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Protest songs about war for a comparitive analysis
Protest songs and their influence
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Recommended: Protest songs about war for a comparitive analysis
Report on Protest Song 'This Bomb has Got to Go' by Peggy Seeger and Ewan MacColl.
Peggy Seeger and Ewan MacColl were popular Folk musicians prior to and during the Vietnam War Era. They had a love of humanity and a great desire for justice and peace in the world. The subjects of their songs were real people in a real world. They wrote and sang about survival. Their lyrics were simple and sometimes traditional melodies formed the basis of their songs. Their musical equipment was mostly acoustic and they performed to large audiences throughout the world. They released many albums.
A favourite peace march song around 1963 was 'That Bomb has Got to Go'. In this song Seeger and MacColl describe the feelings and relate the events surrounding the times of the 1960's when many nations were arming themselves for war and they warn of the dangers of using all bombs(including nuclear bombs)as weapons.
This can be seen through such lyrics as 'fall out here and fall out there' and 'strontium ninety everywhere'. The song also describes their prophetic dream where the Prime Minister calls for disarmament in an over-crowded world and the Tories 'see the light'.
The main points of the song tell about the size of the bomb and the number of people one bomb can kill. It tells of the hopes of old folk, children at school, and the newly-born Prince, all of whom have a plan to march to Trafalgar Square, London to protest 'That Bomb Has Got to Go!'
The purpose of the song is to encourage the audience to take action and to attend the protest march which ends in the gathering of protestors at Trafalgar Square, London, where the politicians, the Queen, the Prime Minister would notice them and be forced to re-think their Defence Policies.
The lyrics, 'I dreamed the Tories saw the light' and MacMillan (the Prime Minister) spoke in Parliament, 'let's stop this damned rearmament' indicate that the songwriters believed that their cause would result in successful disarmament and ban of nuclear bombs. Even the newly-born prince who could not yet walk was supposed to have said 'We're marching to Trafalgar Square, ... to declare 'THAT BOMB HAS GOT TO GO'.
Because everyone, including babies and old folk were marching, the audience would have felt compelled to join in. They were being positioned to feel that it was normal to protest.
The song appeals to all persons who want to see peace in an overcrowded world, to those who want to 'live to a ripe old age', and to those persons who practice 'the golden rule'.
first atom bomb ever dropped on a city. It speaks about how even if you did
Louder than a Bomb is a documentary by Jon Siskel and Greg Jacobs. We are invited into the lives of four different Chicago teenagers as they prepare for the city wide poetry slam. These four students come from various backgrounds and schools.
The song sends a positive and peaceful aura; John Lennon hopes we can all live as one. He establishes his credibility, or ethos, by being one of the original
For those of us born at the end of the Vietnam War, much of the music from that time period can remain hidden unless we make a point of seeking it out. Radio is replete with “classic rock” format stations, but like all other forms of mass media, listeners are relegated to a passive role, with little means of changing play lists that more-often-than-not overstate the effect of the British Invasion to the detriment of American rockers. For every Led Zeppelin garnering large amounts of airplay, there is a Creedence Clearwater Revival that is overlooked. The problem with British rockers from the era of the Vietnam War is one of credibility: any British musician (such as John Lennon) who tried to protest the Vietnam War sounded contrived at best. How could a British group object to a war in which they had no direct stake? These attempts at protest by foreign bands against the Vietnam War have the appearance of an orchestrated effort to “get on the bandwagon” and sell albums by using the charged feelings of the citizenry toward an unpopular military action. While this is a cynical view, it is one that nevertheless deserves consideration.
Protests have long been a way for people to display their difference in opinion and gain support. One of the many protests against the war that had a powerful effect on public opini...
In 1961, previous to the outbreak of Occupy Wall Streets of Greenwich Village’s Washington Square Park was filled with three–thousand young beatnik protestors. Playing instruments and singing folk music symbolized the starvation that these young folks wanted of freedom and equality for America. Protestors demonstrated mixed cultures, individualistic beliefs that went against the status quo of America after the post-war years. The Beatnik Riot involved young traditional Americans fighting not just for the musical crisis of that time, but for the social, racial, and cultural segregations that were brought on by the years of war.
