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Feste in twelfth night critical analysis
A critical review of the twelfth night by Shakespeare
A critical review of the twelfth night by Shakespeare
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In the intricate interweaving of schemes of mistaken identities, intrigue and unrequited love, Shakespeare’s Twelfth Night meshes farce, satire, comedy and folly within seemingly independent dramas that culminate in a swift resolution. Tensions in intricate love triangles between Viola’s male persona Cesario, Duke Orsino and Lady Olivia are further intensified with the introduction of characters such as Viola’s identical twin Sebastian and Lady Olivia’s servants Malvolio and Maria, who increase the overall bedlam in the play. However, despite the continual tangling of the plotlines, there is only one character that remains detached from the insanity of the play, yet invariably tied to its unraveling- Feste, otherwise known as the Fool. As the court jester of both Lady Olivia and Duke Orsino, Feste possesses not only the unique opportunity of witnessing the complicated acrobatics of the story as it unfolds, but also the wit and intuition to delve into the truth and observe society’s follies. Acting as the objective commentator for the play, Feste thus serves as Shakespeare’s figurehead for revealing his thoughts about social hierarchy, which was believed to be governed by the Chain of Being during the time. Thus, through Feste’s perceptive commentary in his interactions with other characters, the character of Feste reveals the folly of entrenched social class divisions. Both a social outcast and a social participant, Feste serves as an objective commentator on the organized society of his time. As the fool of both Lady Olivia and Duke Orsino, Feste is privy to a unique opportunity to not only intermingle with the common people of society, but with his superiors as well, thus gaining valuable insight into both the upper and the low... ... middle of paper ... ... noble birth, both Lady Olivia and Duke Orsino proved to be extremely puerile in their behavior, proving that As Feste expresses, “Foolery, sir, does walk about the orb like the sun, it shines everywhere. I would be sorry, sir, but the fool should be oft with your master as with your mistress.” (3.1.40-43). Throughout history, social hierarchies have remained an inevitable reality in society, providing the essential social structure in preventing it from disintegrating into anarchy. However, just as Feste had expressed in Twelfth Night, every social structure has its follies. For example, Karl Marx’s ideal of a communist society, with a classless social order, is vulnerable in its tendency to fall victim to human follies of greed and selfishness. On the other hand, in a heavily stratified society, divisions between the classes can lead to injustices and hostility.
The band of characters is drawn from every level of the class system. Unique interactions among characters from different social standings are conveyed, from the distressed, kindly gardener, to the impertinent daughter of the village innkeeper, to the prosperous de Luce family, and to the royalty. What appealed to me was that Flavia could trace her family’s history back many generations, and for one to be able to make these personal connections is extremely rare. Of course, this awareness of their past is correlated to the de Luce’s chain of affluence.
... He speaks to Viola, before Feste, Olivia’s Jester, sings to signal the ending. “Cesario, come – For so you shall be while you are a man; But when in other habits you are seen Orsino’s mistress and his fancy’s queen.” The characters in Twelfth Night each play an important and specific role, especially when it comes to interfering or setting fate for romantic interests.
Society is flawed. There are critical imbalances in it that cause much of humanity to suffer. In, the most interesting work from this past half-semester, The Communist Manifesto, Karl Marx is reacting to this fact by describing his vision of a perfectly balanced society, a communist society. Simply put, a communist society is one where all property is held in common. No one person has more than the other, but rather everyone shares in the fruits of their labors. Marx is writing of this society because, he believes it to be the best form of society possible. He states that communism creates the correct balance between the needs of the individual and the needs of society. And furthermore thinks that sometimes violence is necessary to reach the state of communism. This paper will reflect upon these two topics: the relationship of the individual and society, and the issue of violence, as each is portrayed in the manifesto.
Karl Marx noted that society was highly stratified in that most of the individuals in society, those who worked the hardest, were also the ones who received the least from the benefits of their labor. In reaction to this observation, Karl Marx wrote The Communist Manifesto where he described a new society, a more perfect society, a communist society. Marx envisioned a society, in which all property is held in common, that is a society in which one individual did not receive more than another, but in which all individuals shared in the benefits of collective labor (Marx #11, p. 262). In order to accomplish such a task Marx needed to find a relationship between the individual and society that accounted for social change. For Marx such relationship was from the historical mode of production, through the exploits of wage labor, and thus the individual’s relationship to the mode of production (Marx #11, p. 256).
