Jazz Albums as Art In the Process of Completing Research for This Issue, I Realized That What I Want to Say May Be Divided into Two Sections. Part One Surveys the General Topic of Album Art; Part Two (Outlined in the Accompanying Sidebar) Considers the Conspicuous Absence of Black Artists from the Process of Designing Jazz Packages: Covers, Liner Notes Etc. This Second Part Will Be Published in an Upcoming Issue.--R.G.O'M. The enclosed portfolio of album cover art springs from my ongoing concern
Within The Stranger, Albert Camus includes a passage concerning the story of the Czechoslovakian man. Camus employs this passage not only to foreshadow Meursault’s final fate, but also to emphasize Meursault’s antihero status by creating foils between Meursault and the Czechoslovakian man. The Czechoslovakian man has a brief appearance in the story which plays a large part in Meursault’s emergence as a dynamic character. Meursault’s emotionless demeanor throughout the story distinguishes him as
supporter of traditional jazz whose impression is that music should stay traditional. On the other hand, Herbie Hancock believes the opposite. For music to grow or become anything, the artist must experiment and try new things. Herbie Hancock's theories allow for the movement of jazz music from the traditional to a more progressive new form. He believes what makes history is what music reflects on. Music has made an impact on all levels in history. The early days of jazz provided many styles which
eras that evolved throughout the history of Jazz. Bill Evans, and American jazz pianist, was no different. Just as Charlie Parker had started the evolution of Bebop and influenced the subsequent generations of Jazz Artists, Bill Evans has influenced Modern Jazz and the generations of artists that followed him. Throughout his career and his works with various other artists, Bill Evans has cemented himself as one of the great influences on modern day Jazz. Bill Evans was drafted shortly after he
Paul Pysell Professor Murphy Jazz in America November 11, 2017 The Various Musical Styles of Miles Davis Miles Davis was one of the most virtuous jazz musicians ever. He was extremely innovative and always challenged himself and his band mates. This paper will focus on the many characteristics and styles of Miles’ music. These styles include: bebop, hard bop, modal jazz, his collaborations with Gil Evans, his jazz fusion period, and many more. Bebop Era: 1945-1949 In the early 1940’s, Miles began
the Evolution of Jazz I and Evolution of Jazz II courses because I have a strong interest in music. I listen to all types of music, including songs in different languages, but my favorite genres are Gospel, R&B, and Neo-soul. This course has been beneficial, because now I am more aware of how influential jazz musicians were to musicians of all genres, in aspects of song composition, song structure, and performance techniques. Spirituals had a great influence on gospel music, jazz music, and music
in Jazz music. He was born on March 29, 1949, and died on January 13, 2007, because of leukemia. In his whole life, he has created many great musical works and hundreds of recordings, such as Madame Toulouse, Bye George and Delta City Blues, which are still popular in today. He has also won many music prizes and was regarded as the leading person of Jazz. Michael Brecker was born in Pennsylvania, Philadelphia, and grew up in the suburbs of Cheltenham Township. His father was an amateur jazz pianist
American pianist and jazz singer. He was born to Paulina and Edward Cole 1931 in Chicago, Illinois, United States. He was brought up in Chicago by his music loving parents alongside his other two siblings: Nat King Cole, Ike Cole and Eddie Cole. He was born in a family of musicians; his father was a renowned musician as well as his two elder brothers Ike Cole and Nat King Cole, both of whom were legends of jazz music. Freddy Cole is the founder of Freddy Cole Quartet – a jazz team which extensively
Miles Davis’ personal life and his contributions to jazz. Miles Davis played a major role in the expansion in jazz with his music that he had produced. Davis helped produce and expand the different genres of jazz as well as train young talented musicians into successful artists in the field of jazz today. Davis not only shaped jazz into different forms and styles, but he also introduced jazz music to music listeners who were not a fan of jazz. From an early childhood, Davis was already interested
Stan Kenton: Progressive Concepts in Jazz Stanley Newcomb Kenton is one of the most influential figures to be found in all of jazz history, even being called "the most significant figure of the Modern Jazz age" by Frank Sinatra (Agostinelli, 6). Kenton's progressive concepts of how music is written and performed greatly affected the genre of jazz, and created something new and unique. Always under controversy, Kenton and his band always strove to do something different, never settling into a niche
