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Of studies literary analysis
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Of studies literary analysis
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All of us have been sick at some point in our lives, some more than others and worse than others. We all get some type of medication to help us get back onto our feet whether it being getting some fresh air, taking antibiotics, or staying in bed. We hope(and often expect) that these suggestions will help us get back to normal and not actually make the situation worse. Unfortunately, this is not the case in “The Yellow Wallpaper” as a bad suggestion coupled with some unfortunate decisions actually leads to the mental breakdown of a young woman. In “The Yellow Wallpaper,” Charlotte Perkins Gilman tells the story of a young woman who is “sick” and moves with her husband out to the countryside in order to get some rest and get “better”. Throughout the story, …show more content…
When Jane is isolated from the world, she spends most of her time in the barred room, staring at the wallpaper for hours and trying to figure out how it is organized. She spends countless hours and days doing this and this slowly brings down her mental health as she becomes convinced that her fellow housemates are against her and that there is a woman trapped behind the wallpaper. The yellow wallpaper becomes a symbol for Jane’s mental health. The woman trapped behind the wallpaper is a symbol for Jane’s craziness(the mental breakdown waiting to come out) and the actual wallpaper can be a symbol for Jane’s mind, body, and/or her family, trying to help Jane get better. Eventually the isolation takes it toll as Jane is left to the wallpaper for too long and ultimately loses it as she has nothing else to do but think about the wallpaper. Anthony Liccione, an American author and poet, said, “Thoughts are like an open ocean, they can either move you forward within its waves, or sink you under deep into its abyss.” In Jane’s case, her isolation led her to over think the wallpaper and it sank her deep into the abyss of
"The Yellow Wallpaper" by Charlotte Perkins Gilman is a story about a woman’s gradual descent into insanity, after the birth of her child. The story was written in 1892 after the author herself suffered from a nervous breakdown, soon after the birth of her daughter in 1885. Gilman did spend a month in a sanitarium with the urging of her physician husband. "The Yellow Wallpaper" is a story about herself, during the timeframe of when Gilman was in the asylum.
Due to Jane’s husband enforcing a life in confinement due to her nervous breakdowns, it only takes a little time for the isolation to drive her mad. In the beginning of the story, it is clear that the narrator, Jane, suffers from post-natal depression, which is a common effect after childbirth. The way Jane sees her living quarters is much different than it actually is. She imagines the rings on the walls, the torn up wallpaper, and the bars on the windows as a nursery or a school for boys, when those features actually lead the audience to realize that it is a room for the mentally ill. Her husband, also her physician, believes that in order for her metal illness to be cured is to forbid her from exercising her imagination, working, and to keep her locked away. However, his theory proves to be wrong when her mind begins to see a world inside the wallpaper, caused by the abuse from confinement. Although her husband is doing this for what he thinks is best for her well
The stories “Shouldn't I Feel Pretty?” and “The Yellow Wallpaper” feature a dynamic protagonist who undergoes a character development which reveals the consequences of oppression caused by societal standards. Gilman crafted the narrator in “The Yellow Wallpaper” with the purpose of exposing the tyrannical role of gender roles to women. In the story, the narrator suffers a slight postpartum depression in the beginning, but her condition gets progressively worse because her husband John believes “that there is nothing the matter with [her] but temporary nervous depression-- a slight hysterical tendency” (331). He concludes that the best treatment for his wife is for her to be “absolutely forbidden to ‘work’ until [she is] well again” (332).
In The Yellow Wallpaper, the narrator weaves a tale of a woman with deep seeded feelings of depression. Her husband, a physician, takes her to a house for a span of three months where he puts her in a room to recuperate. That “recuperation” becomes her nemesis. She is so fixated on the “yellow wallpaper” that it seems to serve as the definition of her bondage. She gradually over time begins to realize what the wallpaper seems to represents and goes about plotting ways to overcome it. In a discussion concerning the wallpaper she states, “If only that top pattern could be gotten off from the under one! I mean to try it, little by little.” “There are only two more days to get this paper off, and I believe John is beginning to notice. I don’t like the look in his eyes.”
Although, for her, she has nothing more to focus on she trusts her imagination to pass the time. Over time she becomes more and more obsessed with the yellow wallpaper, which leaves her in shock. “The wallpaper becomes a projection screen of the narrator growing fright.” (Berman, p.47) This means that the narrator goes to herself on the wall. The isolated woman in the yellow paper is her own reflection. Something that the narrator still does not realize, she only feels the need to release the woman trapped in the wall. She refers to her room as a prison continuously. As she begins to feel isolated she projects her feelings on the yellow wallpaper, but the idea that the room is her prison goes from figurative to reality as insulation deepens her need to escape in some way. “Every time the narrator speaks, she is interrupted and contradicted until she begins to interrupt and contradict herself.” (Berman, p.55) She has her own plan for recovery. But unfortunately, her husband does not listen. For him, the only
Have you ever been locked in a dark closet? You grope about trying to feel the doorknob, straining to see a thin beam of light coming from underneath the door. As the darkness consumes you, you feel as if you will suffocate. There is a sensation of helplessness and hopelessness. Loneliness, caused by oppression, is like the same darkness that overtakes its victim. Charlotte Perkins Gilman, in "The Yellow Wallpaper," recounts the story of a young mother who travels to a summer home to "rest" from her nervous condition. Her bedroom is an old nursery covered with ugly, yellow wallpaper. The more time she spends alone, the more she becomes obsessed with the wallpaper's patterns. She begins to imagine a woman behind bars in the paper. Finally, she loses her sanity and believes that she is the woman in the wallpaper, trying to escape. In "The Yellow Wallpaper," Charlotte Perkins Gilman uses setting and symbolism to suggest that imprisoning oppression causes a type of loneliness (in women) that can lead to a deadly form of insanity.
