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Conflicts in a midsummer night dream
Conflicts in a midsummer night dream
Conflicts in a midsummer night dream
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A Midsummer Night’s Dream: Worlds Collide
Four worlds collide in a magical woods one night in midsummer in William Shakespeare's mystical comedy A Midsummer Night’s Dream. The mythological duke of Athens, on the eve of his wedding to the newly defeated Queen of the Amazons, is called upon by the mortal Egeus to settle a quarrel. Hermia, Egeus's vociferous daughter, refuses to marry the man her father has betrothed to her, the enamored Demetrius. Theseus sides with authoritarian Egeus and forces Hermia to marry Demetrius or face death. Defiantly, Hermia and her love, Lysander, resolve to elope and abscond into the woods, confessing their plan only to Hermia's covetous friend, Helena. Helena, in a rash attempt to earn Demetrius's love, divulges to him the lovers' plan. He sets off to retrieve Hermia and Helena follows in hopes of soliciting his love.
In another plane of imagination, Oberon, King of the fairies, desires to possess the Indian boy that Titania, Queen of the fairies, has adopted. When she refuses to relinquish the boy, Oberon schemes with his servant, Puck, and commands him to retrieve a flower to use for a spell in which the person under the spell falls in love with the first person seen. Oberon plans to use the spell on Titania and charm her into falling in love with a hideous creature while Oberon takes the Indian boy. While waiting for Puck to return with the flower, Oberon witnesses the pitiful persistence of Helena to win Demetrius. Upon Puck's recovery of the flower, Oberon takes enough to fulfill his plan and leaves Puck with the rest, instructing him to help the poor mortal girl whose love is unrequited.
While Puck journeys on his m...
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...asked to explain their crazy night, the only explanation that can be given is that of a dream.
Therefore, there is no other way for Shakespeare to end this crazy entanglement of lovers, mythological beings, fairies, and artisans but to explain it as a dream. Throughout the play, with the nighttime atmosphere and reoccurrence of sleep, the dreamy state of the characters is passed on to the audience. The play itself is left inconclusive when the characters depart, with questions remaining in the audience's mind, but Puck's closing monologue explains that puzzlement is the appropriate emotion to be feeling during the course of the play. He goes on to persuade the audience that the only logical explanation for the unusualness and ambiguity of the play is that, just as the characters themselves experienced, the audience has just awoke from a fantastical dream.
However opposing theorists (Ponterotto, 2005) have highlighted that even though the broad groupings in the social sciences are not derived from paradigms present in the natural sciences, the individual sub-disciplines may still be underpinned by a paradigm or a research programme with similar rese...
The four lovers run away to the woods outside of Athens. In the woods, a world of fairies dwell. The fairy king, Oberon, stumbles across Demetrius and Helena while Helena is begging Demetrius to love her. Since Oberon is having some problems with love on his own, he tries to help Helena with her unfortunate situation. He sends his jester, Puck, to use a flower that, if its juice is dropped onto someone who’s sleeping’s eyes, will make the person fall madly in love with the first person they lie their eyes on. “Take thou some of it, and seek through this grove; A sweet Athenian lady is in love with a disdainful youth; anoint his eyes; but do it when the next thing he espies may be the lady. Thou shalt know the man by the Athenian garments he hath on.”(64) Puck, following Oberon’s orders, finds Lysander and Hermia instead of Demetrius and Helena. Anointing Lysander’s eyes, he leaves, thinking he did his bidding. Helena finds Lysander sleeping, and, wi...
The play moves into the woods which is haunted by fairies who are there to bless the wedding of Theseus and Hippolyta. The quarreling between Oberon and Titania over the changeling boy leads to the king wanting to embarrass Titania with the love juice by making her fall in love with a monster. The first person she sees is Bottom and she falls violently in love with him.
Love can be quite chaotic at times. As much as poets and songwriters promote the idea of idyllic romantic love, the experience in reality is often fraught with emotional turmoil. When people are in love, they tend to make poor decisions, from disobeying authority figures to making rash, poorly thought-out choices. In the play A Midsummer Night’s Dream, Shakespeare uses various motifs to illustrate how love, irrationality, and disobedience are thematically linked to disorder.
was inclusive of 250 lords whom had annual outputs of 50,000 or more bushels of rice. These upper strata people took part in expensive rituals, elegant architecture and landscaped gardens, noh drama, patronage of the arts and tea ceremonies. Below these lords, there were three other social groups. Peasants were next as the rice crop that they grew for a living was taxed to support the needs of the class on the upper strata. Artisans and craftworkers were beneath the peasant on the social hierarchy as they produced non-agricultural goods. Lastly, the merchants were placed as they are not involved in production. These strata were inconsistent with social realities as many merchants benefitted and became extremely rich even though the strict social hierarchy prevented them from using their reaping to improve their power position or status.
