Women on the Verge of a Nervous Breakdown is a movie enriched with zany characters with men who have the destructive cycle of machismo and women whom are victims to it. The richly applied satire has made this movie one of Almodovar’s best as Ernesto Acevedo-Munoz accurately comments, “Almodóvar unmasks the manufactured centralized national identity seen in Francoist cinema while proposing a revision of Spain's cultural identity in the recent past" (Acevedo-Munoz 26).” This movie displays magnificently how all boundaries linked to Spain’s fascist and modernistic heritage are all but in the past allowing the Modiva to establish Spain’s new identity. Pepa is introduced with heavy dialogue, “I couldn’t save the couple I cared about most” a dramatic and tragic entrance as she narrates in first person character. The manner in which she speaks is as if she had befriended those in the audience years ago. The first person narrative adds a personal touch especially as the camera slowly gazes over her personal belongings and her as she sleeps. The camera also doesn’t show Pepa at first, forcing the audience to listen carefully to what she says due to the lack of visual aid. As the movie just began, the audience is captured by this and intrigued to know not only why …show more content…
Pepa ignores the suicidal Candela because she was far too caught up in her agitated mind concerning Ivan. Our main character Pepa also is seen: burning her bed, overdosing on sleeping pills that weren’t accessible in Franco’s regime or making a gazpacho spiked full of them. This then leads to the difference in gender rolls within the Spanish society in the new Movida as these nervous actions of the women in Mujeres al borde de un ataque de nervios stem from poor relationships stringing from poor morality of
WEESR, KHATHERINE. “Tu no Eres Nada de Dominicano”: Unnatural Narration and De-Naturalizing Gender Consruction in Junot Diaz’s The Brief Wondrous Life of Oscar Wao. “Journal Of Men’s Studies 22, no.2 (Spring2014 2014): 89-104. Academic Search Complete, EBSCOhost (accessed November 30,
The objective of this essay will be to interpret the contradictions of identity produced in the movie Fresa y Chocolate and The Borderlands. When personal identity, is stifled and shaped by nationalistic discourse. By examining the polarised dichotomies of self-identity, juxtaposed against the internalised and dominant hegemonic discourse of imposed National and cultural identity. The paper will endeavour to expose how, the holding and wielded of power creates conflict and revolt between ones individual identity, when set against a dominant and oppressive structure. The paper will first examine the portrayal, in Fresa y Chocolate, of how the desire to express one’s own individuality and personal identity clashes with the widely accepted, but yet orchestrated and imposed, post-revolutionary Cuban national identity. By investigating, how the prescribed discourse from an autocratic Cuban regime, creates an emotional battleground for the expression of the individual. When pitched against the dogma surrounding what it means to be a good and contributing member of a socialist collective. The paper will reveal how, the intertwining personal journeys of Diego and David, creates a world of forced discovery and a transformed realisation of identity for both. Next, the paper will examine how internalised self-identity needs to be a dynamic and fluid battleground. Dominated by a pragmatic desire for survival. How this need for acceptance and existence manifests in a complex web of control and subjugation. Resulting in, what Anzaldua describes in The Borderlands as, creating a world of multiple forc...
Women are seen as failure and can’t strive without men in the Mexican-American community. In this novel you can see a cultural approach which examines a particular aspect of a culture and a gender studies approach which examines how literature either perpetuates or challenges gender stereotypes. Over and over, Esperanza battled with how people perceived her and how she wished to be perceived. In the beginning of the book, Esperanza speaks of all the times her family has moved from one place to another. “Before that we lived on Loomis on the third floor, and before that we lived on Keeler.
