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An essay on propaganda
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Propaganda analysis essay
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Hakim Bey, Chaos: The Broadsheets of Ontological Anarchism
Such is the fast-paced world and style of Hakim Bey’s writings. Sporadic and rarely rounded up for interrogation, Bey’s Ontological Anarchism pervades all his writings, on topics as varied as “Islam and Eugenics”[1], “The Information War”[2], “The Evil Eye”[3], a critique of multiculturalism[4], and Celtic-African entheogens[5]. Hakim Bey’s zine writings and early 90’s hipsterism have made him known to some as “The Marco Polo of the Subunderground”[6] and a counter-cultural guru to many more.
With information becoming more firm only in the last few years, Hakim Bey has been identified as a pseudonym for Peter Lamborn Wilson, a New York based translator and author. Drawing on his experiences wandering India, Asia, and North Africa, Hakim Bey authors (what offer to be) outrageous manifestos and leftist anarchist essays primarily for zine publication and distribution or for lectures and performance. He draws explicitly on a Moorish and sufiist intellectual heritage with occasional references to contemporary philosophers and cultural theorists. He situates himself as a post situationist anarchist informed by critical theory, and has written in both ctheory and Trip. Bey’s writing is ultimately so fascinating precisely because it does not fit neatly into a schools of thought, academic discipline, or a relation between the major figures of contemporary theory (eg loves Baudrillard, ignores Lacan, sometimes uses Foucault). As such, his writings are rather esoterically his own, and not only do not make their ties with other theorists explicit, but also cannot be immediately connected to theirs (because Bey’s assumptions are so different on account of his background’s differences from western academic philosophy). His work, as a theorist of media (and everything else), operates at a straightforward and accessible level, filled with obscure references that don’t point towards an expertise in his readership so much as an explosion of it. For some, his writings are meaningless babble on the level of Principia Discordia[7]. He does not get much mainstream citation except in regards to his concept of PT and the TAZ[8], but he does get plenty of crap. This disdain culminated in the publication of a ‘fake’ Hakim Bey book, actually written by “Luther Blissett”[9]. Hakim Bey is a persona. His behaviors and secrecy are all a part of the body of work of which he is accredited with authorship.
The theme of the past is a key aspect of 'Beloved' and the 'Selected Poems of Paul Laurence Dunbar' as the narrators, in both texts, have a nostalgic perception of the many years that have passed, whether the memories are pleasant or grim they are reflected upon with – at the very least – a hint of admiration alongside a deep longing to return to the past. Similarly, in Arthur Miller's 'Death of a Salesman', the tragic hero, Willy Loman, is also constantly drifting back into the past to when his sons were ambitious young men and he was a successful businessman. 'Beloved' was set after the American Civil War in 1873, where many black people were heavily mistreated and suffered long and gruelling years of slavery. The novel was written in 1987, but the author was able to capture the hopes and dreams of most Black Americans whilst simultaneously criticising the treatment they received at the hands of a racist society. Paul Laurence Dunbar also uses the same context in his work, again depicting the longing to be freed from a past life of slavery, which is particularly conveyed in his 'Invitation to Love'. Contrastingly, in 'Death of a Salesman' Willy also yearns for the people of his past, such as Ben Loman, his older brother, who was his role model of success for himself and his sons. In 1945, World War 2 had ended and left American citizens financially very well off and by 1949, agriculture became a difficult job as the Government was more interested in co-operate farms, thus providing a new American Dream; working in high-end businesses to gain a large salary and a respected status. This was Willy Loman's dream, however Arthur Miller used his protagonist to portray how competitive and cut-throat the business world was and how emplo...
Critics have already begun a heated debate over the success of the book that has addressed both its strengths and weaknesses. The debate may rage for a few years but it will eventually fizzle out as the success of the novel sustains. The characters, plot, emotional appeal, and easily relatable situations are too strong for this book to crumble. The internal characteristics have provided a strong base to withstand the petty attacks on underdeveloped metaphors and transparent descriptions. The novel does not need confrontations with the Middle East to remain a staple in modern reading, it can hold its own based on its life lessons that anyone can use.
...in our collaborative endeavors as progressive scholars in cultural studies, I had never considered until now just how much of my own work I would actually compromise if a circumstance similar to that of Toelken’s Yellowman tapes ever arose. Considering his position pushed me to identify a nameless discomfort that has left me uneasy about so much of the material I consume—“one party [enjoys] inherent advantages by virtue of controlling the infrastructure and the output.” In the end my own morality and the relationships I choose to maintain in my research will dictate the decisions I make in actually practicing praxis.
Rushdie, Salman. `Outside the Whale' Imaginary Homelands: Essays and criticisms 1981-1991 Penguin Books Ltd. (1992)
As revealed in Azar Nafisi's book Reading Lolita in Tehran, Iran's radical religious and political views are the driving force behind the domination and maltreatment of the country's people. Throughout the book there are many examples of this oppressive treatment which is enforced because of strict religious convictions. Nafisi compares the oppression happening during a tense period of revolution with various works of fiction that mirrors what is becoming life in Iran. The tyrannical treatment of Iranian people can be analyzed by uncovering themes found throughout Nafisi's book.
