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Gender stereotypes in mass media
Gender stereotypes in mass media
Gender stereotypes and popular culture
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Women in Shakespeare's Sonnet 130
Shakespeare is expressing, though not in the first person, that he knows women are not the perfect beauties they are portrayed to be and that we should love them anyway. He uses two types of descriptions, one of their physical beauty and the other of their characteristics to make fun of all those ‘romantic’ poets trying to ‘brown nose’ the girls they like.
One of the physical attributes, in the first quatrain, that he mentions is his “mistress’ eyes are nothing like the sun,” meaning she has no ‘twinkle’ in her eyes. In the first quatrain, he also speaks of coral as being “far more red” than the lips of his mistress; this is a use of imagery to show her non-beauty. He also recognizes that there are “no such roses” on her cheeks in the second quatra...
When we talk about sex we can mean one of two things. One is being physical with someone else and two to say whether a person is a man or a woman. People contain physical characteristics which distinguishes them from either being man or women. The sex of someone is what a person is and the gender of a person is how he or she present and express themselves. They can act more feminine or more masculine. Typically the women are more feminine and the males are more masculine. Yet sometimes the roles of the two change. One can look and be a man, yet maybe his voice; walk and manner of presenting himself may be very much like a female. Of course then we would only be setting a stereotype on women, that they talk with soft voices, walk more elegant with shorter steps and when it comes to presenting themselves they look lovely.
Sonnet 130 is Shakespeare’s harsh yet realistic tribute to his quite ordinary mistress. Conventional love poetry of his time would employ Petrarchan imagery and entertain notions of courtly love. Francis Petrarch, often noted for his perfection of the sonnet form, developed a number of techniques for describing love’s pleasures and torments as well as the beauty of the beloved. While Shakespeare adheres to this form, he undermines it as well. Through the use of deliberately subversive wordplay and exaggerated similes, ambiguous concepts, and adherence to the sonnet form, Shakespeare creates a parody of the traditional love sonnet. Although, in the end, Shakespeare embraces the overall Petrarchan theme of total and consuming love.
The speaker uses metaphors to describe his mistress’ eyes to being like the sun; her lips being red as coral; cheeks like roses; breast white as snow; and her voices sounding like music. In the first few lines of the sonnet, the speaker view and tells of his mistress as being ugly, as if he was not attracted to her. He give...
Beauty’s sisters marry rich men, who seemingly have acceptably desirable attributes as husbands. One man is detailed as a man of good looks. The other man is noted for having great wit. The two possess qualities most women seek in a husband, but it is indicated in descriptions that the two sisters are both unhappy in their marriages. Although the first husband is handsome, this serves him as a drawback, for he is a narcissist, only concerned with himself. The second husband’s wit is also a severe disadvantage due to the fact he uses his wit to torment other people, including his wife. It is when Beauty reviews her sisters’ marriages and the unhappiness her sisters experience in relation to their husbands that helps Beauty realize The Beast’s true worth and her love for him: “I should be happier with the monster than my sisters are with their husbands; it is neither wit, nor a fine person, in a husband, that makes a woman happy, but virtue, sweetness of temper and complaisance and Beast has all these valuable qualifications.” (9). The juxtaposition made between the husbands and The Beast create the disclosure of the appropriate masculine qualities a man should encompass. De Beaumont presents the contrast of characters to the reader as a method of emphasizing the
The conceit, characterization and tone of the one hundred and forty third sonnet make this particular sonnet interesting to analyze. The collection of sonnets was written by William Shakespeare around the mid-1590s and published by Thomas Thorpe in 1609. “Sonnet 143” describes a woman who "sets down her babe and makes all swift dispatch." Her attention has been restrained by the idea of taking possession of a feathered creature that has run away (line 3). In this sonnet, Shakespeare creates a rivalry of role-play between a man in pursuit of a woman, who is compared to a housewife and a mother, and the love interest the woman in pursuing. The speaker is in desperate pursuit of the housewife, like a child who wishes to be pacified and kissed
...uty which is impossible for any woman or man to match. Campion's poem reflects this impossible ideal that society inflicts on us. This woman in There is a Garden in Her Face could never really live up to the image that the speaker has created of her. The image is false, and so is his love because he is only focusing on her outward appearance. The speaker in Shakespeare's sonnet clearly is not in love with his mistress' looks. Everything about her is contrary to society's standards, but he understands the absurdity of these standards and rejects them. There is more to his mistress than meets the eye, and that is why he truly loves her.
