Susan Glaspell is a thought-provoking exemplar of an authentic early feminist writer, “born in 1882 in Davenport, Iowa.” (Learner) She grew up in a small, conservative, middle-class town in the Midwest, which had a powerful influence on her. Her evolution from regional focused compositions to modernism was made possible and achieved by her geographical relocation to the east coast. Following her graduation “from Drake University” (Learner) she found there to be copious boundaries and restraints for women in the work place. She expressed her resentment of these boundaries, and promoted the feminist movement in her fictional and dramatic writings in many arenas: novels, journalism, short stories, and plays. Her most notorious, profound, and controversial writing was the play Trifles, which is equaled only in magnitude and weightiness by the novel Fidelity. Glaspell use of sympathetic female characters was a brilliant way to advocate contemporary feminist issues. After leaving the work place she returned home to focus solely on her writings. Glaspell “grew restless with the numerous restrictions on women and became inspirited by the avant-grade social, political, and cultural movements happening in the United States and Europe.” (Carpentier) While she was resentful of the way woman were treated, she was not propelled into the light until she met George Cram Cook. The moment she met him until the day of his death; he was the most profound influence on her life. His wealth and influence provided her entrance into social clubs which were surrounded with progressive, itinerant thinkers. These clubs and the support of her husband lead the Cook’s to establish the Provincetown Players. This group of actors performed her plays and thrust he... ... middle of paper ... ...estrictions forced upon them. She used her writing to examine, express, and voice her dissatisfaction with the masculine long-established society, and emphasized a woman’s self-definition. She showed it was a woman’s responsibility to safeguard her own happiness as well as to follow the heart’s desire without trepidation. Her use of sympathetic female characters was a brilliant way to advocate contemporary feminist issues. Works Cited Glaspell, Susan. “Trifles”. The Norton Introduction to Literature. Ed. Mays, Kelly J. 11th ed. New York: Norton, 2013. Print Kastleman, Rebecca. “A Silenced Woman”. American Theatre. Feb2010, Vol. 27 Issue 2, p19-19. Carpentier, Martha C. “Susan Glaspell’s Fiction: Fidelity as American Romance”. Twentieth Cenurty Literature. 1994, Vol. 40, No 1, p 92-113. "About the Author – Susan Glaspell." Annenberg Learner. Web. March 24, 2014.
One striking characteristic of the 20th century was the women's movement, which brought women to the forefront in a variety of societal arenas. As women won the right to vote, achieved reproductive freedom through birth control and legalized abortion, and gained access to education and employment, Western culture began to examine its long-held views about women. However, before the women’s movement of the 20th century, women’s roles were primarily of a domestic nature. Trifles by Susan Glaspell indicates that a man’s perspective is entirely different from a woman’s. The one-act play, Trifles, is a murder mystery which examines the lives of rural, middle-aged, married, women characters through gender relationships, power between the sexes, and
Born in 1867, Susan Glaspell was raised in rural Davenport, Iowa during a time where young ladies were expected to marry and raise a family. Glaspell never conformed to this expectation; instead graduating from Duke University, becoming a reporter for Des Moines Daily News, and becoming a successful author and playwright. During her years as a reporter, she covered the story of Margaret Hossock, a farm wife in Iowa accused of murdering her husband. This would later serve as her inspiration for Trifles. Glaspell was a woman who bucked societal expectations but was not blind to the plight other women faced. (Ozieblo) Trifles shows how silencing a person’s soul can be just as dangerous as taking the song out of a caged canary; stealing
In Brian Sutton’s article, it summarizes the similarities between Marie de France “Laustic” and Susan Glaspell “Trifle.” “Laustic” is derived from medieval literature around the twelfth century. This story is mostly seen in the Norton Anthology of Western Literature. The short play “Trifle,” was birthed around the twentieth-century during the women’s rights movement. Although both works come from different parts of literature, their themes reflect each other.
Susan Glaspell, from Davenport, Iowa is only the second woman to win a Pulitzer Prize [1]. Much of her writing is strongly feminist, mostly dealing with how society viewed women and the prevalence of male dominance. Possibly, the idea behind the play “Trifles” was based on a woman named Margaret Hosack from Iowa, who is thought to have killed her husband due to his abusive behavior. Susan Glaspell was influenced by this story when writing ‘Trifles’ because she worked at the Des Moines Newspaper at the time of the event and in
Sexism was evident in society during the time era of “Trifles” and is challenged by Susan Glaspell’s female characters through structure, setting, and symbolism. It was very much frowned upon that the women were superior to the men then and even today men don’t want women to be equal to them let alone superior to them. So in order for a woman to get the greatest victory, as displayed through Mrs. Hale and Peters, they must
The setting and symbolism of the play act as a portal that allows for the dramatic development of the message and themes. Throughout the play, Glaspell continually uses the setting to demonstrate the differences between men and women during that time period, and further, how the lives and roles of women were devalued and considered unimportant. From the start of the play, the audience immediately gets a feel for the run-down atmosphere of the farmhouse, the life Mrs. Wright must of led, and more importantly, the distinct separation between the male and female sexes. Not only are the genders separated biologically and geographically throughout the play, they also differ in mindset, behavior, and overall thoughts regarding the motive of the murder. This can be seen when Mr. Henderson, Mr. P...
