Hakim Bey, Chaos: The Broadsheets of Ontological Anarchism Such is the fast-paced world and style of Hakim Bey’s writings. Sporadic and rarely rounded up for interrogation, Bey’s Ontological Anarchism pervades all his writings, on topics as varied as “Islam and Eugenics”[1], “The Information War”[2], “The Evil Eye”[3], a critique of multiculturalism[4], and Celtic-African entheogens[5]. Hakim Bey’s zine writings and early 90’s hipsterism have made him known to some as “The Marco Polo of the
Chauncey Bailey. According to cleveland.com he was a reporter, working on that time on a short article about the bankruptcy that was said to be caused by a Black Muslim cult; Yusuf Bey IV. Bailey was shot by a masked man in august 2007in Oakland because of the subject of his article and the murder was done by the men of Yusuf Bey IV ... ... middle of paper ... ...n she used in her article. Journalists around the world face a big number of dangers while working on a particular topic or in a defined
The neo-expressionist movement in America lasted from the late 70s and came to an end in the early 90s. The movement was a revival of expressionism, a style in which an artist portrays emotional experience into their work (Sandler, 227). It was also a response to the popular art style of the time called minimalism, which involved mostly blank canvases or lines. Neo-expressionism, on the other hand, was raw emotion and chaos. The main figures of the movement were Julian Schnabel, David Salle, and