Bill Evans was one of the white jazz musicians who were accepted as powerful innovators (Gridley 1978). Since he was a little child, he was largely interested in music and started learning various instruments. He began learning about classical music more in depth as he got into college and later came to be called the “Chopin of the modern jazz piano” (Tirro 1993). He developed his own distinctive musical style while working as a sideman with Miles Davis, and working as a bandleader of three trios
to presume more jazz during his high school years. Keith had an inspiration for jazz music because of Dave Brubeck. He graduated at Emmaus High school in 1963 and got an offer from Berklee College of Music. Although, he has gotten another offer from an composer and conductor named Nadia Boulanger in Paris, France. This was a chance for Keith to get the chance to go into classical music more and what his mom always wanted for Keith to do, but declined the offer to go into jazz music. Therefore
Chuck Mangione Chuck Mangione is perhaps one of the best jazz musicians, and flugel player of his time. Chuck Mangione was born in Rochester, New York on November 29, 1940. Right from the start he was in a musical family. They were visited by many jazz musicians, including Dizzy Gillespie, and Cannonball Adderley! Chuck began his childhood career by playing trumpet, he even practiced with Dizzy and referred to him as his “musical father”. Later on, Dizzy was so impressed with Chuck’s ability,
Andrew Stimson Jazz Styles Dr. Pfenninger May 5th, 2014 Miles Davis: Kind of Blue Kind of Blue is a phenomenal album recorded by the Jazz artist Miles Davis in 1959. This album was instrumental in introduced the modal style of Jazz that Miles helped to pioneer. The songs and sounds that come from this album are some of his best works, and they can be compared to some of the greatest recordings by other Jazz greats. The lineup of musicians features some of the best Jazz musicians on their respective
From the beginnings of jazz music in America in the early 20th century, jazz was a purely American form of music. It began with marches, led by John Philip Sousa, an American composer. This transformed into the collective improvisation period of the Twenties, which produced greats such as Louis Armstrong, born in New Orleans. Around the same time as Armstrong’s fame was Duke Ellington’s, who was born and raised in Washington, D.C. This pattern of jazz evolution originating in America was the
Davis The process of establishing Miles Davis in the field of the jazz music has many different aspects. The story of his professional development is very interesting and unstable as it has its breakthroughs and setbacks, and indeed, all turning points in his life has made a significant impact on the evolution of the jazz music sound. In this essay, I am going to discuss how Miles Davis affected every stream of jazz and how jazz affected him during his all life. Miles Davis started his career
Cuban and New Orleans style jazz can be classified as two coherent wholes, integrating and constructing techniques from one another. The two jazz styles can be seen sharing musical components such as strong percussion and funky upbeat melodic sequences. While they genres have many similarities, the use of folk-like tunes and the heavy use of vocalists distinguish traditional Cuban Jazz from New Orleans Jazz. The album Ya-Ka-May by Galactic and Afro Roots by Mongo Santamaria are representatives of
The collaboration of two of some of the most influential musicians to not just happen to jazz but to the evolution of music is bound to be pioneering. This wasn’t the first time that Ella Fitzgerald and Louis Armstrong performed together, however, it was the first of three times for it to be released as a studio album. Norman Granz was responsible for the creation of the pairing as he worked for the Verve recording label. Granz selected eleven melodies that maintained a slow to moderate tempo to
forms. Since the early 1920s, Jazz has been constantly growing its cultural capital and its intellectual property as a scholarly art form. Miles Davis was an American jazz musician, trumpeter, bandleader, and composer. With works such as “Birth of the Cool” and “Kind of Blue” being regarded as important intellectual advancements in jazz by many music critics. This paper will explore Miles Davis as a highly significant figure in the transition and growth of jazz in its cultural capital through
Justine Alves Mr. Pointer U.S History Period 5 April 29 2014 The Jazz Age “I always thought that music had no boundaries, no limits to where it could grow and go, no restrictions its creativity. Good musicians no matter what kind of music it is. And I always hated categories. Always. Never thought it had any place in music.”(Davis 230) Jazz music is a art form that the first jazz musicians used to step out of the racist frame. Jazz singers strive to inspire people with their gospel tones but were