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Joseph Conrad’s Heart of Darkness in relation to human nature
Joseph Conrad’s Heart of Darkness in relation to human nature
Moralhod morality in joseph conrad's heart of darkness essay
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Morality in The Heart of Darkness
"I trust I shall be forgiven the discovery that all moral philosophy hitherto was boring and belonged among the soporifics" (Nietzsche 561). Maybe so, but the issue of moral philosophy has been discussed though out time and provides a significant element in Conrad's story Heart of Darkness. In general, the timeless discussion traces back to the first philosophical writings of Plato and transcends from general religious grounds to general applications and codes of behavior espoused by Kant and Mills. These individuals and lines of thought try to establish a 'good' code of behavior based on something: a benevolent god, extensible codes similar to The Golden Rule, or even relativistic collective opinion. Later, in the eighteen hundreds though the turn of the century, popular thought turned around and attacked such codes though works such as Blake's The Marriage of Heaven and Hell, and Nietzsche's various works like Beyond Good and Evil. In more modern times a kind of balancing of those two streams leads to what Richard Garner describes as amorality, or the discarding of a moral system altogether. Conrad, who wrote Heart of Darkness while his contemporaries were denouncing objective moralities, incorporates much of these philosophies and uses the work as a demonstrative system for a unique morality.
Developing a moral system generally runs into quite a few problems; mainly, and this affects systems of morality based on Judeo-Christian religious principles, that evil exists in the world. A morality based on a Judeo-Christian God enters into a conflict between the omnibenelovence and that existence, for how could an omnipotent, omniscient and omnibenelovent god allow evil to exis...
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...strate his own thoughts of a relativistic morality.
Works Cited
Conrad, Joseph. Heart of Darkness. New York: W. W. Norton and Company, 1988.
Garner, Richard. The Experience of Philosophy. Ed. Daniel Kolak, Raymond Martin. Belmont California: Wadsworth Publishing Company, 1996.
Guerard, Albert J. The Journey Within. New York: W. W. Norton and Company, 1988.
Kant, Immanuel. The Experience of Philosophy. Ed. Daniel Kolak, Raymond Martin. Belmont California: Wadsworth Publishing Company, 1996.
Milton, John. Paradise Lost. New York: W. W. Norton and Company, 1993.
Nietzsche, Friedrich. Beyond Good and Evil. Trans. Marianne Cowan. Chicago: Gateway Editions, 1955.
Plato. The four Socratic dialogues of Plato. Trans. Benjamin Jowett. Oxford: The Clarendon Press, 1934.
In her autobiography, Maya Angelou tells the story of her coming into womanhood in the American South during the 1930s. She begins with the story of an incident she had on Easter Sunday in which she’s in church reciting a poem in front of everyone; however, she messes up leaving her unable to finish the poem, so she runs out of the church crying and wets herself. Growing up her parents had a rough marriage, and eventually they got a divorce when Maya was only 3 years old. Their parents send her and her older brother Bailey to live with their grandmother Mrs. Annie Henderson in Staples, Arkansas. Staples is a very rural area and their grandmother owns the only store in the black section of the town, so she is very respected amongst the people
This movie has been reworked from Maya Angelou’s best selling novel and the story takes place in a bigoted town in Stamps, Arkansas where Maya and her brother, Bailey, grow up with their grandmother and uncle. The Angelous were African Americans, they had to deal with racism from the infamous Ku Klux Klan and the other Caucasians in town. Despite disdain from the Caucasians, Maya also has familial problems. She travels back and forth between her mother’s and grandmother’s house not being able to situate herself in either’s home. However, Maya perseveres. She begins school and excels in academics. The turning point of the movie is when Maya is sexually assaulted, consequently, she withdraws into total silence. It is with the help of her kind teacher that Maya is mentally restored to herself: enthusiastic, joyful and bright. She makes an emotional valedictory speech at her graduation where she expressed her feelings and emotions towards her friends, fellow classmates, teachers and life at Stamps. Her eventful time from her youth to her graduation serve to teach a person to define themselves, not for others to define a person.
