Everyone loves a good story villain. Characters who commit demonic deeds, go against the story protagonists and conventional ways of thought, driven to complete a goal they have set. The way villains think and act have a monumental impact on the story plots. The genre of Gothic literature is filled with these types of characters, often described as being dark, brooding, and tortured. However, in Emily Brönte’s novel Wuthering Heights, she casts a character with traditionally villainous qualities as the protagonist, an antihero of sorts. Described as a Byronic Don Juan, her story hero Heathcliff has all the makings of a bad guy; from his swarthy complexion and vengeful motivations to his violent nature that stems from his tortured childhood. …show more content…
Heathcliff’s wrathfulness towards others is often said to have stemmed from his tortured upbringing. Throughout the novel, Heathcliff is not only tormented, but goes on to torture others like Isabella and Edgar, as well as the children. To begin, Heathcliff throughout his life is often mistreated and isolated. Even before his introduction into Wuthering Heights, it can be surmised that Heathcliff does not have the best start in life. He is described as being “a dirty, ragged, black-haired child… starving, and houseless, and as good as dumb, in the streets of Liverpool” (Brönte 36). He first appears in the novel when Mr. Earnshaw brings him back to Wuthering Heights and “from the very beginning, he bred bad feelings in the house” (Brönte 37). He is not even referred to as a he, but as an “it.” When he is finally given a name, they give him only one, Heathcliff, because they do not want him to inherit the wealth of the Earnshaw family, which makes him feel like an outsider. The other children in the family, Hindley and Catherine, do not help to make him feel any more welcome; Catherine begins her introduction to him by “spitting at the stupid little thing” while Hindley resents him because he views “Heathcliff as a usurper of his parent’s affections and his privileges (Brönte 36-37). Mrs. Earnshaw herself never accepts Heathcliff into the family, probably due to his gypsy background. After Mr. Earnshaw’s death, without his father to stop him, the abuses performed by Hindley begin to get worse. Heathcliff is forced to labor outdoors and to do so as hard as any other farmhand (Brönte 45). After Hindley’s is married, he and his wife would beat and torture Heathcliff. Later in the novel, Heathcliff falls violently in love with Catherine, but then she goes on to marry another man. When Catherine dies during childbirth, Heathcliff slowly descends into madness. Throughout his life, Heathcliff steadily grows more violent, wrathful, and vengeful; willing to take out his anger and resentment on those around him. Heathcliff’s wrathful and vengefulness is translated his violent and torturous relationships with Edgar and Isabella Linton.
To start, Heathcliff is resentful and aggressive towards Edgar. This most likely stems from the fact that Edgar marries Catherine, a woman he himself fell violently in love with. Heathcliff’s very existence is probably torturous to Edgar because he knows that no matter how kind and faithful he is to Catherine, she will never truly be in love with him like he is because not only is her only true love Heathcliff, but also because she mainly married him for his wealth and an elevated status (Brönte 79-83). As Catherine says herself, “’My love for Heathcliff resembles the eternal rocks…I am Heathcliff! He’s always, always in my mind’” (Brönte 84). Heathcliff’s very presence undermines the life Edgar makes for himself and Catherine. However, Heathcliff is still angered by the union of the two, and when he comes back from his three year absence, he gets his revenge by running away with and marrying Edgar’s only sister Isabella. Also, several years after Catherine’s death, Heathcliff takes away Edgar’s only living remembrance of his wife, their daughter Cathy. He detains her in his house, abuses her, forces her to marry his son so he can inherit Edgar’s wealth and become “’master of the Grange after him’”, and attempts to keep her prisoner until Edgar’s death (Brönte 286-297). Heathcliff succeeds in his endeavor to torture Edgar, however in his effort to do …show more content…
so, he also pulls Edgar’s sister into his violent life. Because she runs off and marries her brother’s greatest enemy, Edgar becomes somewhat cold when speaking of her and refuses to rescue her despite the fact that he knows she will never be happy with Heathcliff (Brönte 152). As a consequence of this, Isabella is further isolated when she lives in Wuthering Heights. As a warning of what is to come in their marriage, Heathcliff hanged “’her little dog’” (Brönte 157). Isabella travels through the snow to Thrushcross Grange to get away from Heathcliff after he “’snatched a dinner-knife from the table and flung it at my [Isabella’s] head’” (Brönte 189). Heathcliff shows immense cruelty to his wife and romantic rival, however, his cruelty and revenge extends to the children of the novel. As Heathcliff grows older, readers are able to see how his troubled childhood has affects his personality and how he interacts with others, primarily Hareton and Cathy.
