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The theme of identity in literature
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No one is Perfect Everybody, at some point in their lives, has felt lost and confused. In the book, Flight, written by Sherman Alexie, the main character Zits is searching for his true identity. Zits are a lonely and unhappy 15 years old orphan boy who is half Indian and half Irish. Zits were raised in multiple foster homes and lost himself in the process. Zits, who refuses to reveal his real name at the start of the book, begins to body jump as he is trapped in different people during different time periods. While being trapped in each of the characters, Zits becomes more mature and causes him to reflect on his own ideology. These different experiences help Zits to develop himself as a person through identity, violence, and forgiveness. …show more content…
In the beginning of the novel, Zits refused to tell the readers his real name.
Alexie states, “Call me Zits. Everybody calls me Zits. That’s not my real name, of course. My real name isn’t important” (Alexie 1). Zits believe that he is not important and he reinforces that by telling people to call him “Zits."Appearance is very important to him, he described himself as ugly because of the acne on his face which shows that Zits lacks confidence. In addition to his lack of identity, he did not have much knowledge about his mother or father. Zits only know a few things about his parents; his mother was Irish and his father is Indian. Zits do not know anything about the Indian culture, except for what he learned through television and from Indians on the streets. Zits lack of identity derives from being raised by many different foster families instead of his parents. He has lived with 21 foster families which contributed to the confusion that is causing him to lose sight of who he really is. However, as he experience body jumping he learn more about life and that he can shape how he wants to be …show more content…
defined. Zits is an orphan with an abusive history. His aunt's boyfriend sexually and emotionally abused Zits when he was six years old. Aunt Zooey’s boyfriend molested him and told him, “Nobody loves you anymore” (Alexie 161). That terrible experience caused him to resort to violence. However, chapter eleven changed Zits’s perspective about violence. When he was in Gus’s body, he witnessed a soldier killing a mother and daughter very violently. Gus saw the soldier "shoots the woman in the back. She falls. The daughter drops to her knees beside her mother. Daughter wails. The soldier shoots . . . he smashes the gun down on the girl's skull. He hits her again and again. Keeps hitting her until his rifle breaks in half” (Alexie 90-91). At this point, Zits didn’t want to see, hear, or even be there anymore; he actually wanted to kill himself. He comes to the conclusion that killing people is madness. In the beginning of the novel, Zits was very unapologetic about his behaviors and constantly talk about his father and how he left him when he was born.
Zits hated his father for abandoning him and his mother. However, in chapter sixteen, Zits goes into his father’s body. He learned his father’s suffering and struggling with his own life. When Zits said, “He can not be a father” (Alexie 156). As Zits understands his father’s pain, he accepted the reality and eventually to rise above the abandonment and pain that his father put him through. Jumping from body to body opened Zits's eyes to different perspectives. He experienced other people's pain and dilemmas. And in the process of doing so, he learned to be a better person. When he witnessed all the violence that happened in the past, he can not change what happened. He can only change himself and not resorts to violent like his ancestors. He learned to forgive his
father. Sources: Alexie, Sherman. Flight: A Novel. New York: Black Cat, 2007. Print.
The relationship between a father and son stems from an unspoken competition in many countries. Whether it is a physical or mental rivalry the superior role slowly transcends on to the son as he grows into a man. In Brad Manning’s short story “Arm Wrestling With My Father,” and Itabari Njeri’s “When Morpheus Held Him,” both contain admiring sons and impassive fathers. Despite both stories similarities in unspoken emotions they differ in the aspect of their physical relationships. This unrequited bond between a father and son in these stories portray various types of love.
Just as nobody wants to be criticized and underestimated, so does Quoyle. While his family considers him as a root of failures and doesn’t give enough love to him, Quoyle also thinks about himself that he is not part of his family and wants to leave for somewhere. He is always despondent and not confident about his family, his appearance, and his life. However, through the picture, he finds out that he has something in common with his father. The author uses various dictions, imagery, and figurative language in order to vividly illustrate how Quoyle feels about himself and his family.
An individual’s mental well being can greatly affect their character and the way they perceive things. In the novels The Kite Runner and A Separate Peace, the protagonists are boys who are infested by internal conflicts such as insecurities and emotions. In Khaled Hosseini’s The Kite Runner, a boy lets his dad negatively affect his character, causing him to treat those around him in a cynical manner. Likewise, a boy from John Knowles’ A Separate Peace bases his character on whom he wishes to be, letting his unhealthy mental state consume him. Hence, explored through both novels, is how a person’s internal conflicts can lead to their downfall, whether as a result of their struggle with identity or their feelings towards others.