In a female oppressive story about a woman driven from postpartum depression to insanity, Charlotte Gilman uses great elements of literature in her short story, The Yellow Wallpaper. Her use of feminism and realism demonstrates how woman's thoughts and opinions were considered in the early 1900?s.
Haney-Peritz, Janice. "Monumental Feminism and Literature 's Ancestral House: Another Look At 'The Yellow Wallpaper '." Women 's Studies 12.2 (1986): 113. Academic Search Complete. Web. 24 Nov. 2014.
Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from postpartum depression. Set during the late 1890s, the story shows the mental and emotional results of the typical "rest cure" prescribed during that era and the narrator’s reaction to this course of treatment. It would appear that Gilman was writing about her own anguish as she herself underwent such a treatment with Dr. Silas Weir Mitchell in 1887, just two years after the birth of her daughter Katherine. The rest cure that the narrator in "The Yellow Wallpaper" describes is very close to what Gilman herself experienced; therefore, the story can be read as reflecting the feelings of women like herself who suffered through such treatments. Because of her experience with the rest cure, it can even be said that Gilman based the narrator in "The Yellow Wallpaper" loosely on herself. But I believe that expressing her negative feelings about the popular rest cure is only half of the message that Gilman wanted to send. Within the subtext of this story lies the theme of oppression: the oppression of the rights of women especially inside of marriage. Gilman was using the woman/women behind the wallpaper to express her personal views on this issue.
When looking at two nineteenth century works of change for two females in an American society, Charlotte Perkins Gilman and Stephen Crane come to mind. A feminist socialist and a realist novelist capture moments that make their readers rethink life and the world surrounding. Gilman’s “The Yellow Wallpaper” was first published in 1892, about a white middle-class woman who was confined to an upstairs room by her husband and doctor, the room’s wallpaper imprisons her and as well as liberates herself when she tears the wallpaper off at the end of the story. On the other hand, Crane’s 1893 Maggie: A Girl of the Streets is the realist account of a New York girl and her trials of growing up with an alcoholic mother and slum life world. The imagery in Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Stephen Crane’s Maggie: A Girl of the Streets uses color in unconventional ways by embedding color in their narratives to symbolize the opposite of their common meanings, allowing these colors to represent unique associations; to support their thematic concerns of emotional, mental and societal challenges throughout their stories; offering their reader's the opportunity to question the conventionality of both gender and social systems.
“Yellow Wallpaper” by Charlotte Gilman was analyzed by many perspective readers and writers. In my research paper I analyzed work by Ann Oakley and Karen Ford. These two authors had similar but yet different arguments. During my review process on both articles, I found that there can be many interpretations of any literary work. When you typically see topics written about women, you tend to see biased explanations. Reading these from a female standpoint you would go on to assume the writer will only defend what is morally right.
Charlotte Perkins Gilman experienced a relatively similar life story to the life of the narrator in “The Yellow Wallpaper”. She was prescribed the same “rest cure” as the narrator that subsequently led to a mental breakdown. The prescribed “rest cure” entails minimal human contact, repressed imagination, and female confinement. Comparatively, persistently being told that you are insane especially if you’re not, may drive someone to actually become psychotic.
This environment serves not as an inspiration for mental health but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
She studies the pattern every chance she has, whether it is day or night time. Jane believes the figure trapped within the wallpaper is a woman, and writes, “By daylight she is subdued quiet. I fancy it is the pattern that keeps her so still. It is so puzzling. It keeps me quiet by the hour” (653). During this time, she’s starting to displace herself onto the yellow wallpaper. The mysterious woman-like figure Jane sees in the wallpaper is trapped, just like she is stuck in their rental house by her husband.
The Yellow Wallpaper As the story begins, the woman -- whose name we never learn -- tells of her depression and how it is dismissed by her husband and brother. "You see, he does not believe I am sick! And what can one do? If a physician of high standing, and one's own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression -- a slight hysterical tendency -- what is one to do?" (Gilman 193). These two men -- both doctors -- seem completely unable to admit that there might be more to her condition than than just stress and a slight nervous condition. Even when a summer in the country and weeks of bed-rest don't help, her husband refuses to accept that she may have a real problem.