In the short story "The Yellow Wallpaper", Charlotte Perkins Gilman creates an illustration through the narrator of the unequal relationship between men and women. Gilman uses the narrator to portray the role of the wife as a second-class citizen, someone who is urged to avoid expression outside of her gender role. The narrator is cut off from creative intellectual pursuits, along with all other "fancy" thoughts that do not directly contribute to her domestication. These types of societal standards impose feelings of anxiety, inferiority and can often lead to depression.
The narrator begins her journal or diary by explaining the setting of which she will spend the rest of her summer. She describes it as a colonial mansion, something she says, "...is very seldom that mere ordinary people like John and myself secure ancestral halls for the summer" (Gilman 230). This admittance, as well as John's position as a physician imply that the couple belong to the upper-middle class. While normally not especially important, this social status allows the character to remain alone for much of the story, as she is able to hire someone else to take care of her domestic duties. In the following sentences, she continues to make reference to her marriage and her affections for
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her husband. It is also apparent that she listens without doubt to the advice of her husband, even if doing so makes her tired or weary. There are great similarities between her description of the horrors in their "haunted house" and her deteriorating mental state and marriage. The narrator is overcome with what her husband is labelling a "nervous depression" (Gilman 230).
It is his advice that she refrain from active work and writing. Throughout the story, he belittles her beliefs that writing, excitement, discovery and other forms of congenial work could keep her anxieties and fears at rest. She is given no choice but to hide her writing from him, often tucking it away moments before he reappears. As the summer continues, the narrator's nervous affliction worsens. She is tormented by a woman barred behind the layers of the yellow wallpaper. This fictionalized woman is a device used by the author to illustrate the subservience of women and the fragility of the subconscious
mind. John is completely unaware, or at least, extremely unknowledgeable about the ails that have befallen his bride. He is unable to comprehend her needs because he has assured himself that he is correct about her illness. The story reveals that she is losing all control over her life, exemplified in her pleas for John to allow her leave, so that she may visit Cousin Henry and Julia. She is in essence, forced into becoming a child, "But he said I wasn't able to go, nor able to stand it after I got there; and I did not make out a very good case for myself, for I was crying before I had finished," unable to gain control over her emotions or to express rational thought (Gilman 233). The narrator is representative of the dominant gender roles of the nineteenth century, roles that produced a hierarchal system placing men at the top, in their conventional "leader" position and women beneath them, struggling for intellectual recognition and equality. This woman, while highly imaginative, is forced to mask her talents in order to appease her husband and fulfill her role as wife and mother. Very quickly, it becomes evident to the reader that she is incapable of suppressing her nature, causing a splice between reality and the productions of her mind. Unable to tolerate her frustration, she becomes obsessed with the wallpaper as a means of distraction. As her condition worsens, the wallpaper changes to take on the shape of her misery. Her mind creates the illusion of a woman behind the wallpaper, trapped behind imaginary bars. The narrator is able to identify herself as the trapped women, but it comes at a cost. She has lost all of her connections to reality, and has instead immersed herself into the patterns of the wallpaper. The upsetting patterns of the wallpaper reflect the patterns in her life as she says, "The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing" (Gilman 234). At the end, the narrator is finally able to see the reason why the trapped women creeps, because it is similar to how she must hide and creep her writing away from her husband. Although the narrator has liberated herself, she remains trapped in her mind, tangled in a reality of her own creation.
Charlotte Gilman’s essay, “The Yellow Wallpaper” describes the relationship between a husband and wife, dealing with the wife’s depression, and how her husband treats her because she is depressed.
The Yellow Wallpaper is a story, by Charlotte Perkins Gilman. Although the work is short, it is one of the most interesting works in existence. Gilman uses literary techniques very well. The symbolism of The Yellow Wallpaper, can be seen and employed after some thought and make sense immediately. The views and ideals of society are often found in literary works. Whether the author is trying to show the ills of society of merely telling a story, culture is woven onto the words. The relationship between the narrator and her husband would be disagreeable to a modern woman's relationship. Today, most women crave equality with their partner. The reader never learns the name of the narrator, perhaps to give the illusion that she could be any woman. On the very fist page of The Yellow Wall-Paper, Gilman illustrates the male dominated society and relationship. It was customary for men to assume that their gender knew what, when, how, and why to do things. John, the narrator's husband, is a prominent doctor and both his and his wife's words and actions reflect the aforementioned stereotype: "John laughs at me, of course, but one expects that in marriage," (9). This statement illustrates the blatant sexism of society at the time. John does not believe that his wife is sick, while she is really suffering from post-partum depression. He neglects to listen to his wife in regard to her thoughts, feelings, and health through this thought pattern. According to him, there is not anything wrong with his wife except for temporary nerve issues, which should not be serious.
