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The Symbolism of Darkness in "Heart of Darkness
Analysis of joseph conrad's heart of darkness
Analysis of joseph conrad's heart of darkness
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Recommended: The Symbolism of Darkness in "Heart of Darkness
The Downfall of Kurtz
Enveloped within Joseph Conrad's Heart of Darkness, Kurtz fails for many reasons and in many ways. Kurtz's failure is especially tragic because he once had the potential for great success. He was an eloquent, powerful, and persuasive speaker who at one point was adored by all the inhabitants of the heart of darkness, the great and mysterious jungle. Everyone from the innocent natives to the administration of his corrupt company was in awe of him. Why then, did someone with such amazing promise fail?
Even from the beginning, Kurtz was made out to be an icon, an idol. To Marlow, he was the only thing that made sense in the company, on a journey, in a wilderness full of confusion. The company hailed him as their biggest asset and success. He delivered massive amounts of ivory to them and they liked that very much. Kurtz represented many things to many people. In class, we described him as a representation of the wilderness, the voice, a superior God-like being, an imperialist who was a symbol of colonization, and a symbol of the jungle. We also considered him a symbol of power, dehumanized, unhuman, a rule-breaker who had to face his consequences, and a once-great man who was trapped somewhere in the layers of the Heart of Darkness. Late in the book, several characters mention all the things that Kurtz could have been, his great potential. Kurtz's cousin came to Marlow wishing to know about Kurtz's last moments. He told Marlow that Kurtz had once been a great musician (Conrad, pg. 71). Later, a journalist told him that Kurtz had the potential to be an excellent politician (Conrad, pg. 71). It was also said that he would have been a splendid lawyer. No one could deny that whatever he was, and whatever he did, as his cousin said, Kurtz was "a universal genius" (Conrad, pg 157). Kurtz also possessed a “gift of expression.” (Stewart, 361) He had an uncanny ability to persuade and influence people with his articulate way of communicating. Perhaps it was his extreme promise that lead to his failure. The higher the height you fall from the greater the fall. He was not the only one in the jungle that failed, but his fall was worse because he had the most potential. All the characters reacted to their new environment differently. A common bond was that all of them were desperately hanging on to anything fam...
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...ondon: W. W. Norton Company, 1988.
Franklin, John Hope. William Ignored. 3rd Norton Critical Edition.
Robert Kimbrough. New York, London: W. W. Norton Company, 1988.
Garnett, Edward. Art Drawn from Memory. 3rd Norton Critical Edition. Ed.
Robert Kimbrough. New York, London: W. W. Norton Company, 1988.
Sarvan, C.P. Racism and the Heart of Darkness. 3rd Norton Critical Edition.
Robert Kimbrough. New York, London: W. W. Norton Company, 1988.
Works Cited:
Conrad, Joseph Heart of Darkness: 3rd Norton Critical Edition. Ed.
Robert Kimbrough. New York, London: W. W. Norton
Company, 1988.
Guerard, Albert J. The Journey Within. 3rd Norton Critical Edition. Ed.
Robert Kimbrough. New York, London: W. W. Norton Company, 1988.
Labrasca, Robert. Two Visions of “ The Horror!” 3rd Norton Critical Edition.
Robert Kimbrough. New York, London: W. W. Norton Company, 1988.
Levenson, Michael. The Value of Facts in the Heart of Darkness. 3rd Norton Critical Edition.
Robert Kimbrough. New York, London: W. W. Norton Company, 1988.
Stewart, Garret. Lying as Dying in Heart of Darkness. 3rd Norton Critical Edition.
Robert Kimbrough. New York, London: W. W. Norton Company, 1988.
In both the film and the movie, Kurtz is portrayed as a man of great stature and mastery whose actions become questioned due his barbaric conduct. While Marlow slowly learns more and more regarding who Kurtz is and what he has done through others’ conversations, Willard educates himself about Kurtz through pictures and files he has of Kurtz. He states that he feels like he already knows a thing or two about Kurtz that are not in the papers he has, and that beyond the bridge, there is only Kurtz. This goes to show how Kurtz develops a prof...
When reading each page, a sort of investigation begins in trying to figure out how Kurtz became insane. However, that investigation was not fully closed because in the end no one knew what had happened to him. In a way his character presented the idea that perhaps the darkness, his darkness was his own and was all along in him waiting to come out. Because there were other men living and working in the Congo who had not become insane as he did, such as the Russian trader or the ivory company’s accountant.
Kurtz is another example of leadership. He is obsessed with the power and leadership he has over the natives. You have never seen such stronger leadership over an entire population, as you see in this movie. Kurtz reigns over these people as if he is God.
