Griet from the book, Girl With A Pearl Earring is a women that has a life so complex and with so many hard choices that her life is a constant challenge. Does she follow in her brother’s footsteps and leave her family behind or does she choose what’s expected of her and marry Pieter the son? Does she reveal her talent for looking at the world uniquely or does she hide behind the men in her life? These are the many complex decisions that women in that type of society had to deal with. As Griet moves from adolescence to womanhood, she faces many obstacles. The deadline for her childhood quickly approaches and in the end, expectations overwhelm her. Susan Fraiman references in one of her pieces of literature that women are at a constant crossroads …show more content…
He had not visited since.” (10, Chevalier) Frans chose to live his own life instead of nurse his father. Griet chose to do what the society had expected of her as a woman. She had to take care of the cooking and cleaning and help her mother with the sowing and comforting her father. She had to be the good Protestant girl that never disobeyed and rarely strayed from her course as a poor girl in the Netherlands. She had to respect the choices that her parents made for her and she had to respect her masters, but she was not expected to be given respect back. She was also expected to not have any thoughts or opinions on any matters concerning her work or her master's lives, but stay as obedient as a trained dog with no thoughts other than to please her masters. Griet has the choice to leave and become someone like Frans, but in the end, she chooses the safer and more expected choice of marrying Pieter. But the risk was inevitably too high since there was little to no opportunities for an eighteen-year-old girl in her time …show more content…
She could have become an artist’s apprentice somewhere far away and lived a life where there was still expectations, but at least she could be in control. But that would be too improbable because she would only have those freedoms if she was a man. And even then if she was a man, how could she afford to get there? To start a new life with no consequences? Griet was bold, but not that bold. She was audacious in a silent way. Where little to no one had to know about her dauntless side. I believe that is why she hid her hair for as long as she could from the people that were around her. She wanted to be bold but hidden like a poisonous snake. She may look like a garden snake, but she was in all actuality a water moccasin and she wouldn’t strike because she believed in preserving the garden snake mask. That is what Griet is, a girl who is constantly wearing a mask. But in the end, Griet decided to hide behind Pieter and become his wife, the mask that she would have to wear for the rest of her life. “I am still so young. Too young for that.” (176, Chevalier) But Griet didn’t want to marry Pieter, not yet anyway. It was almost as if society needed her to marry Pieter and she felt that, but she didn’t want to believe that she had no
...d longs for her elder sister and mother. Frances is a good person – at heart – and is always looking out for her younger sister. Moreover, even though she has different views that her father and will always do the opposite of what is expected of her, it is seen that this insecurity is caused by James indeed. Frances feels that in order to gain security in her life, she must perform these actions. She feels compelled to live her life the way she does. Frances’s naughty and mischievous behaviour can be viewed as a weakness she possesses, and she longs to correct these weaknesses by her actions. She is not a role model by any means, but she is by no means the Devil’s advocate. A sincere heart – compelled by circumstances – does its best to make the situation turn out for the better than the worse, and Frances, through her love for her mother, inevitably does just that.
Ever since she was a young girl. Jeannette had set high goals for herself. Since she was so advanced in school and genuinely enjoyed learning, it made sense that she would want to do big things with her life. Whether it was being a veterinarian or a geologist, her dreams extended far beyond her homes in little desert towns or Welch, West Virginia. However, because of her poverty-stricken home life, many people believed it didn’t seem likely that she would be so successful. One day, while living in Welch, Jeannette goes to the bar to drag her drunk father back home. A neighborhood man offers them a ride back to their house, and on the ride up he and Jeannette start a conversation about school. When Jeannette tells the man that she works so hard in school because of her dream careers, the man laughs saying, “for the daughter of the town drunk, you sure got big plans” (Walls 183). Immediately, Jeannette tells the man to stop the car and gets out, taking her father with her. This seems to be a defining moment in which Jeannette is first exposed to the idea that she is inferior to others. Although this man said what he did not mean to offend her, Jeannette is clearly very hurt by his comment. To the reader, it seems as if she had never thought that her family’s situation made her subordinate to those
a woman who is caught up within a life which does not suit her. She is, in
The lives of men and women are portrayed definitively in this novel. The setting of the story is in southern Georgia in the 1960’s, a time when women were expected to fit a certain role in society. When she was younger she would rather be playing ...
As Stanley continues torturing Blanche and draws Stella and Mitch away from her, Blanche’s sanity slowly dwindles. Even though she lied throughout the play, her dishonesty becomes more noticeable and irrational due to Stanley's torment about her horrible past. After dealing with the deaths of her whole family, she loses Belle Reve, the estate on which her and her sister grew up. This is too much for Blanche to handle causing her moral vision to be blurred by “her desperate need to be with someone, with ancestors for models who indulged in “epic fornications” with impunity, [Blanche] moves through the world filling the void in her life with lust” (Kataria 2). She also loses a young husband who killed himself after she found out he was gay when she caught him with another man. After that traumatic experience she needed “a cosy nook to squirm herself into because ...