Maya knows that to be black and female is to be faced with violence and violation. This is brought into focus when she goes to live with her mother and is raped by her mother’s boyfriend. When Maya is faced with this catastrophe, tells who did this to her, and the man is killed, she believes her voice killed him. She withdraws into herself and vows never to speak again. Her mother feeling that she has done everything in her power to make Maya talk, but can cannot reach her, sends Maya and her brother back to Stamps. After Maya returns to Stamps and with the help of her Teacher-Ms. Flowers she begins to speak again.
Being a young black girl in the 1940’s was not the easiest thing to be. At that time, the two kinds of people who were believed to be of little or no importance were blacks and women. Throughout the book Maya never really accepted the fact that she was not going to get anywhere because of her status. She always tried to be the best in whatever she did, and always felt that she was just as good as or even better than many of the white people. It was not until she went to live with her mother that she really put action behind her feelings.
(14) W. James, Some Problems of Philosophy: A beginning of an Introduction to Philosophy (New York: Longmans, Green adn Co., 1924)
Stumpf, S.E and Fieser, J. Philosophy: History and Readings, New York: Mc Graw Hill, 2008.
Joseph Conrad’s Heart of Darkness takes place in the late 19th century at the height of colonialism in Europe and tells the tale of an experienced sailor named Marlow, who is hired as a riverboat captain for a Belgian company in the Congo and is responsible for collecting ivory and transporting it back to Europe. The contemporary film adaptation of the novel, Apocalypse Now (1979), directed by Francis Ford Coppola, is set during the peak of the United States’ involvement in the Vietnam War in 1970. Captain Willard, played by Martin Sheen, goes on a journey upriver to find and assassinate Colonel Kurtz, played by Marlon Brando, with “extreme prejudice”. Louis K. Greiff, in “Conrad’s Ethics and the Margins of Apocalypse Now,” claims that Coppola
In 1887, two years before succumbing to utter madness, existential philosopher Friedrich Nietzsche writes his ethical polemic, On the Genealogy of Morals, in search of a man with the strength to evolve beyond humanity:
...ch open up the readers mind. Joseph Conrad's "Heart of Darkness", raises many questions about society and the human potential for evil.
Ed. Michael Goldman. Teaching Philosophy 36.2 (2013): 181-82. Print. The.
Plato. The Dialogues of Plato. Trans. Benjamin Jowett. Great Books of the Western World. 54 vols. Chicago:Encyclopaedia Britannica 1952. Vol. 7.
A long debated issue that has plagued human beings since the fall of man is what leads people to commit evil actions and whether evil is inherent in all people. In the literary work of Joseph Conrad's Heart of Darkness, Marlow grapples with those two similar issues. They way in which Charlie Marlow, the protagonist and skipper, goes about determining the answers are by observing his and other people's goals and motivations throughout his voyage of discovery and self-enlightenment in the Congo of Africa.
Melchert, Norman. The Great Conversation: A Historical Introduction to Philosophy. 4th ed. Toronto: McGraw Hill Companies, 2002.
Stumpf, Samuel Enoch, and James Fieser. The Origin of All Our Ideas in Experience. 1690.Philosophy: History and Problems. 7th ed. New York: McGraw-Hill Higher Education, 2008. 197. Print.
The places that Maya lived during her childhood contributed to her identity, displacement and motivated her to write about it in the future. In Stamps, Arkansas, being raised by her religious grandmother or "Mama Henderson", her love of God began, also explaining her many biblical allusions. Overall this African American love of religion gave them a outlet for the suffering and the pain of the segregation and depression that was all too common. In Stamps, Angelou was exposed to this segregation, she even mentioned that she didn’t believe whites were people(pg.) because her side of the town had never seen them. (commentary) The