May 5, 2014
Professor Garner
Music 8
The Life of Keith Jarrett
Keith Jarrett was a American pianist and composer born in Allentown, Pennsylvania born in May 8, 2014. He was a mixture of European ethnicity parents that were Hungarian which came from his father, Daniel Jarrett and Austrian from his mother, Irma Jarrett. Also, they were strict Christian scientist. Keith was the first to be born out of five brothers which were also talented at playing music, but not professionally in the family. His mother wanted Keith, her son to help presume his talents that she saw in him and worked hard to help him. Even if he didn't believe he could play a hard piece on the piano at such a young age, his mother Irma Jarrett encourage him. For example,
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Even though, he was already trained really well in classical music, he wanted to presume more jazz during his high school years. Keith had an inspiration for jazz music because of Dave Brubeck. He graduated at Emmaus High school in 1963 and got an offer from Berklee College of Music. Although, he has gotten another offer from an composer and conductor named Nadia Boulanger in Paris, France. This was a chance for Keith to get the chance to go into classical music more and what his mom always wanted for Keith to do, but declined the offer to go into jazz music. Therefore, he went to New York City into a college called Berklee College of Music at the age of …show more content…
Also, when this was all happaning in New York, it was a time where jazz had lost its popularity in the world. An unexpected person comes to see Keith play in the trio as one of the known greatest jazz musicians. His name was Miles davis who came in to hear his music only ocassionaly three times and told his band members to join to see a fine talented young muscian like Keith. Miles would then try to get Keith to join his band seeking that he had such talent for a young age. He declined Miles for a few times, but then after awhile began to join him. Keith would play on the electric piano and the organ as the second keyboard player in Miles band. Afterwards, they have learned something that would be called a fusion rock of jazz with Miles and Keith to influence a new kind of presense into their
When he went with his brother to France he performed with an avant-garde musical theater group known as Le Grand Magic Circus. He then decided to travel through Ghana, Mali, and Upper Volta in Africa experiencing new musical styles that would influence his own style. While in Africa he contracted malaria. When he finally returned to the United States he began studying at CalArts even though he was not really a student there.
Eventually in 1937, Dizzy Gillespie decided to head out to New York to carry out his dream of becoming a famous jazz player. During his time at New York he talked with many different bands and earned a job with Teddy Hill’s band. Hill was very impressed with Gillespie’s unique playing style. The group went on a tour from Great Britain to France shortly after Gillespie had joined the band. After getting back from the tour G...
Scott Joplin, commonly known as the "King of Ragtime" music, was born on November 24, 1868, in Bowie County, Texas near Linden. Joplin came from a large musical family. His father, Giles Joplin was a musician who had fiddled dance music while serving as a slave at his master's parties. His mother, Florence Givens Joplin, born free and out of slavery, sang and played the banjo, and four of his brothers and sisters either sang or played strings.
John Philip Sousa was born in 1854, the third child of ten. He was born in Washington, D.C. His parents were immigrants. John
Steve Miller was born October 5, 1943 in Milwaukee, Wisconsin. Steve’s family was very involved with music. His mother was a jazz-influenced singer, and his father was a pathologist that very interested in the world of music. Dr. Miller was friends with many musicians which greatly aided in young Steve’s development in music. One of his father’s friends included Les Paul, who showed Steve some chords on a guitar at the age of five. Les Paul proved to be a very valuable mentor to Steve, and he became a good friend of the family. When Steve was seven his family moved to Dallas, where he was exposed to a different type of artists that usually did not visit Milwaukee. His father took him to see greats such as Hank Williams, Chuck Berry, and Carl Perkins. Steve was particularly drawn to T-Bone Walker, the father of Texas-style electric blues. This proved to be very influential in Steve’s life, and it is evident by the blues-sound that he exhibited in his guitar playing.
Ellison grew and developed a liking in music where he studied piano and the trumpet. It was during this time that Oklahoma City was famous with several great jazz musicians.
At the mention jazz music, that people will first think of is likely to be a great figure with a clown image, nicknamed Uncle Satchmo. The man was Lewis Armstrong. He is a husky singer, often with a trumpet in his hand. He played dramatic works of simple structure in Orleans jazz style and with the accompaniment of Dick jazz music. Each of the books on jazz music will mention his name. Lewis Armstrong was to jazz music what Bach is to classical music, Presley is to rock music (Berrett 230). This essay will have an introduction of the king of jazz music—— Lewis Armstrong and his great influence on jazz history.