When Nettie first introduces her newborn child to Lily, she tells her “Marry Anto’nette-that’s what we call her: after the French queen in the play” (Wharton 334). The significance of the baby’s name is because it is an allusion to Marie Antoinette. Her lavish lifestyle is similar to the aristocrats of New York, but she was soon murdered during the French Revolution. Her murder represents an imminent downfall, as Lily experienced. However, Wharton changes the spelling in order to signify that Marry will not belong among the wealthy, such as Lily did not. Therefore, Wharton creates a connection between Lily and Marry, because both will obtain wealth, but diverge from society causing their decline and untimely death. When Lily dies, Wharton continues to highlight Lily’s connection to Marry. After she has overdosed, Lily begins to hallucinate that she is holding Marry, in which “…the baby more likely symbolizes [Lily’s] desire to born again” (Dixon). From this wish, Wharton is able to symbolize that Marry will embody Lily, and then is doomed. But Marry is a child, who cannot control her life, and according to Social Darwinism, is forced to endure her unsuccessful future. By making Marry a futile and naive baby, Wharton employs a sense of pathos, so she can censure Social Darwinism for harming a child and
...ut men, family ties and financial stability would be difficult to obtain, which were necessary to secure an identity in the early south. Early Southern women were ultimately forced to identify themselves by the males to which they were tied. Three female characters from the works read thus far, struggled without men to identify them. For Désirée, her past and family heritage proved too much to overcome. Without the surname provided by her husband, Désirée was without an identity to call her own and gave way to societal code. Yet, due to their internal fight for self-satisfaction, Lena and Janie were able to overcome their lack of identity by establishing their own without the aid of a male. In conclusion, identity is attainable for some women. However, it takes a Southern woman dedicated to her own beliefs to overcome such obstacles and return stronger than before.
Louise Mallard is a woman who enjoys freedom and independence. She feels soaring relief and fiery triumph upon realizing that, yes, she is finally free. She is free of the weighted ropes of marriage. She fantasizes of her days ahead, living for herself and only herself. “A kind intention or cruel intention made the act seem no less a crime as she looked upon it in that brief moment of illumination” (Chopin 234). She views the imposing of one’s will on another person as a crime, no matter the intention behind it. She has a taste of freedom after Mr. Mallard’s death and can finally see days without stress ahead of her. Prior to her husband’s death, young Mrs. Mallard feels tied down and even oppressed. “She was young, with a fair, calm face, whose lines bespoke repression and even a certain strength” (Chopin 233). Despite the typical oppression of women throughout the centuries prior to the 1920s, Mrs. Mallard possesses a free spirit.
To begin, Claudette struggles in many situations to try to adapt from the wolf society to the human society. Firstly, on page 226 Claudette says, “ I clamped down on her ankle, straining to close my jaws around the woolly XXL sock. Sister Josephine tasted like sweat and freckles. She smelled easy to kill.” In this example, the human society is foreign
When the leading female in the role, Daisy Buchanan, learns that the child she is giving birth to is a girl she says “I’m glad it’s a girl. And I hope she’ll be a fool . . . the best thing a girl can be in this world, a beautiful little fool” (Fitzgerald 21). This shows how Daisy has given up at this point in her life and realizes that women will never amount to anything and that they have no role in society other than becoming someone's wife and or mother. Daisy Buchanan is fully aware of the role that women play during this time. She, unlike most women, knows of her own marginalization and admits that females are powerless and unimportant as they are living in a male-dominated society. The author's presentation of women is essentially very unsympathetic and unflattering. Daisy is also a character who is struggling with being in love with a man other than her husband, but knows that she cannot go out and have an affair. A literary critic Lihua Zhang states how The Great Gatsby is a, “Disillusion of American Dream . . . the way of dealing with true love and lo...
As the novel begins, Chopin likens Edna to a bird in a gilded cage. Edna is not free, but that is okay because she has not yet begun to see what life has to offer; she has not yet begun to awaken. Through Edna's desire for Robert, she begins to realize that she is like the bird in the cage, not wanting for anything materially but still trapped. Edna cannot fly away to freedom; she is tied by social constraints and especially by he...
In America, the 1890s were a decade of tension and social change. A central theme in Kate Chopin’s fiction was the independence of women. In Louisiana, most women were their husband’s property. The codes of Napoleon were still governing the matrimonial contract. Since Louisiana was a Catholic state, divorce was rare and scandalous. In any case, Edna Pontellier of Chopin had no legal rights for divorce, even though Léonce undoubtedly did. When Chopin gave life to a hero that tested freedom’s limits, she touched a nerve of the politic body. However, not Edna’s love, nor her artistic inner world, sex, or friendship can reconcile her personal growth, her creativity, her own sense of self and her expectations. It is a very particular academic fashion that has had Edna transformed into some sort of a feminist heroine. If she could have seen that her awakening in fact was a passion for Edna herself, then perhaps her suicide would have been avoided. Everyone was forced to observe, including the cynics that only because a young
...grets. According to Anne Firor Scott, “many women assumed that if they were unhappy or discontented in the ‘sphere to which God had appointed them’ it must be their own fault and that by renewed effort they could do better” (11-12).
Blanche Dubois the main character of the play, was an English teacher in Mississippi. She presents herself as a very prim, proper, and prudent person. She once proudly told her sister Stella that her name in French meant white woods. Blanche Dubois is also overly concerned with her appearance, accessories, bathing and age. She was very disturbed by the light, and usually preferred to be in the dark. Many believe it was to prevent people from noticing her real age. Deep inside she was hurt and destroyed. All of this pain was caused by the death of the love of her life. She was married to a young man named Allan, and they loved each other very much. Until one day Blanche found out that Allan was sleeping with another man. Once she confessed to him she knew his secret he committed suicide. Ever since, Blanches’ life was never the same again.
As Mark Twain once declared, “What would men be without women…” This quote is clearly illustrated in F. Scott Fitzgerald’s timeless masterpiece The Great Gatsby. The Great Gatsby is the tragic love story of a poor man who falls in love with a rich girl and spends the rest of his life getting rich to impress her; however, in the end he dies alone without his love fulfilled. Although Fitzgerald’s novel is mainly androcentric, he uses several females each unique in their personalities to highlight the male characters, and to show that although people may have different desires, motivations, and needs they are not that different from each other.