Historically speaking, the cultural limitations of women in the sixteenth century were very strong. Publicly, women had no life, and characteristics within the home were expected to mirror that of a servant: patience, silence, and obedience, to name a few. However, this essay will rely solely on evidence from the text, Twelfth Night, to examine the ways the female characters, specifically Olivia, both abides by, and defies the gender roles presented.
William Shakespeare is known for his masterful way of writing and using love and romance to strengthen his work. In his phenomenal romance comedy, Twelfth Night, Shakespeare redefines and mocks the idea of gender roles and the motifs of love. Shakespeare achieved this theme by using the main character, Viola, to give the readers the thought that the play’s intentions were to disrupt and throw out gender roles and present the concept of cross-dressing through Viola. Although this concept was a twist to the plot by itself, Shakespeare then uses Viola’s language and interaction with other characters to reaffirm stereotypes and expectations of her specified gender background.
One of the most idealistic and influential classical concepts was the Elizabethan Chain of Being. The idea behind the Chain was that everything in existence had its place in the hierarchy of the universe. An object's place depended on its spirit-to-matter ratio: the more spirit and less matter something had, the higher up the chain it was. At the bottom were various inanimate objects like stones, metals, and the four elements, i.e. earth, water, air, and fire. Higher up were members of the vegetative class, like flowers and trees. Next came animals, then humans, and then angels. At the top sat God. Within each section, there were subsections, each with its own hierarchy. For example, among humans, the king was above the noble, the noble above the soldier, and the soldier above the servant, and he above beggars and fools. The fool in Elizabethan literature was used to provide a topic or theme for mediation, or he could be used purely used for comic relief. In William Shakespeare's comedy, Twelfth Night, Feste the Fool was not the only actor who played a fool. In fact, Feste was one of the smartest and wittiest characters in the comedy, one who seemed to be able to withdraw from the scene and provide insightful commentary, much like the Greek chorus. When Olivia's called Feste was an allowed fool, meaning he was a critic to speak the truth of the people around him, it put him in a unique position. In some cases, he acted as a teacher through puns and humor. He also revealed that some other characters that were higher up in the chain than he was were not as smart as their place suggested. In Twelfth Night, Feste the Fool ironically acts as Shakespeare’s megaphone, presenting the playwright’s message that the Chain of Being is n...
Shakespeare’s play Twelfth Night revolves around a love triangle that continually makes twists and turns like a rollercoaster, throwing emotions here and there. The characters love each another, but the common love is absent throughout the play. Then, another character enters the scene and not only confuses everyone, bringing with him chaos that presents many different themes throughout the play. Along, with the emotional turmoil, each character has their own issues and difficulties that they must take care of, but that also affect other characters at same time. Richard Henze refers to the play as a “vindication of romance, a depreciation of romance…a ‘subtle portrayal of the psychology of love,’ a play about ‘unrequital in love’…a moral comedy about the surfeiting of the appetite…” (Henze 4) On the other hand, L. G. Salingar questions all of the remarks about Twelfth Night, asking if the remarks about the play are actually true. Shakespeare touches on the theme of love, but emphases the pain and suffering it causes a person, showing a dark and dismal side to a usually happy thought.
With Feste's help, we are able to attain a better understanding of the other characters in the play- revealing their true personalities, which are sometimes unseen, not only by us, the audience, but also by the characters themselves. He shows Olivia how unrealistic and excessive her mourning for her brother's death has been, he tells Orsino how foolish he is for languishing in a mood of love-sick melancholy for Olivia and points out how mercurial his personality is, and he makes a fool out of the pompous Malvolio. "Foolery, sir, does walk about the orb like the sun- it shines everywhere" says Feste.
In Twelfth Night the relationships are anything but romantic. Shakespeare writes from the male point of view which implies an un-easy split between love and physical charm. In Twelfth night the romance is falsely produced by selfish desire. Duke Orsino and Viola stand out from the other relationships. By questioning the relationships between the other couples, Shakespeare highlights the true love between Viola and Orsino and the fake relationship of Malvolio and Olivia which is truly based on Malvolio’s desire of a higher status , despite his status and his personality , Malvolio tries to impress Olivia by dressing up in ridiculous clothes , which does far from his aim , and repulses Olivia.
