In my senior year of high school, I had to persuade the owner (Skip) favorite coffee shop, MJ’s, to allow me to film there for a night. MJ’s had a relaxing, laid-back atmosphere with deep purple walls that always had local artist’s works of art hanging from them. The coffeehouse led to a wonderful theater with black walls and deep red chairs. After asking a worker if I could talk to Skip, I set up a meeting with Skip later that day. I knew I had a low chance with the tight budget we had for the short film, but the coffeehouse was the perfect location for one short scene! As I launched into my much-rehearsed speech, I found him growing more and more intrigued. Skip contemplated briefly before nodding. “You can film here, but don’t forget me
All information about the following characters in the case study were retrieved and/or inferred from A Consequence of Testing ALL Students article.
Alfred Hitchcock’s 1954 film Rear Window is truly a masterpiece, as it uses fascinating cinematic elements to carry the story and also convey the meaning of voyeurism. Throughout the film we are in one room, yet that does not limit the story. This causes the viewer to feel trapped, similar to the main character, while also adding suspense to the detective story. The opening scene itself, draws the viewer in. In just five minutes and 27 shots, the viewer is given an introduction to the main character, his lifestyle, his condition, and his neighborhood. The lighting, the costumes, and the set are all presented in a way to catch the viewers eye, compelling them to crave more. Combining vivid lighting, edgy cinematography, and unique set design, Rear Window, proves why Hitchcock is still remembered as one of the greatest and most influential directors of all time.
Film Society of Lincoln Center , ND/NF Q&A: "Stories We Tell", Sarah Polley, online video, May 10 2013, viewed May 5 2014,
Alfred Hitchcock’s film Shadow of a Doubt is a true masterpiece. Hitchcock brings the perfect mix of horror, suspense, and drama to a small American town. One of the scenes that exemplifies his masterful style takes place in a bar between the two main characters, Charlie Newton and her uncle Charlie. Hitchcock was quoted as saying that Shadow of a Doubt, “brought murder and violence back in the home, where it rightly belongs.” This quote, although humorous, reaffirms the main theme of the film: we find evil in the places we least expect it. Through careful analysis of the bar scene, we see how Hitchcock underlies and reinforces this theme through the setting, camera angles, and lighting.
Stanley, Robert H. The Movie Idiom: Film as a Popular Art Form. Illinois: Waveland Press, Inc. 2011. Print
It is a cool, misty night, and after a miserable day, you decide to treat yourself to a movie. You are at the movie theater; you open the double-doors swiftly and smell the delectable-popcorn lathered in butter. You approach the desk; the employee welcomes you with a slow-grin and asks “Can I help you?” You proceed to choose the latest horror movie, Silence of the Lambs….you give the next employee your ticket to validate it and be admitted into the theater; with a crooked smile the employee makes a vigorous rip and hands you back your ticket. Then the employee softly utters, “Enjoy your movie!” You head towards the right hall; as you walk down, you notice the lights begin to dim….You finally reach the theater; you get comfy in your seat; the lights darken and transform the theater
The "G.O.A.T.", is coming used term in the sports world meaning, The Greatest of All Time. In the National Basketball Association, when you mention the term, the "G.O.A.T., everyone assumes of one name and one name only, Michael Jordan. Michael Jordan was an innovator of the basketball work and influenced many different people and players that inputted & mimicked Jordan’s style of play and implicated it into their own game. In today's generation, there are several players that many average day people would consider these players on the road to becoming a Jordan type of player, potential or maybe even greater; players that may be able on road to sharing a Michael Jordan type of legacy includes Kobe Bryant, Kevin Durant and LeBron James.
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.
Crewdson has led us into his fantasy world, engrossed by the beautiful lighting and fantastical scenes. His photographs keep viewers constantly thinking, questing the truth. He challenges the conventional way of operating by using every imaginable kind of production technique in a single “frozen” moment while still trying to capture the “prefect” image. It’s these cinematic details that make his images even more persuasive. This photograph was never captured in real -life, but it has qualities that pitch the human eye to its own reality.
Barsam, Richard. Looking at Movies An Introduction to Film, Second Edition (Set with DVD). New York: W. W. Norton, 2006. Print.
I glanced around the dimly lit dining room of our neighborhood Jack-In-The-Box at the collection of adolescent girls and boys gossiping about their absent friends, urban families enjoying their weekly treat of chicken fingers with exotic dipping sauces, and a teenage employee attempting to grasp a carpet sweeper with her fry-greased hands. As each of their gazes wandered the room curiously observing the quaint surroundings, their eyes conveniently skipped over the socially unacceptable figure in the corner, but I saw him clearly.
The application of cinematographic properties are crucial in telling of the film’s story. Mobile framing is used to follow the characters through the on-screen space. As the actors move, the camera moves with them. In this character dominated genre, characters are always in focus at the centre of the frame. There is little separation from onscreen and off-screen space. Like most classical films, It Happened One Night conforms to the 180-degree rule with little deviation. One side of the narrative space is filmed, not crossing the axis of action to avoid disorienting the audience. For example, bus interiors are often shot from one angle and direction, moving along a steady, horizontal axis as if the camera is looking through the window. Any elements inferred off-screen are always confirmed in the following shot. The majority of the shots used thro...
On September 12, 2014, I observed two people; Person A and Person B. The observation took place at Applebee’s, a local restaurant, beginning at 7:21 p.m. and ending observation at 8:06 p.m. I was serving their table for the evening, enabling myself to observe them closely. The restaurant had died down from the dinner rush, leaving them one of three tables in the smoking section, normally filled with eight. Along with the outside light fading, the lighting indoors was dim, making the dining experience feel more quiet and intimate. The background noise was filled with a light roar of other group’s conversations, and a jazz station played quietly from the speakers overhead.
While Shakespeare doesn’t have the cinematic luxuries of lighting and shadow at his disposal, he proves that Mulvey’s argument that desire is expressed in voyeuristic and scopophiliac fashion, but also that these innate desires of an audience transcend mediums and can in fact be fulfilled and appreciated in written form as much as within the intricacies of modern film.
The coffee shop I decided to do my observation was the well known Starbucks just a couple blocks away. The reason I chose this coffee shop was because of it 's style inside, it attracted me. For example, one side of the wall has a glass top, and the lower part of the wall, made of wood and painted in a bright red color, which was one thing that attracted me and stood out. Outside of the shop people can actually see through the glass wall and get to see what’s happening inside of the coffeeshop. By the entrance you see these two red ceiling lamps which were shaped in a flower bud and these two tall green plants. Once you were in, on the right of the shop there was a counter with food and things to put in your drinks such as milk, sugar, chocolate, etc and the colors and how the food was displayed and served was appealing to my eyes. Behind that counter there was a long table with different electronic devices plugged into the wall. On the middle of the those there is a fridge just for ice and when I turned to the other side and I noticed a big menu on the wall. Further more into the shop, there was an area filled with tables, chairs, and sofas. The tables were in different shapes, one was round and the others rectangular, also there was four bamboo baskets and I looked around and noticed that the walls in that area were decorated with paintings.