gods bits of wood

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The evolution of the strike causes an evolution in the self-perceptions of the Africans themselves, one that is most noticeable in the women of Bamako, Thies, and Dakar. These women go from seemingly standing behind the men in their lives, to walking alongside them and eventually marching ahead of them. When the men are able to work the jobs that the train factory provides them, the women are responsible for running the markets, preparing the food, and rearing the children. But the onset of the strike gives the role of bread-winner-or perhaps more precisely bread scavenger-to the women. Women go from supporting the strike to participating in the strike. Eventually it is the women that march on foot, over four days from Thies to Dakar. Many of the men originally oppose this women's march, but it is precisely this show of determination from those that the French had dismissed as "concubines" that makes clear the strikers' relentlessness. The women's march causes the French to understand the nature of the willpower that they are facing, and shortly after the French agree to the demands of the strikers.
Perhaps no female character better captures transformation of the African female than Penda. Penda is first introduced as an unmarried women who breaks custom by having "periodic escapades" with men (Ousmane 137). But the experience of the strike turns what once was anger and stubborn independence to dedication and selfless communalism. Her strength of spirit leads the union officials to seek her out to be in charge of the line distributing rations to the striking families. Penda's firmness of purpose proves surprising and implacable to those that try to use her reputation for promiscuity against her. Penda goes so far as to publicly slap a man who chooses to pat her behind (Ousmane 142).
It is Penda who gives voice to the women's desire to march to Dakar to support the strike. It is also Penda who shifts between cheerleader and drill instructor in order to keep the women walking and together during the journey. The novel itself draws its name in part from Penda's method of keeping the march together. The local tradition holds that the practice of counting adults and children directly brings misfortune and possibly death. Instead of counting people, the people of the region count God's bits of wood. Penda willfully violates this tradition an...

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... make themselves a part of the decision making processes in their communities. The strike begins the awakening process, enabling the women to see themselves as active participants in their own lives and persons of influence in their society.

The traditional roles for African women are clearly portrayed --especially through Niakoro and Assitan. But things are changing: "The women became conscious that a change was coming for them, as well" (33). This is made clear through characters like Ramatoulaye, N'Deye, and Penda--and in the end, all of the women who march on Dakar. The French regard the differences between Africans and Europeans as cultural, as well as racial, as a matter of superior and inferio. Giving in to striker demands, e.g. would be "a ratification of the customs of inferior beings" (181). The Africans, on the other hand, switch the terms to class: "You do not represent a nation or a people here, but simply a class. We represent another class, whose interests are not the same as yours" (182). Think about the way these 'conditions' (categories) interact in the novel--how they are tied together in the conflicts and changes Sembene portrays

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