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Importance of role model
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Edmond Rostand’s 1897 masterpiece titled Cyrano de Bergerac is full of twists and turns, action, and drama. Rostand’s play also exhibits fantastic character development, boasting several incredible characters, such as Madeleine Robin (Roxane), Christian, and, Cyrano de Bergerac. The latter is the perfect role model and Renaissance man. He is the most admirable character because of his praiseworthy qualities including, but not limited to wit and eloquence, courage, and loyalty. The first of Cyrano de Bergerac’s numerous admirable qualities is his courage. In the play named after him, Cyrano never backed down from a fight. During his encounter and battle with the Viscomte (Valvert), Cyrano takes on his opponent with confidence and determination, not knowing what he is up against: “It must be eased - it’s getting stiff, and how…/- This comes of leaving it unused. Good Lord!/I’ve got… cramp in my sword!” (1.4.387-389). Another example of his courage is when his friend, Lignière, is nearly ambushed by a hundred men. Cyrano rises to the challenge, exclaiming, "A hundred men, you say? We’ll see you home!” (1.7.556). He fights off the men and creates a safe path for his friend to travel through in order to get back home. Cyrano’s extraordinary courage allows him to do things unimaginably daring by anyone’s standards. His praiseworthy bravery is part of what makes him an ideal role model. At the beginning of the play, in the theatre, the audience gazed as he put on his own show, exhibiting courage and confidence. He received an overwhelming amount of praise for his actions and words, which demonstrates that many people look up to him. Courage is a quality that everyone possesses, but not many decide to exhibit it in public. It enables peop... ... middle of paper ... ...y be simple, but consistently displaying loyalty is far more difficult. This proves that Cyrano’s loyalty is a significant part of what makes him the most admirable character in the play. Though Cyrano de Bergerac is filled with well-developed characters of many qualities, the protagonist, Cyrano, is the most admirable of all by reason of his courage, wit and eloquence, and loyalty. These three character traits play a huge part in what makes Cyrano a role model and the perfect “Renaissance man”. All of Cyrano’s aforementioned admirable personality traits are qualities, which all of us should be exhibiting consistently. Ideally, society would be full of witty, daring, and loyal individuals. No role models would be needed because admirable qualities would become a standard for all. Alas, no such utopia exists as of yet, but people such as Cyrano keep the dream alive.
Superficial passion revolves around outward beauty, but true love is always found in the heart. In Cyrano de Bergerac, Edmond Rostand conveys this truth beautifully. This play follows Cyrano in his quest for love from Roxanne, believing she could not love him due to his oversized nose. Little do they know that she does not truly love the handsome Christian, but rather Cyrano, the master of words.
“Everything has beauty, but not everyone sees it.” (Confucius) Cyrano’s insecurity of his nose effects his relationship with Roxane. In Edmond Rostand’s play Cyrano De Bergerac, Cyrano’s insecure and eloquent self-perception results in Cyrano’s companionship & loving in his relationship with both Christian & Roxane. Cyrano’s level of eloquence helps him combat the insults of his nose. Cyrano is a poetic, witty, & eloquent man who is insecure & has trouble showing his true feelings for Roxane .Cyrano and Christian work together to win Roxane’s heart, and at the end Cyrano allows love to kill him, even after Roxane discovers & reciprocates his feelings.
Appeal to emotions, individualism, and intellectual achievement were three important elements of Romanticism. This essay will explore the degree to which Cyrano de Bergerac exemplifies these elements of Romanticism.
Society tends to misjudge people base on their appearances instead of their personality. This can be seen in the play Cyrano De Bergerac by Edmond Rostand. In which Roxane represents that vile aspect of society. Roxane is attracted to Christian based on his looks, and under minds Cyrano because of his appearance. Society misjudgment of people cause oppression on an individual and it is from oppression and misjudgment f character that causes self consciousness to be born. Cyrano exhibits this self consciousness by helping Christian. Such oppression or self conscious aids to form magnificent characteristics attributes such as the ones portrayed by Cyrano throughout the novel. After all of its societies misjudgment that causes Cyrano to be the character that he is.
Few words can be more humorous, or more upsetting, than a well thought out and witty phrase. The only skill that matches Cyrano’s skill with a sword, is his skill with his tongue. With a wit unmatched by any poet, Cyrano made enemies wherever he went, simply by out-smarting all who came against him. In the first act of the play, Cyrano crashes a performance of the well-known actor Montfluery. After many insults, Cyrano heaps upon them by saying, “I would never venture out in public with a soiled conscience, a tarnished honor, or scruples grimy and dull. I do not adorn myself with gems and ribbons, like you. Instead, I decorate myself with truth, independence, and a clean soul.”