Hareton is the child of Hindley and Frances, two of his tormentors. Because of this fact, when Frances and Hindley die, Heathcliff treats Hareton rather poorly. Heathcliff reduces Hareton to a state of almost complete dependence on him, treats his as if he were a servant in his own household, and isolates him from others so he remains friendless and ignorant that he has ever been wronged (Brönte 195). Heathcliff, in almost everyway he could, makes Hareton feel as inferior and alone as he does. Nevertheless, his treatment of Cathy is no better. Heathcliff appears to view Cathy, not as the child of his only love, but as the living symbol of the fact he will never get to be with her because she chose another man over him. He instead tries to accumulate all the ownership of Thrushcross Grange. He does this by kidnapping and forcing Cathy to marry his son Linton, threatening that “’she must either accept him or remain prisoner…till your master [Edgar] dies’” (Brönte 287). And during Cathy’s captivity in Wuthering Heights, he continues to physically beat her on numerous different occasions (Brönte 282-293). After she and his son are married, and his son dies, he retains ownership of Thrushcross Grange and refuses to let Cathy leave. Heathcliff’s vengefulness and wrath affects not only his entire life, but also
almost every character he encounters. Heathcliff’s tortured and isolated background makes him a bitter and angry man who cannot help, but to share his experiences with others in his life. With his troubled background and unyielding vengeance, as well as his dark and brooding appearance, Heathcliff is the embodiment of a Gothic villain, without actually being the villain. Brönte takes him several steps further by giving his character a muddled heritage and an inherent inferiority complex caused by it. Through her storytelling, she is able to humanize and add depth to Heathcliff as a victim of circumstance who attempts to get other characters to accept him as an equal through his accumulation of wealth. However, because of his heritage and ethnicity as a gypsy, no matter what he does, others will always look upon him as an outsider of lesser breeding. As a result of his circumstance, readers are able to see what motivates Heathcliff and, at times, sympathize with him. By the end of the novel, readers are left with the thought; is Heathcliff completely at fault or is it the fault of the society he lives in?
In his renowned book of philosophy, The Leviathan, Hobbes described that “perpetual and restless desire for power” is a fundamental quality shared by all humans. He also points out that desire is another important aspect of human nature, since it provides motivation for us to strive to reach our individual needs regardless of the possible outcomes of our actions. These two themes are insightfully explored in Susan Jaret McKinstry’s “Desire’s Dreams: Power and Passion in Wuthering Heights”, in which she shows the important role that power and desire play in Emily Brontë’s Wuthering Heights. From the desire, passion and the ambition for power being displayed in a relatively closed environment such as the isolated manors, it is clear that Brontë’s view of human nature is that humans will do whatever is necessary in their contest for individual power and fulfillment of desires.
The complicated nature surrounding Heathcliff’s motives again adds an additional degree of ambiguity to his character. This motivation is primarily driven by Catherine’s marriage to Edgar and past rejection of Heathcliff, since he was a servant whom Hindley disapproved of. Prior to storming out of Wuthering Heights, Heathcliff overhears Catherine say, “It would degrade me to marry Heathcliff now…” (Brontë 87). The obstacles that ultimately prevent Heathcliff from marrying Catherine provide insight into Heathcliff’s desire to bring harm to Edgar and Hindley. The two men play prominent roles in the debacle, Edgar as the new husband and Hindley as the head figure who refused Heathcliff access to Catherine. Following this incident, Catherine says, “Whatever our souls are made of, his and mine are the same…” (Brontë 87). Catherine’s sentiment indicates she truly would rather be with Heathcliff, but the actions of others have influenced her monumental decision to marry Edgar. Furthermore, Heathcliff is motivated to not only ruin Edgar’s livelihood, but also gain ownership of his estate, Thrushcross Grange. This becomes clear when Heathcliff attempts to use Isabella
Linton Heathcliff is only interested in himself. He is a sickly and scared young man. Like his mother Isabella Linton who accused Catherine Earnshaw of selfishly wanting Heathcliff for herself – in which she didn't- Linton enjoys inflicting and watching people suffer. As Heathcliff threatened to kill Linton, Linton only thought about his own life and, decided to betray Cathy, tricking her into staying at Wuthering Heights and getting married to him, instead of returning to Thurshcross Grange to where her father lies on his deathbed.
