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Women in English literature throughout the ages
Female roles in medieval literature
Women in English literature throughout the ages
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Females are portrayed in the Fabliaux as having certain distinct characteristics. In 'Les Quatre Sohais Saint-Martin';, 'The Chevalier Who Made Cunts Talk';, and 'The Miller's Prologue and Tale'; medieval women are portrayed in similar ways. Women are imaginative and therefor their thoughts must be controlled. They also, in the Fabliaux, crave sex and have sexually creative minds. These three Fabliaux texts present women that are similar and represent commonly held views about the female sex of the time.
Women in the Middle Ages were thought of as having wildly creative imaginations. They were capable of much more description and creativity then men. This is portrayed in 'Les Quatre Sohais Saint-Martin';. The peasant women, when presented with her husbands four wishes, begins to wish for pricks all over her husbands body. After first describing her husband's current state as 'soft and like a furry animal'; (lecture notes) she goes on to say that she wishes for big pricks, short pricks, curved pricks, strait pricks, and other kinds all over his body including his ears, knees, forehead, and abdomen. She does not merely wish for one, hard prick but instead lists all the types she can think of. Because the husband only wishes that the 'same comes to her'; (lecture notes) it is obvious that the wife is the one with the creative imagination. In 'The Chevalier Who Made Cunts Talk'; the women are also very imaginative. After the Chevalier rescues the three naked women's clothes they decide to each present him with a gift as a reward for acting so honorably. The first grants him a loon. The second grants him the ability to make all cunts speak to him. The third, not wanting to be upstaged by the first and second, gives him the talent to make all assholes speak. It is here that the extents of the female imagination are demonstrated. The Chevalier finds these gifts to be so wild that he thought the girls were mocking him: ' 'Those meadow girls made fun of me''; (Guerin 233). In the Middle Ages a woman's imagination was considered a powerful thing that must be controlled. If a woman's thoughts were not controlled there could be drastic consequences like strange characteristics in children. The thoughts and actions of the women in these Fabliaux are representative of this wildly held belief among men.
The women in these three Fabliaux are also very interested in sex.
During the medieval ages, women were described as evil creatures that would destroy anyone standing in their way to get what they want. People claimed that women's malicious intentions clouded their judgment from doing the right thing forcing them to be selfish. In Chaucer's The Canterbury Tales and Malory’s The Death of King Arthur, both focus on women’s behavioral impulses through their dishonesty, manipulation, and their promiscuity.
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
Thiebaux, Marcelle. The Writings of Medieval Women: An Anthology. New York: Garland Publishing. 1994. Print.
Women were always viewed as weak, dependent, and powerless in the Middle Ages. Not only is it a common view during that time period, but this also is often stereotyped labeled to women today as well. In the romance Sir Gawain and the Green Knight, the hatred of women is portrayed throughout. However, while women are certainly looked down upon, they also are influential to the knights. This romance also portrays how a woman having different characteristics, could change the way she was viewed as well. Although women in the Middle Ages appeared to lack power, the women in Sir Gawain and the Green Knight have a hidden influence over the men and actually drive the action of the medieval romance.
In Malory’s famous account of the King Arthur legend, the most notable example of woman as destructive sexual temptation is, of course, Queen Guinevere. Sir Lancelot’s affair wi...
“Culture does not make people. People make culture” said Chimamanda Ngozi Adichie, a Nigerian writer and educator, in a presentation on feminism in a TedTalk. The culture in which Sir Gawain and the Green Knight was written was misogynistic and it shows in the writing of the poem. Medieval cultural misogyny manifests itself in multiple ways in SGGK. This paper will examine the negative relationships between Sir Gawain and the Green Knight and gender by discussing: the representation of female characters, gendered violence, and Christianity in the Middle Ages.
Bloch, R. Howard. Medieval Misogyny and the Invention of Western Romantic Love. Chicago: U of Chicago P, 1991.
In conclusion to this essay, having examined these 19th century gothic texts, it is fair to say that normative gender behaviour and sexuality pervades them. This element gives the reader a deep insight into the culture context of the time in which these stories are situated. It enables the reader to delve into the darker sides of humanity at that time, that they would not have been able to do otherwise.
In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the voice of feminism and paves the way for a discourse in the relationships between husbands and wives and the role of the woman in society.
The renaissance began a momentous time in the history of Western Europe. Many new forms and styles of arts, literature, and customs emerged during this period. Economic, social, and cultural changes affected the lives of everyone. Particularly the role of women in society was affected. There were four categories of women: wives, mothers, widows and daughters. Within each of these categories, certain duties were expected. Jacob Burckhardt once wrote, 'to understand the higher forms of social intercourse in this period, we must keep before our minds the fact that women stood on a footing of perfect equality with men.'. It is a widely known fact that this in no way was true. Inequalities between men and women have always affected society. Men were constantly gaining up on women and spoke of them with contempt. They believed that woman was more sinful than man. This belief goes back to original sin when Eve had been seduced by the devil. Eve's actions made men assume that women deserved to suffer.
As a man fascinated with the role of women during the 14th Century, or most commonly known as the Middle Ages, Chaucer makes conclusive evaluations and remarks concerning how women were viewed during this time period. Determined to show that women were not weak and humble because of the male dominance surrounding them, Chaucer sets out to prove that women were a powerful and strong-willed gender. In order to defend this argument, the following characters and their tales will be examined: Griselda from the Clerk's Tale, and the Wife of Bath, narrator to the Wife of Bath's Tale. Using the role of gender within the genres of the Canterbury Tales, exploring each woman's participation in the outcomes of their tales, and comparing and contrasting these two heroines, we will find out how Chaucer broke the mold on medievalist attitudes toward women.
Social factors have always encouraged the idea that men embody masculinity and women embody femininity and, thus, certain gender-norms are expected accordingly. In the past, such expectations were traditional and to go against them was frowned upon by the general public. Contemporarily speaking, there is more freedom to avail oneself of today than there was once upon a time. Jeanne-Marie LePrince de Beaumont’s fairytale adaptation of ‘Beauty and The Beast’ was published in 1740. During this time, men and women were compelled by the social conventions associated with their gender. When analyzing the literary work, the reader can grasp what gender roles are eminent in the characters identity and motives. By exploring the choice of language being
Evaluate and respond to the presentations of women in the Romantic period. Feel free to discuss presentations of women, by women (such as Austen’s Persuasion) as well as presentations of women by men (such as the “she” in Byron’s “She Walks in Beauty”). Consider the following questions: are these presentations problematic? What do they tell us about the values and briefs of the Romantic Period? Do any of these presentations subvert (complicate, or call into questions) the time’s notions of femininity?
The French Revolution spread the idea of an egalitarian society. This promise led many women to fight for the revolution with the hopes of gaining their freedom. When the monarchy had been replaced with a legislative government, the equality, liberty, and fraternity promised to women was never fully realized. Women were disempowered during the French Revolution and held more influence during the reign of the monarchy.
Throughout the history, women were considered below men. Then it led to believe that only men can write but not women. However, women managed to enter literature world like men did. However, most people believed that only writing style that exists in literature is men’s style not feminine. Almost to the point, people believed that there is no feminine style of writing. Helene Cixous is a writer of The Laugh of The Medusa. This book is about women’s writing from Cixous’s view and explanation of feminine writing. Cixous believed women should write their own style in order to break and destroy male dominated society.