By examining the narrative voice as well as the cultural restraints placed on them, readers can see the sexist culture in the novel and that the novel itself does not necessarily advocate this misogyny. Yunior, a Dominican man, is the overall narrator of the novel, so readers essentially see everything through his masculine eye. When discussing a brief fling with Lola, Oscar’s sister, Yunior says, “Even those nights after I got jumped she wouldn’t let me steal on her ass for nothing. So you can sleep in my bed but you can’t sleep with me?” (Diaz 169) His question suggests that it is his right to sleep with her, and his discussion of Lola herself objectifies her by noting only her body and her refusal to use it. This objectification is clearly sexist, but it is a reflection of the narrative voice, Yunior, not of Lola. Yunior will casually refer to a woman as “a bitch” (Diaz 183), which is clearly demeaning, but it is a man’s view and does not reflect on the substance of the women. It shows readers the culture he was raised in, not an actual portrayal of the women, illustrating a misogynist society but not a misogynistic novel. In the Dominican Republic, gender-based violence is the fourth leading cause of death, hinting at the overall problems caused by the hyper-sexualized nature of the country. Sociologist Denise Paiewonsky
Elena Poniatowska escrita durante una epoca de cambio en Mexico. Antes de sus obras las mujeres mexicanas eran sometidos, docil, y pasivo. En la tiempo de sus obras las mujeres estaba tratando salir de los estereotipos de antes. Esta problema social tomo un afecto en Elena. Aunque ella no viene de un movimiento literatura directamente, ella escrita con el concepto de compremetido. En su narrative El Recado ella crea un mujer estereotipical que no puede controlar sus emociones. La titula es eso porque ella viene a ver su amante, pero el no esta, asi ella escribe las cosas que sentia. La perspectiva es de un personaje y ella nunca interacta con otros personajes. En facto la unica descripcion de un personaje otro de la protagonista es de su amante Martin. Habla de otros personajes, pero solamente de sus acciones. Porque ellas es la unica perspectiva que tenemos es sencillo a sentar compasion para una protagonista de quien nombre no aun sabemos. Ella da la descripcion de toda que vea, y mas importante todo que se sienta. Tambien tropos y figuras retoricas dan un tono significante al poema. Estos sentimientos de la portagonista y el tono emocional de la narrativa transporta una tema de una mujer estereotipical y debil quien quiere ser reconocido.
The Latina women, even throughout the era resistance cinema, have not been able to make much progress in overcoming the degrading stereotypes that Hollywood has created for them. Despite the many advances that minorities have made in the cinema in recent years, Latina actresses still take on the roles of the "dark skinned lady" and other such stereotypes with strong sexual connotations. It is often debatable whether or not the role of the Latina has undergone dramatic changes since the days of Dolores Del Rio and Carmen Miranda dancing with the fruit baskets on top of their heads. However, in recent years there has been an emphasis by various Latinas in the film industry to combat such stereotypical roles and redefine themselves through the film medium, especially by means of documentaries. It is hopeful that the existing portrayals of Latina women as the sex object and desirable mate will gave way to a range of opportunities in cinema with roles of a more powerful and influential nature.
Valle’s most significant contribution to the Spanish theatre is his invention of the literary style of esperpento, which is best represented in one of his most famous plays, Luces de Bohemia. Valle created esperpento with the aim of representing the harsh realities of Spanish twentieth century society through the concave lens of grotesque deformation, so that he could present the lives of the Spaniards in the light of mockery and absurdity. During his writing of Luces de Bohemia, the Spanish society has been brought to a halt, along with the lack of political progress and social improvement, therefore this concerning political situation has influenced and steered Valle towards his literary evolution, the exaggerated grotesque, which he though was the only suitable way to represent the shocking reality and problems of Spain. In this way, he could alarm the people to terminate their complacent acceptance of this reality and he could also produce a distancing effect which renders the reader immune to the play’s purpose, thus making the artistic experience more tolerable. His experience in the killing fields was what made him t...
One of the issues that was raised is the idea of the relationship between femininty, technology and sexuality. The relationship between all of these qualities converse in one character, Maria. The real Maria has many roles thoughout the movie, including one who cares for the workers children, a preacher of peace for the workers, and one who loves Freder. The machi...
