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Literary analysis for toni morrison recifitat
Literary analysis for toni morrison recifitat
Stylistic Analysis of Toni Morrison's Beloved
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Memory and Desire in Beloved In Toni Morrison's pitiless fifth novel, Beloved, freedom is defined as 'not to need permission for desire', a freedom which is almost unattainable for the characters in this book, with their branded memories of slavery, chain-gangs, lynchings and beatings. Ella, a former slave who has crossed the river to Ohio and a kind of freedom, advises Sethe, a runaway who has just given birth to a baby girl, "If anybody was to ask, I'd say, 'Don't love nothing.'" The novel is set in Ohio in the 1880s. The Civil War has been won, slavery has been abolished, but not the memories of it. Morrison, with savage irony, allows Sethe and her mother-in-law, Baby Suggs, to recall life under a former 'good' slave owner in Kentucky, whose farm was called 'Sweet Home' and who treated his men as something other than children or savages. This enlightenment was short-lived. The kindly-disposed slave owner falls on hard times and sells one of his men. Then he dies and Sweet Home becomes a sour hell under a new, sadistic proprietor. (Schoolteacher) Sethe escapes, perilously pregnant, from Kentucky to Ohio, gives birth on the way and when united with her other children tries to kill them when the threat of recapture seems certain. She succeeds in murdering one baby daughter, Beloved, and is able to erect a tombstone for her only by giving herself to the man who carves it. Her services are enough to pay for one word, 'Beloved' (rather than the full 'Dearly Beloved' of the funeral service) to be carved in the granite. Morrison's style is both bleak and tender. She writes of the unthinkable without histrionics. Her triumph is that through metaphor, dreams and a saving detachment, she melds horror and beauty into a story that will disturb the mind forever.
Stephanie Coontz's essay `What we really miss about the 1950's' is an essay that talks about a poll taken in 1996 by the Knight-Ridder news agency that more Americans preferred 1950's as the best decade for children to grow up. Coontz doesn't believe that it is a decade for people to remember fondly about, except for financial reasons and better communication within families. Coontz doesn't believe in it as the best decade because of the votes, the 50's only won by nine percent, and especially not by African Americans. Examples from family and financial issues in the 50's that makes it better than other decades from 20's to 80's. She doesn't believe that the 50's should be taken `literally' because from 50's there were changes in values that caused racism, sexism discrimination against women. Even though the 50's were good, it didn't lead to a better 60, 70, and 80.
Clearly, the significant silences and the stunning absences throughout Morrison's texts become profoundly political as well as stylistically crucial. Morrison describes her own work as containing "holes and spaces so the reader can come into it" (Tate 125), testament to her rejection of theories that privilege j the author over the reader. Morrison disdains such hierarchies in which the reader as participant in the text is ignored: "My writing expects, demands participatory reading, and I think that is what literature is supposed to do. It's not just about telling the story; it's about involving the reader ... we (you, the reader, and I, the author) come together to make this book, to feel this experience" (Tate 125). But Morrison also indicates in each of her novels that images of the zero, the absence, the silence that is both chosen and enforced, are ideologically and politically revelatory.
During the post WWII period in America, the face of the nation changed greatly under the presidency of Truman and Eisenhower. America underwent another era of good feelings as they thought themselves undefeatable and superior over the rest of the world. Communism was the American enemy and American sought to rid the world of it. Because of the extreme paranoia caused by Communism, conformity became an ideal way to distinguish American Culture from the rest. Conformity became a part of every American Life to a large extent. It became evident through the medium of culture, society and politics throughout the era of the 50s.
The 1950s seemed like a perfect decade. The rise of suburbs outside cities led to an expansion of the middle class, thus allowing more Americans to enjoy the luxuries of life. The rise of these suburbs also allowed the middle class to buy houses with land that used to only be owned by more wealthy inhabitants. Towns like Levittown-one of the first suburbs- were divided in such a way that every house looked the same (“Family Structures”). Any imperfections were looked upon as unfavorable to the community as a whole. Due to these values, people today think of the 1950s as a clean cut and model decade. This is a simplistic perception because underneath the surface, events that took place outside the United States actually had a direct effect on our own country’s history. The rise of Communism in Russia struck fear into the hearts of the American people because it seemed to challenge their supposedly superior way of life.
Neonatal nursing is a field of nursing designed especially for both newborns and infants up to 28 days old. The term neonatal comes from neo, "new", and natal, "pertaining to birth or origin”. Neonatal nurses are a vital part of the neonatal care team. These are trained professionals who concentrate on ensuring that the newborn infants under their care are able to survive whatever potential life threatening event they encounter. They treat infants that are born with a variety of life threatening issues that include instances of prematurity, congenital birth defects, surgery related problems, cardiac malformations, severe burns, or acute infection. Neonatal care in hospitals was always done by the nursing staff but it did not officially become a specialized medical field until well into 1960s. This was due to the numerous advancements in both medical care training and related technology that allowed for the improved treatment and survival rate of premature babies. According to the March of Dimes, one of every thirteen babies born in the United States annually suffers from low birth weight. This is a leading cause in 65% of infant deaths. Therefore, nurses play a very important role in providing round the clock care for these infants, those born with birth defects or other life threatening illness. In addition, these nurses also tend to healthy babies while their mothers recover from the birthing process. Prior to the advent of this specialized nursing field at risk newborn infants were mostly cared for by obstetricians and midwives who had limited resources to help them survive (Meeks 3).