In The play Cyrano de Bergerac, the main character, Cyrano, is a noble idealist who fights against the harsh reality of ordinary life, and creates his own world. On the outside he is a strong man with a hard shell, but inside he is a melancholy poet yearning for love. He feels that the world bases love too much on appearance. He believes that no one will ever love him because of his grotesquely long nose. For this reason Cyrano cuts himself off of true reality and creates a world where love exists without appearance.
Cyrano De Bergerac has had an enormous, revolting nose ever since birth. Cyrano is an idealist who fights against the harsh reality of ordinary life. He feels that love is based too much by looks and appearance and thinks that no one will ever love him because of his appearance. Because of this, Cyrano alienates himself from society and lives in a world where love exists without appearance. Throughout the book, Rostand uses the motifs platonic love and beauty to highlight the idea that idealism requires nobility, integrity, courage, and self-sacrifice.
Loyal, devoted, selfless, prideful, and knowledgeable. These are just a few of the many traits that will be sincerely missed. The story of Cyrano de Bergerac’s life impeccably emphasized that a positive soul is worth more than a beautiful face. There is currently a lot of media nowadays that highlights the importance of looks and the perfect face. They create products to alter your face and weight and people begin to forget what is really important. We see past the loyalty, the devotion, the selflessness, and go no deeper than our each other’s skin. However, Cyrano saw the good in everyone and he taught people, who may or may not have been in love, what is important in a relationship.
If you pay attention to the last scene of each end, it would always end up with Cyrano saying something. The point of view in this play is omniscient which is multiple perspectives. Because this is a play, it is obvious that there will be different point of views. Most of the figurative language is said by Cyrano because of the type of person he is. “ ‘ I’ll be as silent as a tomb. ‘ “ (p. 111). When Roxane didn’t want Cyrano to tell Christian of what he has to do, this is what Cyrano said. This quote is a simile. “ ‘An old acquaintance. We’ve met on the battlefield, among other places. I knew we’d meet again some day, but this time wasn’t the time for it. ‘ ” (p. 195). This quote is a metaphor. Cyrano was about to die, but because he did not want Roxane to worry, he said
Cyrano de Bergerac is a man of many talents but like most people he also has some flaws. Cyrano is known by many people for his large nose, his great
While reading Cyrano de Bergerac, I found myself often wondering whether or not Cyrano had led a happy life. Actually, I never once wondered that, but that is irrelevant, because Cyrano’s happiness is the focus of this essay. Was he happy? Truth be told, I cannot say for sure. If we look upon his life, it would seem that he was a bit of a martyr, always sacrificing his happiness for the sake of others. This is probably the case, but I do not believe that he led his life with his happiness as any sort of goal. That will be a defining case in my argument. What I really believe is that he simply did not care about his happiness. In that sense, he did not so much sacrifice it, as he annexed and divided it when he saw fit. To a further extent, this apathy towards himself probably came from a low self-worth, almost certainly spawned not from his elephantine nose, but the fair maiden Roxanne. Finally, the nose itself, the very icon of de Bergerac, was probably not the problem that Cyrano believed it to be. All of this, however obscure it may seem, is crucial to the question posed of me now.
The morality of the hero also plays a key role in the nature of his heroism. Hamlet holds himself to high moral standards and ethics. “We, the ...
However, Cyrano should have realized that with De Guiche’s support he would have a higher status and a more stable economic source. The reason why Cyrano's ingenuity is never publicly recognized is because his poems are never published. Not only does he not have funds to pay for their publication, but his poems are often spontaneous and thus recapturable in their context without the situation to which it applied. A number of his poems are also on the objectionable because of the merciless way he regards others. If he would seize this brilliant opportunity, he would have made more friends and fewer enemies, and he would not have died so young. It was his impudent satire that infuriated his enemies to the point of conspiring his "accidental" death. This somewhat rash action reflects on Act I when he threw a bag of gold to th...
...ter on Hamlet, in his soliloquy, is frustrated at how actors can freely express their emotions without fear. However, his goal of vengeance has taken over all other aspects in his life and therefore, he willingly sacrifices his freedom of expression.
Rosenberg, Marvin. “Laertes: An Impulsive but Earnest Young Aristocrat.” Readings on Hamlet. Ed. Don Nardo. San Diego: Greenhaven Press, 1999. Rpt. from The Masks of Hamlet. Newark, NJ: Univ. of Delaware P., 1992.