When one thinks of Anarchy they will immediately think of destruction and chaos. Of course, one who knows the beliefs of Anarchy will know otherwise. Anarchism is a political philosophy that upholds the belief that no one should be able to coerce anyone and no society should contain a wide variety of groups who coordinate social functions. It is the opportunity to live the life that you decide is best for you. In the eyes of Anarchy, government is corrupt and the people of society should govern themselves. There should not be any rules, laws, or police officers to chastise or enforce anything on any individual. Anyone who knows Greek will know that the term Anarchy means no rulers; so an anarchist society is a society without rulers, not a chaotic society. Anarchy believes in liberty, solidarity, and equality.
Gates, H. L. (1991), ‘Critical Fanonism’, Critical Inquiry, 17 (3), pp. 457-70, Chicago Journal [Online]. Available at: http://www.jstor.org/stable/view/1343794 (Accessed: 10 March 2014).
No matter how strongly one feels about something, sometimes thoughts and actions can become too intense, too extreme, quite simply: too much. The idea of exceeding normal boundaries is a key idea in the Nation of Islam movement in America in the 1950s and 1960s. The Nation of Islam preached an idea that was very unfamiliar to common thought in America at that time. Ideology practiced by black Muslims, as those people of Islam were known as, was very intense, very driven, very narrow minded, but it made a lot of African Americans feel better about who they were and where they were at. On the other hand, many other African Americans believed that the practices of Islam were far too outrageous to be followed or trusted. James Baldwin, a very influential and respected African American author of the 1950s and 1960s, was a man of this belief. Baldwin had ties to the Nation of Islam movement, having been associated with Malcolm X when he appeared along side him on a television program. But Baldwin shared less ideology with the Muslims than one might expect. In his essay, “Down at the Cross,” (“Cross” for short), Baldwin recounts his encounter with the honorable Elijah Muhammad, leader of the Nation of Islam movement. Baldwin’s encounter with Muhammad shows the reader that although Baldwin certainly had ties to the Nation of Islam movement, some of the views of the movement were too narrow minded and too extreme for him to fully accept. Baldwin refused to believe that all white people are devils and as a result Baldwin depicts himself as a man who respects the efforts of the Black Muslim movement, but cannot be a member of it.
The tone is bitter and intense in a realistic way. It is achieved by the vivid and gruesome images in the poem. Wilfred Owen 's use of imagery in this poem is by depicting emotional, nightmarish, and vivid words to capture the haunting encounters of WWI that soldiers went through. In the first stanza, Owen depicts his fellow soldiers struggling through the battlefield, but their terrible health conditions prevent them from their strong actions in the war. When Owen says, “Bent double, like old beggars under sacks, knock-kneed, coughing like hags” (lines 1-2). This provides the readers with an unexpected view and appearance of soldiers, as they usually picture as strong, noble, and brawny-looking men. Soldiers sacrifice themselves to fight for their country and are exhausted from their unhealthy lifestyle. In lines 7-8, “Drunk with fatigue; deaf even to the hoots of gas-shells dropping softly behind,” they have lost the facade of humanity and their bodies are all wearied and weak on their march. This reveals a glimpse at the soldiers’ actions, as well as inferring to a psychological effect of the war. Then in line 5, “Men marched asleep,” the author is making abnormality to be one of the major purposes of the war, that it
Mohsin Hamid has successfully captured the dominant political discourses of the contemporary world and presented them as mutually exclusive. What makes this book work is the masterful employment of irony and controlled suspense to create a subtle polemic. As one reviewer has put it:-
The first thought of motorcycles as a means of transportation began in the year 1900. The pioneers’ of this field were William S. Harley and his lifelong friend Arthur Davidson. They were both born and raised in Milwaukee, WI. It took them almost three years to build their first production ready motorcycle which was a single cylinder, 10 cubic inch engine. It was bolted directly to a bicycle chassis driven by a pulley system with a leather belt. We are going to look at the development, racing, and the people who made the Harley Davidson an American Legend.
Mohanty is drawing upon theoretical perspectives of postmodernism to understand difference and by that uncover essentialist and Universalist interpretations (Uduyagiri 1995:159). In particular she is drawing upon approaches familiar to Edward Said’s Orientalism and Focault’s approach to discourse, power and knowledge. Foucault’s theories are especially useful in a postmodernist argument since he acknowledge that there are several structures of power, and that the there is a diversity of localized resistances ( Udayagiri 1995: 161). Mohanty uses Foucault’s conception of power to uncover Universalist categories and how feminist writers define power as a binary structure – to be in possession of power versus being powerless (Mohanty 1991:71). This limited way of theorizing power fails to recognize counteroffensives and the varied forms of power. Mohanty uses Said’s Orientalism to show how the way Western cultural perceptions of the Orient “became a means of controlling the regio...
Eshun, K. and R. Gray (2011) 'The Militant Image: A Ciné‐Geography', Third Text, 25 (1), p. 1-12.
In his short story, “The Prophet’s Hair,” Salman Rushdie make use of magic realism, symbolization and situational irony to comment on class, religion, and the fragility of human life. The story is brimming with ironic outcomes that add to the lighthearted and slightly fantastic tone. Rushdie’s use of the genre magic realism capitalizes on the absurdity of each situation but makes the events relevant to readers’ lives. In addition, the irony in the story serves as a way to further deepen Rushdie’s commentary on class and religion. Finally, his use of symbolization focuses on the concept of glass, and just how easily it can be broken.
In 1884 the very first experimental motorcycle was a three wheeled bicycle called Butler Petrol Cycle which was built by Edward Butler in England, and was the first motorcycle designed in 1885 at the International Inventions Exhibition in London along with Karl Benz who designed and created the first automobile. During the time of the First World War motorbikes were often used as a form of transportation for communicating wi...