In the psychodynamic viewpoint the non acceptance of his father was always a traumatic thing for him to deal with. His father never told him that he loved him and was never proud of him until his sign...
traditions and cultural aspects of their race outwardly for the world to see. In Alexie’s mind, the
Although, Zits has a heart of stone, he still commits an act of violence towards th... ... middle of paper ... ... atural human behavior, and there is no way around it. Zits’ journey show that violence is inescapable in all of history. Every single flashback or transformation is filled with murder, brutality and agony.
“Trying to merge into mainstream society and cover her brown skin with makeup, of having no sense that she had her right to her own opinion”(Shierly) The journey to finding yourself is approached in many different aspects, which varies from person to person. As a child children we see a blurred image of ourselves not knowing exactly who we are, however as we grow older the blur becomes more apparent to us and eventually a reflection of who we truly are, is revealed. This is evidentially shown in the novel Monkey Beach by Eden Robinson, where Lisamarie discovers her new identity as an empowered and strong woman through the positive motivation from her family, role models to whom she looks up to and her acceptance to her own culture.
When violence ensues it breaths revenge which is showed by the character Gus an Indian tracker in the 19th century. He is Zits’s third transformation and one of the most important in recognizing the theme of hate, violence, and revenge. Off the bat Zits is met with a resistance from this vessel which symbolizes how hate is controlling him. Gus’s memory consists of grief and rage over a massacre of beloved ones and now as those thoughts run through Zits head he is leads the soldiers to an Indian camp for a massacre. What is learned from Gus’s despair is from it there is the will to cause violence which is what in turn happens. Zits explains this exactly by saying, “This is what revenge can do to you,”(Alexie 88). In Chapter 12 we find that Zits feels the full weight and age in the body of Gus. The relation Gus has to the little girl Zits keeps seeing weights down on him. However, what Zits learns through his transformation is that acceptance is how to eradicate
Alexie was grew up in the Indian culture but unlike Sa he willingly leaves. Alexie specifically showcases the changes in his life throughout the structure of his text; through the idea of education. He wanted a chance to have more opportunities then what was given to him on the Indian Reservation. The structure of Alexies piece was specific and purposeful due to the fact that it truncated his life into years; the years of education. The audience is aware of the thematic shift in the seventh year when he “...kissed the white girl”(Alexie). The shift between his time on the reservation and his resilience through taking matters into his own hands despite the backlash he received through growing up. Alexie knew that he didn’t want to leave his culture willingly behind but it was something that he had to do in order to change his life and take charge of it like an “Indian” would
he learns of the lies and deceit of his father, as he discovers his mother never died of a heart attack and his father
In the beginning of the book, we as the readers learn about Zit’s and his past. He has been through a lot and everything that has happened has lead to Zits having very violent thoughts. With all of his aggression built up inside him, Zits often talks a lot about his violent thoughts of
Richard Wright’s “Big Boy Leaves Home” addresses several issues through its main character and eventual (though reluctant) hero Big Boy. Through allusions to survival and primal instincts, Wright confronts everything from escaping racism and the transportation (both literal and figurative) Big Boy needs to do so, as well as the multiple sacrifices of Bobo. Big Boy’s escape symbolizes both his departure from his home life and his childhood. Big Boy, unlike his friends, does not have a true name. This namelessness drives his journey, and Big Boy is constantly singled out in one way or another. The moniker ‘Big Boy’ is a contradiction—is he a large boy or is he a grown man?—and drives all of Big Boy’s actions. Throughout the story he hinges between childhood and adulthood, and his actions vary depending on which side he falls on at that exact moment.
son by virtue of his own shortcomings. His rejection of his father’s lifestyle formulated a strange parallel
The narrator's life is filled with constant eruptions of mental traumas. The biggest psychological burden he has is his identity, or rather his misidentity. He feels "wearing on the nerves" (Ellison 3) for people to see him as what they like to believe he is and not see him as what he really is. Throughout his life, he takes on several different identities and none, he thinks, adequately represents his true self, until his final one, as an invisible man.
Howard Hughes appears to be the world’s most brilliant and eccentric aviator and movie director in the film The Aviator (Mann & Scorsese, 2004). He is admired, wealthy and powerful. However, throughout the course of the film, his eccentricities lead to significant impairment. Paranoia, impulsivity and fears of contamination plague his thoughts and behaviors. He becomes unable to cope with being in public and he cannot maintain personal or professional relationships. As a result, Howard is left isolated, losing his social support and success. It is evident that he has symptoms that are characteristic of both obsessive-compulsive disorder and bipolar I disorder. His behaviors become so impairing and distressing that they impact every sphere of