We see his pride, his passion and sensitivity; we see that he is very close to nature: all of these things are genetic character traits, visible in Hareton's father and aunt, Hindley and Catherine Earnshaw. With Heathcliff, his nurture enhances parts of his personality, whereas in Hareton's nurture, his nature is dulled and moulded so it is less extreme. This is done by denying Hareton of experience. At the end of the novel, Hareton is very much a product of his nature; Cathy's nurturing allows this to change.
In her novel, Wuthering Heights, Emily Brontë uses psychological disorders in order to amplify the characters relationships. While Hindley, Linton, Edgar, and other minor characters suffer from multiple psychological disorders, it is Cathy Earnshaw and Heathcliff whose disorders shape the layout of the novel through their deep relationship. Their disorders range from histrionic personality disorder to monomania to Munchausen syndrome. Cathy and Heathcliff’s obsession for attention and each other drive them to develop psychological disorders that worsen throughout the novel due to lack of medical knowledge and diagnosis.
Catherine is trapped between her love of Heathcliff and her love for Edgar, setting the two men down a path of destruction, a whirlwind of anger and resentment that Catherine gets caught in the middle of. Catherine is drawn to Heathcliff because of his fiery personality, their raw attraction and one certainly gets the sense that they are drawn together on a deeper level, that perhaps they are soulmates. C. Day Lewis thought so, when he declared that Heathcliff and Catherine "represent the essential isolation of the soul...two halves of a single soul–forever sundered and struggling to unite." This certainly seems to be backed up in the novel when Catherine exclaims “Nelly, I am Heathcliff! He's always, always in my mind--not as a pleasure, any more than I am always a pleasure to myself, but as my own being...” This shows clearly the struggle Catherine feels as she is drawn spiritually to Heathcliff, but also to Edgar for very different reasons. Edgar attracts Catherine predominantly because he is of the right social class. Catherine finds him "handsome, and pleasant to be with," but her feelings for him seem petty when compared to the ones she harbours...
Which drew Catherine towards him; she describes him as “handsome”, “pleasant to be with,” and “cheerful,” and “rich”. Linton turns Catherine from a wild child to a well-mannered lady. They meet when Catherine got bit by a dog, and then the Lintons take her in while she is healing, this lasts for five weeks. Edgar tames her in a way, his overall persona clashes with hers in a perfect way. His love gives Catherine safety a security in the society. Heathcliff on the other hand is almost obsessed and can't give her the attributes she needs and wants; such as, commitment and how he won't sacrifice anything. However, those exact qualities attract Catherine to him. “She was much too fond of Heathcliff. The greatest punishment we could invent for her was to keep her separate from him: yet she got chided more than any of us on his account.”(Brontë 41) According to Levy, “As a result of the Unlove that they were made to suffer, both Heathcliff and Catherine, by opposite means and in distinct circumstances, turn loneliness into a community of rejection over which they wield absolute control. Heathcliff does this by persecuting those he hates; Catherine, by persecuting those she loves.” Edgar and Heathcliff have a good angel bad angel complex, of course Heathcliff is the bad angel and Edgar is the good angel. The reasons behind this is simply the characteristics portrayed;Edgar
Wuthering Heights is a novel whose main character is said to have a double significance. He is said to be both the dispossessed and the dispossessor, victim of class hatred and arch – exploiter, he simultaneously occupies the roles of working class outsider and brutal capitalist. Heathcliff has all these characteristics because of his experiences. He is a character moulded by his past.