Mphahlele, R. R. (2007). Caring for premature babies - a clinical guide for nurses. Professional Nursing Today, 11(1), 40-46.
The book mainly revolved around one main person Tinh Ngo, a member of the gang. Through out the book Tinh or Timmy as he was called, ran the entire gambit of emotions from total loyally to being flipped and being the key witness in the federal case against the main players in the gang. The gang committed every kind of crime from petty robberies to murder. Tinh started his career as a criminal by robbing a message parlor in Chinatown that was in rival gang territory this robbery was a simple one that went off without a hitch, it gave him a false sense of ease in committing robberies. Over the months Tinhs involvement in crimes escalated until he was arrested, for the first time, and he spent some time in prison.
Samuels, Wilfred D., and Clenora Hudson- Weems. Toni Morrison. New York, NY: Twayne Publishers, 1990. 53-78. Print.
What is freedom? This question is easy enough to answer today. To many, the concept of freedom we have now is a quality of life free from the constraints of a person or a government. In America today, the thought of living a life in which one was “owned” by another person, seems incomprehensible. Until 1865 however, freedom was a concept that many African Americans only dreamed of. Throughout early American Literature freedom and the desire to be free has been written and spoken about by many. Insight into how an African-American slave views freedom and what sparks their desire to receive it can be found in any of the “Slave Narratives” of early American literature, from Olaudah Equiano’s The Interesting Narrative of the Life of Olaudah Equiano, or Gustav Vassa, the African published in 1789, to Frederick Douglass’s Narrative of the Life of Frederick Douglass, An American Slave, Written by Himself which was published in 1845. Phillis Wheatley’s poetry and letters and Martin R. Delany’s speech Political Destiny of the Colored Race in the American Continent also contain examples of the African-American slaves’ concepts of freedom; all the similarities and differences among them.
There are more than 70% of premature babies that are born between 34 and 36 weeks gestation a year. When a baby is born early, or born with birth defects, the Neonatal Intensive Care unit is its first home. The nurse’s in the NICU have the difficult job of preparing baby’s and parents for a health life together. A baby who has been put into the NICU will stay there until it is healthy enough to go home.
Toni Morrison’s novel Beloved is a slave narrative, but it encompasses much more than slavery. Unlike many slave narratives that focus on the male perception of slavery, Morrison's novel portrays slavery from a feminine point of view. The main characters are Sethe, her daughter, Denver, and the mysterious Beloved. In the beginning of the novel, Sethe and her daughter live alone in 124, a house that is haunted by the ghost of Sethe's first daughter. Sethe's two older boys, "Howard and Buglar, had run away by the time they were thirteen years old. Soon after the sons have fled, Baby Suggs, Denver's grandmother, dies. The novel centers on Sethe's past, in particular, the death of her first daughter. This event dominates the book and the action of the novel revolves around this terrible incident. In Beloved, Toni Morrison utilizes characteristics of the female gothic novel such as mothering, living within enclosed spaces, and the doubling of characters, coupled with dilemmas involving memory and repression, to address the issue of slavery.
After failing to “protect” her children form the schoolteacher, Sethe experienced much guilt and regret for a very long time. Her guilt stemmed from mercifully killing her “crawling already?” baby girl, and regret from not having done the same for her other three children. Sethe’s actions derived from the fact that she did not want her four children to have the same life and experiences that she had. In her mind, death was better than a life as a slave. Later in the novel, it become evident that Sethe’s tragic past, her scars on her back that resemble a chokecherry tree, was the reason for her wishing to live a life in isolation.
In’ Beloved’ Morrison shows the physical and psychological effects slavery had on African American women. Morrison takes a true life event from African American history to remind people of the horrors and terrors of slavery. Beloved was inspired by the true story of Margaret Garner, a slave. On Jan. 28, 1856, Garner who was facing recapture killed her two-year old daughter and attempted to kill her other two children in order to protect her children from slavery. The theme of mother hood is present throughout the novel. Morrison portrays the struggles black slave women faced as mothers within the institution of slavery. The positive qualities of motherhood are constantly tested against the cruelty of slavery within the novel.
In Toni Morrison’s novel, Beloved, Morrison uses universal themes and characters that anyone can relate to today. Set in the 1800s, Beloved is about the destructive effects of American slavery. Most destructive in the novel, however, is the impact of slavery on the human soul. Morrison’s Beloved highlights how slavery contributes to the destruction of one’s identity by examining the importance of community solidarity, as well as the powers and limits of language during the 1860s.
Duvall, John N. The Identifying Fictions of Toni Morrison: Modernity, Authenticity and Postmodern Blackness. New York: Palgrave, 2000. Print.