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Impact of witches in the play macbeth
The use of tragedy in hamlet
Cultural aspects in the novel things fall apart
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Recommended: Impact of witches in the play macbeth
Every culture influences its members and there are common characteristics of people in every culture throughout the world. William Shakespeare’s Macbeth and Chinua Achebe Things Fall Apart are separated by three centuries and yet Macbeth and Okonkwo have the same tragic flaws. Culture has a major influence on the development of tragic flaws, and although the cultures differ, tragic heroes remain constant.
Macbeth’s and Okonkwo's tragic flaws are influenced by their individual cultures. Cultural beliefs in Scotland during the 1600s include supernatural ideas such as witches and how they could predict the future. The third witch says to Banquo and Macbeth "All hail, Macbeth, thou shalt be king hereafter!" (1.3.50). When Macbeth is told that he is going to be king of Scotland, he is driven by his vaulting ambition of becoming king and fulfilling the witches prophecy through killing everyone in his way of the crown. In Scotland during the time of Macbeth, heroes were celebrated and a king’s prestige was based on success as a war leader, but Macbeth was not voted into monarchy. Macbeth tells himself, “I have no spur To prick the sides of my intent, but only Vaulting ambition, which o'erleaps itself And falls on the other” (1.7.25-28). Macbeth wanted to be king of Scotland and according to the witches he would be, he just had to kill Duncan, for no good reason except for his own self gain and to cover himself of the suspicion that would rise when he seized the throne. Okonkwo who is part of the Ibo culture in the 1950s values strength and prosperity and also fears failure. The Ibo culture thinks of fear as a weakness, but Okonkwo's fear of being thought of as weak led to his demise. When Okonkwo was taken into the forest with Ikeme...
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...drove himself to insanity and Okonkwo was not able to cope with the return from his exile and his hope of becoming a powerful leader became out of his reach.
Okonkwo and Macbeth lived in very different cultures which influenced their individual tragic flaws; and although their cultures were completely different tragic hero within each culture prevailed. Both Okonkwo and Macbeth were power hungry and had very similar tragic flaws. A tragic hero will be apparent in all cultures and time periods as part of the human condition but the culture itself truly influences all tragic flaws within characters.
Works Cited
Achebe, Chinua. Things Fall Apart: And Related Readings. Evanston, IL: McDougal Littell, 1997. Print.
Shakespeare, William, and Eugene O'Neill. Macbeth and The Emperor Jones. Ed. Alfred A. May and Benjamin A. Heydrick. New York: Noble and Noble, 1965. Print.
Shakespeare, William. Tragedy of Macbeth . Ed. Barbara Mowat and Paul Warstine. New York: Washington Press, 1992.
Shakespeare, William. Tragedy of Macbeth . Ed. Barbara Mowat and Paul Warstine. New York: Washington Press, 1992.
Shakespeare, William. Macbeth. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press New Folger Edition, 1992
Evans, G. Blackemore. "Macbeth." In The Riverside Shakespeare. Ed. G. Blackemore Evans. Boston: Houghton Mufflin Company. 1974: 1307- 1311
Shakespeare, William. The Tragedy of Macbeth. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square, 1992. Print. The New Folger Library Shakespeare.
Cohen, Walter, J.E. Howard, K. Eisaman Maus. The Norton Shakespeare. Vol. 2 Stephen Greenblatt, General Editor. New York, London. 2008. ISBN 978-0-393-92991-1
of his final action: suicide. Due to this fact, Okonkwo can never be a true tragic he-
Shakespeare, William. Tragedy of Macbeth . Ed. Barbara Mowat and Paul Warstine. New York: Washington Press, 1992.
Shakespeare, William. Macbeth. Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X.J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999.
Aristotle once said, “A man cannot become a hero until he can see the root of his downfall.” According to Aristotle, the characteristic of a tragic hero is a man of noble stature and occupies a high status position. There should be a fatal flaw that eventually leads to his downfall, the tragedy is usually raised by its character’s fatal flaw and the audience must feel pity or fear for this character. While there is less pity or fear for Macbeth, Macbeth still is a character who portrays a tragic hero through his nobility, high status position, his hamartia, and error in judgment.
Shakespeare, William. Tragedy of Macbeth . Ed. Barbara Mowat and Paul Warstine. New York: Washington Press, 1992.
A tragic hero is someone born into a noble lifestyle, destined for greatness, but is tested by fate through great destruction and suffering. In the book Macbeth, by William Shakespeare, this concept is well demonstrated in the main characters uprising. When Macbeth chooses the wrong path, he is led by his ambition to his destruction. The presence of an active flaw, the struggle to eliminate it when too late and the path to demise it created are all reasons Macbeth’s story is tragic. As a result, Macbeth’s tragic flaw of ambition led him to become a tragic hero.
Shakespeare, William, and John Crowther. No Fear Shakespeare: Macbeth. ed. New York: Spark Publishing, 2003. Print.
Shakespeare, William. “Macbeth.” The Complete Works of Shakespeare. Ed. David Bevington. New York: Longman, 1997
Shakespeare, William. Tragedy of Macbeth . Ed. Barbara Mowat and Paul Warstine. New York: Washington Press, 2008.