From the beginning of the novel and most likely from the beginning of Heathcliff's life, he has suffered pain and rejection. When Mr. Earnshaw brings him to Wuthering Heights, he is viewed as a thing rather than a child. Mrs. Earnshaw was ready to fling it out the doors, while Nelly put it on the landing of the stairs hoping that it would be gone the next day. Without having done anything to deserve rejection, Heathcliff is made to feel like an outsider. Following the death of Mr. Earnshaw, Heathcliff suffers cruel mistreatment at the hands of Hindley. In these tender years, he is deprived of love, friendship, and education, while the treatment from jealous Hindley is barbaric and disrupts his mental balance. He is separated from the family, reduced to the status of a servant, undergoes regular beatings and forcibly separated from his soul mate, Catherine. The personality that Heathcliff develops in his adulthood has been formed in response to these hardships of his childhood.
Young Cathy’s love for Hareton is a redemptive force. It is her love that brings an end to the reign of Heathcliff. Heathcliff and Catherine have loved each other since their childhood. Initially, Catherine scorned the little gypsy boy; she showed her distaste by “spitting” at him (Brontë 27). However, it was not long before Heathcliff and Catherine became “very think” (Brontë 27).
(2) Emily Bronte’s purpose in writing Wuthering Heights is to depict unfulfilled love in a tragic romance novel and hence the theme of Wuthering Heights is love is pain. Emily Bronte reveals an important life lesson that love is not sufficient for happiness and if anything, stirs up more agony. This message is important because, although it is difficult to accept, the message is devastatingly honest. In Wuthering Heights, two characters named Heathcliff and Catherine loved each other immensely. However, their pride and adamance disabled them from making any progress on their romantic relationship. In fact, Heathcliff and Catherine purposely hurt each another through reckless and cruel actions. The author is exemplifying a recurring theme in history that love is associated with pain. The message allows readers to be aware that love is not constant perfection and happiness.
The basic conflict of the novel that drives Heathcliff and Catherine apart is social. Written after the Industrial Revolution, Wuthering Heights is influenced by the rise of new fortunes and the middle class in England. Money becomes a new criterion to challenge the traditional criterias of class and family in judging a gentleman’s background. Just as Walpole who portrays the tyrannies of the father figure Manfred and the struggles of the Matilda who wants to marry the peasant Theodore, as depicted in the quote “(…) improbability that either father would consent to bestow his heiress on so poor a man, though nobly born”(p. 89), Brontë depicts a brutal bully Hindley who torments Heathcliff and separates Catherine from him. Heathcliff, a gypsy outcast picked u...
Heathcliff is characterized “as dark almost as if it [Heathcliff] came from the devil.” (45) Throughout Wuthering Heights, Heathcliff is treated poorly and is mainly a product of a troubled childhood. This man then manifests into a person that is hardly capable of holding back his impetuous actions, and, therefore, exemplifies the capacity of the most powerful emotions. Although he may not be the ideal protagonist, it is ultimately not his fault and in the end is defined by the events in the story. Due to the extreme emotional and physical pain endured throughout his life, Heathcliff exhibits the strongest love and hate towards others through passion and revenge.
In the novel Wuthering Heights by Emily Bronte, Heathcliff is an orphan boy brought to Wuthering Heights by Mr. Earnshaw, who has two children of his own already - Catherine and Hindley. Heathcliff changes over the course of his life by the following; Heathcliff begins by getting along well with Catherine Earnshaw, however, Catherine Earnshaw is introduced to Edgar Linton and Heathcliff becomes jealous of their forming relationship, and once Catherine has passed away after delivering Edgar’s child, Heathcliff becomes haunted by her ghost, and wishes to only be united with her in death.
When Hindley is drunk, Heathcliff “cheat[s] Mr. Hindley”(63) at cards. This is part of Heathcliff’s revenge on Hindley. Eventually, Hindley has to mortgage Wuthering Heights in order to pay his debts, and Heathcliff is able to gain possession of Wuthering Heights. Heathcliff tells Cathy, Catherine and Edgar’s daughter, that Linton, his son, “is on his deathbed”(255) and that she should come visit him. Cathy feels obligated to go help Linton, so she and Nelly go to Wuthering Heights. Once they arrive, Heathcliff locks them in and tells them “you shall not quit this place till it is fulfilled”(261); implying that they will not be able to leave until Cathy marries Linton. Heathcliff wants them to marry so that he can get the inheritance. While Heathcliff gains money from his connections, d Cathy and Hindley loses their inheritance, money, and