Wuthering Heights Controversy

In a setting depicting a mystical land in an isolated place, full of wonder and mystery, begins the realm of the type of story known as “fairytale.” Such a place is often filled with magical occurrences, witches, fairy godmothers, and damsels in distress locked up in towers, waiting for male protagonist heroes to save them. Such a land knows no limits; authors from around the world have been exploring it for centuries, drawing ideas from it as one draws water from a well of unknown depth. Some authors venture farther into this land than others, but one author didn’t have to venture at all.
English author Emily Brontë’s childhood itself resembled a fairy tale—from the structure of her family to the nature of the place in which she grew up.

At first glance, much about it makes it seem like any other fairy tale: inspired by similar tales that have been written over centuries’ time. However, the fairy tale-like aspects of the book Wuthering Heights reflect Brontë’s own childhood experiences to a striking extent.
The noted mystical land where all fairy tales come from was, in Brontë’s reality, was a small, isolated village in West Yorkshire known as Thornton. In Thornton, old brick houses with chimneys line cobbled streets, and everything looks as if it could have existed in England hundreds of years ago. Both the isolation and the antiquity of the town are common occurrences in fairy tales, since an old, mysterious setting is often associated with mysticality and the supernatural.
Likewise, Wuthering Heights is set in the Moors, a remote, mysterious part of England with an air of darkness about it. The Moors play a large role in the lives of the characters living there. Their lives were spent in isolation resulted in unusual personality attributes and a dark, twisted, complex history between all of them. More specifically, many of the personal attributes of the Wuthering Heights characters are the effect of emotional abuse from one character,