There are so many types of mental illnesses that affect people every day. When some people think of mental illnesses they think of the ones that would cause people to have physical symptoms as well, but that’s untrue, there are many more that you would never know anyone has if you were to see them on the street. As defined by the 2008 encyclopedia “a mental illness is any disease of the mind or brain that seriously affects a person’s ability or behavior. Symptoms of a mental illness may include extreme moods, such as excessive sadness or anxiety, or a decreased ability to think clearly or remember well.” A mentally ill person has severe symptoms that damage the person’s ability to function in everyday activities and situations. Every nation and every economic level can be affected by a mental illness. In the United States alone about 3% of the population has severe mental illness and to add to that number about 40% of people will experience a type of mental illness at least once in their lives. Some cases of mental illnesses can go away on their own, but some cases are so severe that they require professional treatment. There is so much more available to help people recover from their symptoms than in the past.
Isabel Allende’s novel, Eva Luna, amalgamates many of the techniques and conventions associated with the picaresque tradition, magical realism and bildungsroman in order to present a critique of dominant Eurocentric ideologies of the patriarchy and oligarchy in 20th century Latin America and to valorize the voices and experiences of the marginalized and oppressed. A prominent aspect of Eva Luna which acts as a vehicle for the novels critique of the patriarchal oligarchy are the numerous motifs and symbols utilized throughout the novel. The manner in which Allende introduces and develops symbols and motifs throughout the novel functions to set up a number of oppositions which portray a sense of loss of freedom and expression under the oppression of the colonizing oligarchy, illustrate the superficiality of oligarchic power and align the reader with expression over silence and transgression above oppression.
Using both English and Spanish or Spanglish the author Gloria Anzaldua explores the physical, cultural, spiritual, sexual and psychological meaning of borderlands in her book Borderlands/La Frontera: A New Mestiza. As a Chicana lesbian feminist, Anzaldua grew up in an atmosphere of oppression and confusion. Anzaldua illustrates the meaning of being a “mestiza”. In order to define this, she examines herself, her homeland and language. Anzaldúa discusses the complexity of several themes having to do with borderlands, mestizaje, cultural identity, women in the traditional Mexican family, sexual orientation, la facultad and the Coatlicue state. Through these themes, she is able to give her readers a new way of discovering themselves. Anzaldua alerts us to a new understanding of the self and the world around us by using her personal experiences.
Alba. The House of Bernarda Alba: A Drama About Women in the Villages of Spain. Trans. James Graham-Lujan and Richard L. O’Connel. New York: New Directions, 1947. 155-211.
Anthony Madrid’s poetry resembles realist views, hints of feminism with dark passion. Defining what is feminism and what is realist is. There are multiple meanings of feminism and how it is seen though out our society. For the purpose of the paper and for the sake of references to the Madrid’s poems feminism will be defined as the advocacy of women’s rights on the basis of the equality of the sexes.
Depression is defined as being in a state of sadness or unhappiness. Doctors do not know the exact causes of depression, but they believe it’s chemical changes in the brain. All ages, races, and ethnic groups can experience depression. Most people who do experience it need treatment to get better. Many famous women have also battled with depression. Actress Ashley Judd, model Paulina Porizkova, Actress Catherine Zeta-Jones, singer and actress Gwyneth Paltrow, and singer and actress Demi Lovato. Demi Lovato had an eating disorder at the age of eight and started cutting at the age of eleven. She was bullied for being ‘fat’ so she used to overeat to cope, which turned into a lifelong struggle with food. In 2010 she had an altercation with one of her background dancers and decided to leave the Jonas Brothers Tour. After that, she decided to check into a mental facility. Today, she still battles with depression, her eating disorder, and alcohol abuse but is learning to get better. Depression is not overrated and should be taken seriously as a mental illness.
Mental health refers to the state of individuals psychologically, emotionally and socially. Mental health affects a person’s emotions, feelings, thoughts, and sections when exposed to different situations. Furthermore, mental health is responsible for a person’s reaction to stress and other social conditions. Generally, mental health affects how a person relates to others and their ability to understand and interact with them. Therefore, problems that affect a person’s mental health affect the abilities to socialize, their feelings, moods, reaction to situations. The person experiencing mental health problem may portray different behaviors when confronted with different issues. Mental health issues have several