Kenton was born in Wichita, Kansas on December 11, 1911, although he spent most of his youth in the Los Angeles area. He began studying piano and composition early with his mother and eventually with bandleader and pianist Earl "Fatha" Hines. Kenton was influenced by many different kinds of music other than jazz, including twentieth century composers Claude Debussy, Igor Stravinsky, and Bela Bartok. Once he was a little older, Kenton began playing around in the Los Angeles and San Diego areas, and formed his first band in 1941, beginning his career as a bandleader. Kenton's music is best organized into the different "eras" of the Kenton bands: Artistry in Rhythm (mid-1940s), Progressive Jazz (mid- to late 1940s), Innovations in Modern Music (early 1950s), New Concepts in Artistry in Rhythm (Contemporary Jazz) (early to mid-1950s), Orchestra in Residence (late 1950s), New Era in Modern Music (Mellophoniums) (early 1960s), Neophonic (mid-1960s), and Fusion (early 1970s). Each era had different elements which made it unique while still maintaining the inimitable Kenton sound. Kenton a...
not afford to raise him at the time. He spent his life being raised by
For generations, singers and songwriters of country music have been working to evoke emotions in listeners by performing and writing songs that the listeners will be able to relate to. Country music traditionally reveals stories of life, love, death, and values, all of which can be seen in the works of great singers and songwriters like George Strait, Alabama, Brooks & Dunn, and Alan Jackson. One artist in particular, Garth Brooks, forever left his stamp on country music and on the hearts of his millions of listeners with his hit songs, “The Beaches of Cheyenne”, “Callin’ Baton Rouge”, and “The River”. “The Beaches of Cheyenne” has a storyline containing themes of life, death, love, and regret. The themes of this song branch out much further than the reaches of country music, and makes this particular song relatable to each and every person. "The Beaches of Cheyenne" by Garth Brooks is the epitome of country music, and largely contributes to the success and popularity of country music by evoking emotions in listeners through means of a storyline that conveys strong emotions, relatable to each and every person. “Callin’ Baton Rouge” is fast-paced, upbeat love song that is able to evoke emotion in listeners because of the strong instrumentals in the song accompanied by meaningful lyrics. “The River” is a song about following dreams no matter what obstacles may be in the way, which makes it inspirational and very relatable to everyone that listens to it.
I found out that after he left New York he moved back to the Midwest. Because he saw how the love of money can ruin someone he decided not to work for his father but do something he really loved. He wanted to make a positive impact in the world as a way of making up for all the negativeness he had seen and been apart of in New York. For awhile he couldn’t figure out what that was so he he did odd jobs here and there until the Great Depression hit.
...as shown time and time again, that he is not just an amazing performer and musician, but an amazing person as well. He constantly adds new sounds and styles to his music, but still keeping the “E Street” sound. After years of dedication, hard-work, and passion he has become truly one of the greatest and most well-known musicians of all time. His music will live on, even after he is gone. With his personality and music he has earned the nickname, “The Boss.” When he received a Kennedy Center Honor, President Obama said, “I may be the President, but Bruce is the Boss.” He lives up to the nickname still.
Anderson had a very strong musical education. At age eleven he began piano lessons and music studies at the New England Conservatory of Music in Cambridge. At his high school graduation from the Cambridge High and Latin School, Anderson composed, orchestrated, and conducted his class song. In 1925 he entered Harvard College. While at Harvard he studied musical harmony with Walter Spalding, counterpoint with Edward Ballantine, canon and fugue with William C. Heilman, and orchestration with Edward B. Hill and Walter Piston. Between 1926 and 1929 he played trombone for the Harvard University Band. He eventually became the director of the Harvard University Band for four years. In 1929 Anderson received a B.A. magna cum laude in Music from Harvard. The magna cum laude is the next-to-highest of three special honors for grades above the average. He was also elected into Phi Beta Kappa. Anderson continued into graduate school at Harvard. In 1930, he earned an M.A. with a major in music. He began studying composition with Walter Piston and Georges Enesco; organ with Henry Gideon and double bass with Gaston Dufresne of the Boston Symphony Orchestra. As well as his studies in music, he continued for his PhD in German and Scandinavian languages. He ultimately mastered Danish, Norwegian, Icel...
The first thing I will talk about is the type of music he is know for which gave him that name. Most people listen to the type of music he composed but next to none know who or how it was composed. There seems to be an abundance of music fans who know little or nothing about the origin of their music. By discussing what he has accomplished it will explain why he is considered to be so important to his type of music.