Izutsu, a noh play, has many references towards Ise Monogatari. The term Izutsu can be translated literally into “well-cradle lady,” but can be referred as “well curb.” “Well curb” would be known as the railing around the edge of a well. The well in this play is located at Isonokami, the location where Ariwara no Narihira and Ki no Aritsune’s daughter lived together. According to history, this well was supposedly built by Ariwara no Narihira. Ariwara no Narihira has been linked and connected
Kyle Fitta Unfortunately, there is not a lot of information known about Zeami’s early birth or even early life. However, his father introduced him to Noh at a very young age, and not soon after, he became a well-known actor who possessed superb adaptability – mastering a variety of complex roles such as elegant women, young child and even alpha males. When he originally displayed his work to Ashikaga Yoshimitsu, Zeami was portrayed a child actor in his play around the age of 12. Yoshimitsu thought
Among the most classic Japanese Nō dramas is none other than Izutsu, or “The Well-Cradle” as often translated in English. Written by Zeami who is perhaps the most influential playwright to the Nō Theater, Izutsu was composed around the late 14th century during the Muromachi Period in Japan. In comparison with other Nō plays, it is relatively simple in nature as there are only three roles that need to be played—shite, waki, and ai—and the story is very characteristic of the typical Nō drama (Araki
Ibn al-Arabi and Chuang-tzu were and continue to be very influential to the study of both religion and philosophy. Their separate notions of dream and reality have survived through the centuries and we continue to attempt to explain and analyze them today. In this paper I will first examine Ibn al-Arabi's concept of dream and reality and then move on to study Chuang-tzu's thoughts on the subject. After reviewing both of these constructs I will compare and contrast some of the similarities and