Puck, or Robin Goodfellow, is established in the play as the jester to the King of Fairies, Oberon. He first appears in Act 2, Scene 1 when he and another fairy discuss the disagreement between Oberon and Titania are having. The fairy gives us some indication of Puck's character as she describes how Puck “frights the maidens of the villagery” and “Misleading the night wanderers” (Act 2.1, line 35). When Titania refuses to give up the boy servant that Oberon wants, he comes up with a plan to steal the child, and enlists Puck's help to do so. Oberon is fully aware of Puck’s desire to have a good time at the expense of others, but trusts him with the task of retrieving the flower to make Titania fall in love with “Lion, Bear, Wolf, or Bull.” (Act 2.1, line 180) The idea here is to convince Titania to hand over the changeling boy while she is infatuated with a beast. Being attracted to mischief, Puck seems excited to be tasked to this adventure, and claims to return “Within forty minutes” (Act 2.1, line 176) so that they can get started on their plan.
With great kindness and care in nearly all cases, a cruel master being rare, and lost the respect of his neighbours if he treated his salves badly. Self-interest would have prompted good treatment if a higher feeling of humanity had not.
the laws of man and kept in check by society's own norms. The human struggle to
However, the ideal relationships are not immune to experiencing unharmonious periods. Despite this, the ideal couples eventually found harmony which allowed them to experience a joyous ending. Lysander and Hermia have a harmonious relationship in that they display similar desires and mindsets. In the beginning, after declaring their love for one another Lysander and Hermia devise a plan to run away and elope (A Midsummer Night’s Dream 1.1.156-178). Even when they are not of the same mindset Hermia and Lysander find an amicable solution. After becoming lost in the forest, Lysander’s desire is for them to sleep together, Hermia refuses for fear of the disgrace that would be placed upon her if for some reason they did not become married. Even though Lysander is a reluctant he respects her wishes (A Midsummer Night’s Dream 2.1.47-67). On the other hand, the relationship between Oberon and Titania in spite of being plagued by dysfunction comes to a harmonious agreement. At the beginning Titania and Oberon are quarreling over the control of an Indian changeling boy (A Midsummer Night’s Dream 2.1.18-31). While under the influence of an enchantment that Oberon had placed on her Titania relinquishes the control of the changeling boy to Oberon (A Midsummer Night’s Dream 4.1.56-60). After the enchantment is removed from her Titania no longer has feelings of defiance toward Oberon (A Midsummer Night’s
Earhart, H. Byron. The Religious Life of Man. Religion in the Japanese Experience: Sources and Interpretations. Edited by Frederick J. Streng. Encino, California: Dickenson Publishing Company, 1974.
First ... there is a huge amount of illegal weapons in circulation , many in criminal hands . When gun control arrives, but the weapons are confiscated criminals retain theirs. Reflection ...
Fairies, mortals, magic, love, and hate all intertwine to make A Midsummer Night’s Dream by William Shakespeare a very enchanting tale, that takes the reader on a truly dream-like adventure. The action takes place in Athens, Greece in ancient times, but has the atmosphere of a land of fantasy and illusion which could be anywhere. The mischievousness and the emotions exhibited by characters in the play, along with their attempts to double-cross destiny, not only make the tale entertaining, but also help solidify one of the play’s major themes; that true love and it’s cleverly disguised counterparts can drive beings to do seemingly irrational things.
Genetic modification is very harmful for human beings; it has a huge negative effect on animals’ and humans’ health. The manipulation of the genes of crops and animals may cause health damage. “Animal toxicity studies have shown that genetically modified foods may toxically affect several organs and systems” (Arvanitoyannis, 162, 2011). These studies concluded that genetically modified foods are dangerous and they may become one of the most harmful issues in the world. According to Arvanitoyannis research genetically modified foods cause some common toxic effects such as: hepatic, pancreatic, renal or reproductive effects and may alter the hematological, biochemical and immuno...
Magic is one of the essential elements in William Shakespeare’s A Midsummer Night’s Dream. In the play, the use and misuse of magic lead to the most curious and comical situations. The major conflict in A Midsummer Night’s Dream arises when magic meets reason. Even though the magical force is invisible to the characters, it dictates their
To begin, Yeats uses the universal symbol of the night sky to symbolize unimportance and anonymity in his poem When You Are Old. This poem is about Yeats personal life. The whole point of this three stanza short poem is to make the girl he loved when he was young remember him when she grew older. Starting in line 1 and skipping to line 2, he says, “When you are old. . . And nodding by the fire, take down this book.” He put this poem in a book for her and her alone, as a profession of his love for her that cannot die. The symbol itself, however, is not a personal one but more a universal relator. In the last line of the poem, referring to her view of him and all of the other young men in her life, he says he “hid his face amid a crowd o...