People are marching in the streets, some holding signs, reading slogans that help defend the rights of the discriminated. This happened in both the African American Civil Rights Movement and in the Women’s Liberation movement. Two movements, one cause; to get equal rights. In the African American’s case, they were discriminated against due to their race. They were oppressed by the Jim Crow laws that were molding a unequal lifestyle for the blacks. Women’s Liberation, however, was about women who were forced to stay at home, because that is where people thought they belonged. Women were also granted unfair wages as compared to men. African Americans and Women were both fighting to get equal rights, which creates similarities and differences
Vietnam, on the other hand, didn't really have an original theme or even a cadre of original artists to convey its messages. Many of the artists singing out about Vietnam were veterans of the "Ban the Bomb" and Civil Rights movements. In the early 1960s, Pete Seeger, Bob Dylan and Joan Baez broadened their focus to include Vietnam, and tailored their songs accordingly. "We Shall Over-come," a Civil Rights anthem, underwent minor lyrical modifications and soon became a staple of the anti-war movement. But generally, artists found themselves singing to a small group of people until 1962, when The Kingston Trio broke into Billboard Magazine's Top 100 Most Popular Songs with "Where Have All the Flowers Gone." The lyrics an...
Rhetoric of the protest songs has a very extensive history. The oldest protest song on record is "The Cutty Wren" from the Peasants’ Revolt of 1381 against feudal oppression, nearly six hundred years ago (Songs of Work and Protest 9). Protest music has developed over the years and has made its presence in history. The protest music of Vietnam War is the concentration of this paper. The two main artists of focus are Bob Dylan and John Lennon. Their songs will be analyzed and criticized naritively.
If analyzed carefully, the melancholy verses of the song are in sharp contrast to the overpowering chorus. Ignore the addictive chorus "Born in the U.S.A.” and what you really hear is a protest song that tells the depressing story and struggle of Vietnam Veterans returning home to a disillusioned life. To his most devoted ...
Songs of peace and harmony were chanted throughout protests and anti-war demonstrations, America’s youth was changing rapidly. Never before had the younger generation been so outspoken. Fifty thousand flower children and hippies traveled to San Francisco for the "Summer of Love," with the Beatles’ hits song, "Sgt. Pepper’s Lonely Hearts Club Band" (listen) as their light in the dark. The largest anti-war demonstration in history was held when 25,000 people marched from the Capitol to the Washington Monument, once again, showing the unity of youth.1
The 1960’s was one of the most controversial decades in American history because of not only the Vietnam War, but there was an outbreak of protests involving civil and social conditions all across college campuses. These protests have been taken to the extent where people either have died or have been seriously injured. However, during the 1960’s, America saw a popular form of art known as protest music, which responded to the social turmoil of that era, from the civil rights movement to the war in Vietnam. A veritable pantheon of musicians, such as Woody Guthrie, Pete Seeger, Phil Ochs, Joan Baez, and Bob Dylan sang their songs to encourage union organizers to protest the inequities of their time, creating a diverse variety of popular protest music, which has reached out to the youthful generations everywhere demanding for a revolutionary change. The protest music took the children of the 1960’s to a completely new different level. Musicians of this generation were not going to sit and do nothing while the government lied to the people about what was going on in Vietnam. Instead, they took their guitar-strumming troubadours from the coffee houses, plugged them in, and sent the music and the message into the college dorm rooms and the homes of the youth of America. However, as decades went by, protest music does not have much of an impact as it use to because of the way things have changed over the years. Through the analysis of the music during the 1960’s, there shall be an understanding on how the different genres of protest music has affected social protesters based on how musicians have become the collective conscience of that generation through their lyrics and music and the main factors that contributed to the lack of popula...
In the midst of the Vietnam war, songs arose about much more threatening subjects. These songs reflect this generation’s increasingly likelihood of being critical of both the war and the government as compared to past generations. The first sign of...
The strongest part of the song is where it says, “I keep my toes on the party line/ There is nothing wrong dear, don’t think twice”. In conclusion, the concept that propaganda is a brainwash becomes clear. The government changes the way that reality looks by altering the past, using pure power and propaganda.
“Music is uniquely wonderful. It is incapable of being touched yet it touches everyone who is capable of hear sounds. It can seemingly evoke any emotion; we instinctively respond to happy tunes, mournful songs, beautiful melodies, inspiring anthems, stirring hymns, and majestic orchestrations.” (Doolan, Robert. 1985) There is no question that music is great part of society; it has been at civilization’s side whether it be the lyres and flutes of the ancient Greeks or how it calms or excites emotions and keeps armies in order during battle. Within society, there has also been social unrest and the desire for change. Protesting is the expression of a society’s concerns on current events of which they feel affected by whether it be through public rallies, picketing, riots or even bombings. Protest through music is one powerful medium for engaging people. Amidst what life throws at individuals, music has comforted the soul, provoked individualistic thought and opinion, and music draws people together through groups alike who have the same attachment or concerns with their surroundings. Whether it be rock, jazz, blues, rap, hip hop, dance, spiritual, or world, music has inspired artists to spill out their expression and views of society. Music is a universally effective tool of protest in generating social change and unrest as it continues to unite those with like ideas.