The sonnet opens with a seemingly joyous and innocent tribute to the young friend who is vital to the poet's emotional well being. However, the poet quickly establishes the negative aspect of his dependence on his beloved, and the complimentary metaphor that the friend is food for his soul decays into ugly imagery of the poet alternating between starving and gorging himself on that food. The poet is disgusted and frightened by his dependence on the young friend. He is consumed by guilt over his passion. Words with implicit sexual meanings permeate the sonnet -- "enjoyer", "treasure", "pursuing", "possessing", "had" -- as do allusions to five of the seven "deadly" sins -- avarice (4), gluttony (9, 14), pride (5), lust (12), and envy (6).
In the Elizabethan society, it was expected for women to be obedient and to be in her place.
"My Mistress' Eyes Are Nothing Like the Sun" uses comparisons to express Shakespeare's idea of love as opposed to lust. A lustful man would focus on a woman's pleasing physical characteristics, such as white breasts, beautiful hair, red lips, and fragrant breath; however, Shakespeare's mistress possesses none of these great characteristics. Shakespeare, instead, uses metaphors to express her physical shortcomings. "Coral is far more red than her lips' red" (line 2) describes his mistress' faded lips. "If hairs be wires, black wires grow on her head" (line 4) shows the coarse, unkempt and dark color of her hair. "
This poem speaks of a love that is truer than denoting a woman's physical perfection or her "angelic voice." As those traits are all ones that will fade with time, Shakespeare exclaims his true love by revealing her personality traits that caused his love. Shakespeare suggests that the eyes of the woman he loves are not twinkling like the sun: "My mistress' eyes are nothing like the sun" (1). Her hair is compared to a wire: "If hairs be wires, black wires grow on her head" (3). These negative comparisons may sound almost unloving, however, Shakespeare proves that the mistress outdistances any goddess. This shows that the poet appreciates her human beauties unlike a Petrarchan sonnet that stresses a woman's cheek as red a rose or her face white as snow. Straying away from the dazzling rhetoric, this Shakespearean poem projects a humane and friendly impression and elicits laughter while expressing a truer love. A Petrarchan sonnet states that love must never change; this poem offers a more genuine expression of love by describing a natural woman.
Much has been made (by those who have chosen to notice) of the fact that in Shakespeare's sonnets, the beloved is a young man. It is remarkable, from a historical point of view, and raises intriguing, though unanswerable, questions about the nature of Shakespeare's relationship to the young man who inspired these sonnets. Given 16th-Century England's censorious attitudes towards homosexuality, it might seem surprising that Will's beloved is male. However, in terms of the conventions of the poetry of idealized, courtly love, it makes surprisingly little difference whether Will's beloved is male or female; to put the matter more strongly, in some ways it makes more sense for the beloved to be male.
The poet then goes on to say that his beloved is 'more lovely and more temperate (moderate and self-restrained)' than a summer's day. Negative things are said about summer, to contrast it with his beloved. All this relates to the beauty of his beloved male friend. For instance, "Rough winds do shake the darling buds of May" means winds destroy the beautiful buds of May; "And Summer’s lease hath all too short a date" means summer is too short; "Sometimes too hot the eye of heaven shines" means the sun is too hot at times; "And often is his gold complexion dimmed" means and often goes behind the clouds - like you are hiding your beauty. In the Elizabethan Era, fair skin was admired. This line talks about how you could lose this attribute due to ageing. "And every fair from fair sometime declines" means everything beautiful will eventually lose its beauty and "By chance, or nature’s changing course untrimm’d" means by old age or nature's planned course.
Women in Shakespeare’s play “Hamlet”. Throughout Shakespeare’s play “Hamlet” women are used as a method for men to get what they want. The men in Hamlet, either directly or indirectly, continuously use women to acquire something from other men. The only two women in the entire play are Gertrude and Ophelia, who are consistently used by the current king, Claudius, Polonius, and Hamlet.
Love can be conveyed in many ways. It can be expressed through movements, gestures or even words on a paper. In William Shakespeare’s poems, “Sonnet 18” and “Sonnet 130,” both revolve around the idea of love, but are expressed in a different ways in terms of the mood, theme and the language used.
The speaker paints a picture of his lovers’ uninspiring beauty. In the first quatrain by describing his, “mistress’ eyes” (Shakespeare 1) as they, “are nothing like the sun” (Shakespeare