When Marlow finally reaches Kurtz he is in declining health. This same jungle which he loved, embraced and consumed with every ounce of his flesh had also taken its toll on him. Marlow finally meets the man whose name has haunted him on his river journey. Could this frail human be the ever so powerful Kurtz? The man who has journeyed into uncharted territories and has come back with scores of ivory and the respect of the native tribe. Yes, this was the very man and though he is weak and on his way to death his power still exudes from him.
3. Kurtz, who is not the protagonist or antagonist is a very significant character in the book as Marlow and Kurtz essentially form a team as the novel progresses. He is the chief of the Inner Station and Marlow basically follows him. Kurtz is a man of many talents (he is a talented musician and painter). His abilities are nothing without his charisma and his ability to lead. Kurtz is a man who understands the power of words, and his writings present a complexity that obscures their horrifying message (his writings are often hard to understand, as they are complex in structure, often hiding the morbid message behind them). Although he remains a “puzzle,” e...
A. Michael. Matin. Introduction to Heart of Darkness and Selected Short Fiction. New York: Barnes & Noble Classics, 2008. Print.
Kurtz was first introduced to us as "a first-class agent" (Heart of Darkness, 29) and "a very remarkable person"(29) by the chief accountant. He was shown to be a painter and a poet with "moral ideals" (51) that ruled his life. Everyone who really knew him revered his opinions and words. "You don't talk with that man-- you listen to him." (90) All this points to a very moral and upstanding gentleman who follows the edicts of society to the bitter end.
Kurtz once was considered an honorable man, but living in the Congo separated from his own culture he changed greatly. In the jungle he discovers his evil side, secluded from the rest of his own society he becomes corrupted by power. "My Ivory. My people, my ivory, my station, my river," everything was under Kurtz's reign. While at Kurtz's camp Marlow encounters the broken roof on Kurtz's house, the "black hole," this is a sign of the uncivilized. The black hole represents the unknown and unconquered, and therefore represents the uncivilized. Also, Marlow notices the "black heads" on Kurt...
Bausch, Richard, and R. V. Cassill. "Heart of Darkness." The Norton Anthology of Short Fiction. New York: W.W. Norton, 2006. 126-86. Print.
He had something to say. He said it. Since I had peeped over the edge myself, I understand better the meaning of his stare, that could not see the flame of the candle, but was wide enough to embrace the whole universe, piercing enough to penetrate all the hearts that beat in the darkness.” Marlow admires Kurtz because Kurtz was able to break free from racism and wholeheartedly assimilate with all stretches of humanity. Perhaps Kurtz knowledge of the world comes at the cost of sanity.
When writers write, it is often to convey a deeper meaning or truth to it readers. With this in mind, we should first take the book at face value then analysis the story to see the point that the writer revels. In The Heart of Darkness, Joseph Conrad does this very well. The story goes from what we originally thought as just a story of a journey into Africa to a story of indeed a journey to the hearts of men. Conrad’s truth in The Heart of Darkness is multi-layered in dealing with imperialism and colonialism, but leads us to a critique of humanity as a whole. The biggest issue that Conrad shows in this book, is his philosophy of the dark nature of man. This paper will explore the evidence for the nature of man theory and then look at the proposed solution subtlety given by Conrad.
Heart of Darkness describes an outward journey to the heart of Africa that parallels an inward journey to the heart and depths of man's being. Two spiritual voyages are made by Kurtz and Marlow.
As expressed through the novel Heart of Darkness, humanity’s surroundings constantly dictate one’s behavior, both physically and emotionally, depicting mankind’s overall weakness. Such as with living in an area abundant with crime or in a quiet peaceful neighborhood, man’s actions become a result of what they perceive as being completely normal and rational. Not knowing any different, humans constantly adapt to their surroundings, as their focus becomes shifted to what they see and experience each and every day. In Heart of Darkness, the power of the dark jungle of the Congo and forest becomes quite apparent with the actions of both Marlow and Kurtz, as both turn to savage means in order to survive. While his environment allows him to have control over the native population, the African jungle also becomes an apparent influence upon him, as he is seen “crawling on all fours" (80). As Kurtz had completely surrounded himself with the natives, his actions involuntarily come t...
...s to look at Kurtz as a hero for all that he had accomplished, no matter how evil. Marlow?s obstacles as the hero are not the overcoming of a dragon or evil villain. It is the eternal battle of the story of a Hero versus Antihero. Marlow?s blindness to Kurtz?s impurities are both his strength and weakness. His ignorance to the greatness of his own qualities can best be stated one way: ?The Horror.?
Conrad, Joseph. Heart of Darkness 3rd ed. Ed. Robert Kimbrough. New York: Norton Critical, 1988.