The story "The Yellow Wallpaper," by Charlotte Perkins Gilman is a story about control. In the time frame in which the story was written, the 1800’s, women were looked upon as having no effect on society other than bearing children, maintaining a clean house, and food on the table etc. etc. There was really no means for self expression as a woman, when men not only dominated society but the world. The story was written at a time when men held the jobs, knowledge, and society above their shoulders. The narrator on, "The Yellow Wallpaper" in being oppressed by her husband, John, even though many readers believe this story is about a woman who loses her mind, it is actually about a woman’s struggle to regain, something which she never had before, control of her life.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
The ideas expressed by Gilman are femininity, socialization, individuality and freedom in the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman. Gilman uses these ideas to help readers understand what women lost during the 1900’s. She also let her readers understand how her character Jane escaped the wrath of her husband. She uses her own mind over the matter. She expresses these ideas in the form of the character Jane. Gilman uses an assortment of ways to convey how women and men of the 1900’s have rules pertaining to their marriages. Women are the homemakers while the husbands are the breadwinners. Men treated women as objects, as a result not giving them their own sound mind.
The Yellow Wallpaper, written by Charlotte Perkins Gilman was an enigmatic read. The story is about a woman, the narrator, who is suffering with depression. John, the husband of the main character, will be the focus of this paper. Gilman wrote John’s character in such a way as to leave interpretation open to the reader. Some may perceive John as a caring, loving husband; treating his wife as men did during the era in which the story was written. John decides that his wife needs to be isolated; free of all responsibilities and stimulation. John’s wife disagrees with the decisions he has forced upon her. She feels “…that congenial work, with excitement and change…” would help her through her depressive state (Gilman 376). The narrator is told what would be best for her, what to
In the short story “The Yellow Paper”, Charlotte Perkins Gilman tells the story through the first person point of view where the story is told by the narrator only. The story takes place around the 80s-90s century where the narrator and her husband stay in a mansion for her rescue. The narrator is predicted to be suffering from temporary nervous depression by her husband, brother, and Weir Mitchell. Throughout the story, the readers could easily see many images that imply to the sexist reality back in time and how women are put under the pressure of the unequal society with the stereotype that they are always the supporters rather than the main financial provider for the family. Gilman introduces a new fictional theme to the audience back in
The story "The Yellow Wallpaper," by Charlotte Perkins Gilman, is a story about control. In the late 1800's, women were looked upon as having no effect on society other than bearing children and keeping house. It was difficult for women to express themselves in a world dominated by males. The men held the jobs, the men held the knowledge, the men held the key to the lock known as society - or so they thought. The narrator in "The Wallpaper" is under this kind of control from her husband, John. Although most readers believe this story is about a woman who goes insane, it is actually about a woman’s quest for control of her life.
Charlotte Perkins Gilman's "The Yellow Wallpaper" is an observation on the male oppression of women in a patriarchal society. The story itself presents an interesting look at one woman's struggle to deal with both mental and physical confinement. Through Gilman's writing the reader becomes aware of the mental and physical confinement, which the narrator endures, and the overall effect and reaction to this confinement.
In “The Yellow Wallpaper,” Gilman tells the story of married white upper-class women who is striving to overcome her nervous depression with the aide of her domineering husband, John. To display her discomfort, Gilman relays, “If
MacPike, Loralee. "Environment as Psychopathological Symbolism in 'The Yellow Wallpaper.’” Twentieth-Century Literary Criticism, edited by Thomas J. Schoenberg, vol. 201, Gale, 2008. Literature Resource Center, go.galegroup.com.gmclibrary.idm.oclc.org/ps/i.do?p=LitRC&sw=w&u=mill30389&v=2.1&it=r&id=GALE%7CH1420082948&asid=562f132388d74c4bd92439b5842a2fe7. Accessed 25 Oct. 2017.
“Yellow Wallpaper” by Charlotte Gilman was analyzed by many perspective readers and writers. In my research paper I analyzed work by Ann Oakley and Karen Ford. These two authors had similar but yet different arguments. During my review process on both articles, I found that there can be many interpretations of any literary work. When you typically see topics written about women, you tend to see biased explanations. Reading these from a female standpoint you would go on to assume the writer will only defend what is morally right.
Being able to have an equal partner and feel heard is not only an important thing to have in a marriage but is an important thing for one’s health. Charlotte Perkins Gilman uses her story “The Yellow Wallpaper” to discuss and emphasize the harmful effects this can have on women. With a captivating plot Gilman keeps the reader interested, and with powerful symbolism and themes teaches the reader the importance of a woman’s status in her
In literature, women are often depicted as weak, compliant, and inferior to men. The nineteenth century was a time period where women were repressed and controlled by their husband and other male figures. Charlotte Gilman, wrote "The Yellow Wallpaper," showing her disagreement with the limitations that society placed on women during the nineteenth century. According to Edsitement, the story is based on an event in Gilman’s life. Gilman suffered from depression, and she went to see a physician name, Silas Weir Mitchell. He prescribed the rest cure, which then drove her into insanity. She then rebelled against his advice, and moved to California to continue writing. She then wrote “The Yellow Wallpaper,” which is inflated version of her experience. In "The Yellow Wallpaper," the main character is going through depression and she is being oppressed by her husband and she represents the oppression that many women in society face. Gilman illustrates this effect through the use of symbols such as the yellow wallpaper, the nursery room, and the barred windows.
Oppression is a prolonged cruel or unjust treatment or control (Google Dictionary). In the short story "The Yellow Wallpaper", written by Perkins Gilman, the narrator explores the idea of patriarchy's oppression of women through a woman who struggles with depression. The reason this short story should remain in the course pack is that it displays the women mental stability to instability which shows how suppressive a patriarchal society is. It also allows us to understand unique ways of using symbolism and setting.