Susan Glaspell was an American playwright, novelist, journalist, and actress. She married in 1903 to a novelist, poet, and playwright George Cram Cook. In 1915 with other actors, writers, and artists they founded Provincetown Players a group that had six seasons in New York City between 1916-1923. She is known to have composed nine novels, fifteen plays, over fifty short stories, and one biography. She was a pioneering feminist writer and America’s first import and modern female playwright. She wrote the one act play “Trifles” for the Provincetown Players was later adapted into the short shorty “A Jury of Her Peers” in 1917. A comparison in Susan Glaspell’s “Trifles” and “A Jury of Her Peers” changes the titles, unfinished worked, and
...mpletely dependent upon men. Playwright Susan Glaspell cleverly causes the reader to question the way that women and men are viewed in society. The women in Trifles, though they were overlooked by the men, solved this case while the men failed to do so when they were supposedly in charge. In failing to recognize the women’s ability to contribute to their work the men succeed in causing the women to unite, giving them the real power and knowledge to solve this mystery. All the while the women are moving a little closer together and moving forward toward their rights.
...stine. "On the Edge: The Plays of Susan Glaspell." Modern Drama 31.1 (Mar. 1988): 91-105. Rpt. in Twentieth-Century Literary Criticism. Ed. Marie Lazzari. Vol. 55. Detroit: Gale Research, 1995. Literature Resources from Gale. Web. 27 Nov. 2011.
Glaspell, Susan. Trifles. The Bedford Introduction to Literature: Reading, Thinking, Writing. 5th ed. Ed. Michael Meyer. Boston: Bedford/St. Martin's, 1999. 1172-1181.
Trifles is based on a murder in 1916 that Susan Glaspell covered while she was a journalist with the Des Moines Daily News after she graduated from college. At the end of the nineteenth century, the world of literature saw a large increase of female writers. Judith Fetterley believed that there was an extremely diverse and intriguing body of prose literature used during the nineteenth century by American women. The main idea of this type of literature was women and their lives. The reason all of the literature written by women at this time seems so depressing is due to the fact that they had a tendency to incorporate ideas from their own lives into their works. Glaspell's Trifles lives up to this form of literature, especially since it is based on an actual murder she covered. This play is another look at the murder trial through a woman's point of view.
All three of these women authors have, by their literary works, voiced their strong unfavorable feelings about the patriarchal society in which they lived. These women authors have served as an eye-opener for the readers, both men and women alike, in the past, and hopefully still in the present. There are still cultures in the world today, where women are treated as unfairly as women were treated in the prior centuries. These women authors have impacted a male dominated society by reflecting on the unfairness imposed upon women. Through their writings, each of these women authors who existed during that masochistic Victorian era, risked criticism and retribution.
In Susan Glaspell’s play Trifles Mr. Wright’s murder is never solved because the two women in the story unite against of the arrogance of men to hide evidence that would prove Mrs. Wright as the murderer. The play Trifles is about the death of farmer Mr. Wright and how the town sheriff and attorney try to find evidence that his wife Mrs. Wright killed him. As the play progresses the men’s wives who had come along were discovering important pieces of evidence that prove the men’s theory but chose to hide from them to illustrate the point that their ideas should have been valued and not something to be trifled. The very irony of the play comes from its title trifles and is defined as something that isn’t very important or has no relevance to the situation that it is presented to. In this play the irony of the title comes from the fact that the men find the women’s opinions on the case trifling even though the women solve the crime which ends up being the downfall of the men as they would have been able to prosecute Mrs. Wright if they had listened which made the women’s opinions not trifling. Glaspell was born in an age where women were still considered the property of men and they had no real value in society in the eyes of men except for procreation and motherhood. This attitude towards women was what inspired Glaspell to write the play Trifles and to illustrate the point that women’s attitudes should be just as valued as men’s and to let women have a sense of fulfillment in life and break the shackles that were holding them only as obedient housewives. Trifles was also inspired by a real murder trial that Glaspell had been covering when she was a reporter in the year 1900. Glaspell is a major symbol of the feminist movement of l...
One woman’s Trifles is another man’s clues. The play Trifles, was written by Susan Glaspell based on the murder of John Hossack, which Susan reported on while working as a news journalist for Des Moines Daily News. Susan Glaspell was an American Pulitzer Prize winning playwright, actress, novelist, journalist, and founder of the Provincetown Players. She has written nine novels, fifteen plays, over fifty short stories, and one biography. At 21 she enrolled at Drake University even after the prevailing belief that college make women unfit for marriage. But many don’t know that her work was only published after the death of her husband George Cram Cook. Trifles is an example of a feminist drama. The play shows how male dominance was
Susan Glaspell’s Trifles (1916), is a play that accounts for imprisonment and loneliness of women in a patriarchal society. The plot has several instances where women issues are perceived to be mere trifles by their male counterparts. The title is of significant importance in supporting the main theme of the story and developing the plot that leads to the evidence of the mysterious murder. Trifles can be defined as things of less importance; in this story dramatic, verbal and situational irony is used to show how the insignificant trifles lead to a great deal of truth in a crime scene investigation. The title of the story “Trifles” is used ironically to shape the unexpected evidence discovered by women in