera Singers Opera originated in Italy in the early 1500’s. It gained popularity in the Baroque period when people began experimenting new and different sounds with their voices. Opera is very dramatic work and you must have a really great voice to be considered as an Opera singer. Operas are usually performed in Opera houses and are accompanied by different instruments/ orchestra. It started off in Italy and soon became used all over the world. In the 1800s, Italian Opera soon began

  • Marian Anderson Essay

    795 Words  | 2 Pages

    Marian Anderson Marian is known for her beautiful opera voice. When she was small she was in her church choir. Marian was popular and toured a lot in Europe. She was the first African American invited to perform at the White House. Also she was the first African American to perform with New York Metropolitan Opera and she won many awards. Marian Anderson was born on February 27, 1897 in Philadelphia, Pennsylvania. She lived with her mother Anna Anderson, dad John Berkley and her sister’s Alyse and

  • The History and Future of Opera

    955 Words  | 2 Pages

    Atlanta Opera. Tosca is an Italian opera, directed by Tomer Zvulun, accompanied by an orchestra conducted by Arthur Fagen, included a cast of Kara Shay Thomson, Massimiliano Pisapia, and Luis Ledesma (The Atlanta Opera). Opera is an art form in which singers act out drama through a combination of acting and vocal performance. Singers deliver conversation in a musical manner, essentially singing the conversation. Since we recently learned about opera in class, I want to explore the future of opera - where

  • The Magic Flute Research Paper

    608 Words  | 2 Pages

    Music) The Magic Flute was my favorite costumes out of the four ballets. Long an admirer of Mozart, Chagall enthusiastically accepted the invitation from Rudolph Bing, director of the New York’s Metropolitan Opera, to create a new production of The Magic Flute for the inaugural season of the Met’s new opera house at Lincoln Center. (T. L. Essay) Chagall ‘s sketches and designs for the stage are amazing, it is very easy to see, how is designs could still be used today. When I was at the museum, I was

  • Music: Samuel Osborne Barber

    1493 Words  | 3 Pages

    Samuel Osborne Barber II was an American composer of orchestral, opera, choral, and piano music. Samuel Barber expressed his passion for music from childhood and even at a very young age he decided to become a music composer. Barber was born in a family of musicians, it was quite natural that he went along with music all his life. Barber’s works acknowledge his love for poetry and his deep knowledge of music in all aspects. Barber had a very amazing skill in packing dense emotions into small segments