Shakespeare wrote Twelfth Nights as a comedic play on how the theme of love takes an overwhelming influence over characters actions. The play’s treatment of love began with a Duke named Orsino who is madly in love with a character named Olivia but Orsino love is cannot be reciprocated because all her love remains with her dead brother. Later in the play Shakespeare treats love as something that can be a joyful delight regardless of the reality. Olivia’s handmaiden, Maria, plays a prank on Malvolio by forging Olivia’s hand writing to write Malvolio a love letter. After Malvolio reads the letter he begins to show how Malvolio is desperately in love with Olivia by following the letters ridiculous commands with delight. Then towards the end there is an encounter with Viola, Sebastian, Orsino, Olivia and Malvolio. At this point Shakespeare displays love as a joyful
Twelfth Night or What You Will is one of Shakespeare’s most famous comedies. It has been performed hundreds of times and adapted into a number of modern films. The main plot of the play follows Viola, a girl who is rescued from a shipwreck and enters into the service of the Duke Orsino disguised as a man. Rising quickly in his estimation, Viola begins delivering messages of love on his behalf to Olivia, a noble woman who has no interest in Orsino’s advances. Over the course of the play Olivia falls in love with the disguised Viola, Viola falls in love with Orsino, and Viola’s twin brother Sebastian, who supposedly died in the shipwreck, returns. Following Sebastian’s return the twins are mistaken for each other, leading to both misunderstanding and marriage in the final scenes of the play. Alongside the main plot of Twelfth Night is an almost equally prominent subplot involving Malvolio, a servant of Olivia, who falls in love with her and who falls prey to a prank planned by the other members of the household who despise his abhorrence of fun. In the article “The Design of Twelfth Night” by L.G. Salingar, Salingar examines the plot and structure of the play and addresses the significance of the subplot. The purpose of this essay is to examine both evidence from the play and articles from other authors, with a focus on Salingar, who have written on the subject in order to determine the purpose of the subplot. In his article, Salingar comes to the conclusion that the purpose of the subplot is to provide a comic mirror of the main plot while amplifying the main themes of delusion, misrule and festivity. Salingar presents a solid argument, however he has neglected another lesser but significant element of the sub-plot which illustrate...
In Twelfth Night, Shakespeare portrays several characters in a controversial way. Some witty characters are portrayed as foolish, and some foolish characters are portrayed as witty. In the beginning of the play, Sir Andrew and Malvolio are presented as smart people; however, as the play progresses, the audience is exposed to their foolish sides. On the other hand, Sir Toby and Feste are portrayed as fools, but as the plot develops the audience acknowledges their wisdom. Malvolio and Sir Andrew’s foolish sides are exposed because of their gullible nature, while Feste and Sir Toby’s wisdom is revealed through their insightful remarks and brilliant prank ideas.
William Shakespeare's, Twelfth Night has many themes, but appearance vs. reality is the theme that illustrates a different picture from two perspectives, there are many characters behind their masks and disguises. Some are hiding love behind these disguises and some are trying to show their love through a different disguise. They both still being servants are using disguise differently. Malvolio, servant of Olivia, falls in love with the trap (the letter) thinking his lady likes him, and to show his love he uses a different appearance to express it. Viola, servant of Orsino, falls in love with him, but secretly, not wanting to express her love for him, because of her disguise as her barrier for that case. Viola/Ceasario is wearing a disguise and secretly loves Orsino. Malvolio, on the other hand, is also a servant but still changes his appearance to express love for the great lady Olivia. This essay will prove that disguises and appearances are symbolic of the characters named Viola and Malvolio and are differently used for both.
Throughout Twelfth Night, disguise and mistaken identity works as a catalyst for confusion and disorder which consistently contributes towards the dramatic comic genre of the play. Many characters in Twelfth Night assume disguises, beginning with Viola, who disguises herself as a man in order to serve Orsino, the Duke. By dressing his protagonist in male garments, Shakespeare creates ongoing sexual confusion with characters, which include Olivia, Viola and Orsino, who create a ‘love triangle’ between them. Implicitly, there is homoerotic subtext here: Olivia is in love with a woman, despite believing her to be a man, and Orsino often comments on Cesario’s beauty, which implies that he is attracted to Viola even before her male disguise is removed. However, even subsequent to the revealing of Viola’s true identity, Orsino’s declares his love to Viola implying that he enjoys lengthening the pretence of Vio...