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A Brief Essay on Kate Chopin's Works
A Brief Essay on Kate Chopin's Works
A Brief Essay on Kate Chopin's Works
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Kate Chopins' Awakening is Not a Tragedy When we think of a tragedy, thoughts of lost love and torments abound. The most human of emotions, sorrow, overwhelms us. We agonize over the tragedy, and the tragic figure. We lose sight of reality, enthralled by the suspense, captured by the Irony that, "we know" what plight lies ahead for the characters. We feel the suffering and the helplessness of the characters as the tragedy unwinds. Although Kate Chopins' The Awakening is a powerful story, it is by no means a tragedy. The Awakening does not posses the necessary components of a tragedy. There is no tragic figure, there is no tragic plot or theme, and the ending is far from tragic. First, tragic figures must captivate the audience. They must create an atmosphere that is shrouded in irony, suspense and mystery. These figures must also make the audience love them, feel for them and experience the anguish and pain they will undergo. King Lear is a great example of a tragic figure. He appeals to the reader, and captures their attention. The reader ends up sympathizing for him, and wanting him to overcome the obstacles which block his path. He motivates the emotion of the audience and controls their feelings. Edna Pontellier does not have the depth of character or ability to be a tragic figure. From the opening chapters she is portrayed as a troubled woman, one who is captured within a society where she does not belong. Her marriage to Leonce is one of convenience, there is no love, no passion, and no affection between them. Edna portrays a woman who is caught up within a life which does not suit her. She is, in ... ... middle of paper ... ...t structure and conclusion, which are essential aspects of all tragedies. Works Cited Allen, Priscilla. "Old Critics and New: The Treatment of Chopin's The Awakening." In The Authority of Experience: Essays in Feminist Criticism, ed. Arlyn Diamond and Lee R. Edwards. Amherst: University of Massachusetts Press, 1977, 224-238. Chopin, Kate. The Awakening. A Norton Critical Edition: Kate Chopin: The Awakening. Ed. Margo Culley. 2nd ed. New York: W.W. Norton, 1994. 3-109. Seyersted, Per, and Emily Toth, eds. A Kate Chopin Miscellany. Natchitoches: Northwestern State University Press, 1979. Sullivan, Barbara. "Introduction to The Awakening." In The Awakening, ed. Barbara Sullivan. New York: Signet, 1976. Toth, Emily. "Kate Chopin's The Awakening as Feminist Criticism." Louisiana Studies, 15 (1976), 241-251.
The English Settlement in the New World was largely the result of the Age of Exploration. The English started emigrated to the New World around the early 1600s; they settles in regions including the New England and the Chesapeake region and by the 18th century these two regions had developed their own society. These two regions had developed different political, economic and social system in their regions. The political differences were due to who governs the colony. The economic differences were due to the motives of the settlement. The social differences were due to the people who settled there, while the New England emigrated as a family, the Chesapeake emigrated with mostly male.
Franklin, R. F. "The Awakening and the Failure of Psyche" American Literature 56 (Summer 1984): 510-526.
During colonial times, European nations quickly colonized the New World years after Columbus’ so called discovery. England in particular sent out a number of groups to the east coast of the New World to two regions. These areas were the New England and the Chesapeake regions. Later in the late 1700s, these two regions would go though many conflicts to come together as one nation. Yet, way before that would occur; these two areas developed into two distinct societies. These differences affected the colonies socially, economically, and politically.
Sullivan, Barbara. "Introduction to The Awakening." In The Awakening, ed. Barbara Sullivan. New York: Signet, 1976.
Chopin, Kate. The Awakening and Selected Short Stories of Kate Chopin. New York: Penguin Books, 1996.
Bogard, Carley Rees. “The Awakening: A Refusal to Compromise.” University of Michigan Papers in Women’s Studies 2.3 (1977): 15-31. Gale Literature Resource Center. Web. 30 January 2014.
Chopin, Kate. The Awakening. The Norton Anthology of American Literature. Ed. Nina Baym. New York: W.W. Norton, 2007. 535-625. Print.
Alliances formed by the countries helped lead to this world war. If Germany didn’t defend Austria-Hungary, Russia defend Serbia, and France and the United Kingdom aid Russia, this war wouldn’t have been so large. However due to the alliances formed by these countries, they were bound to aid one another. This also leads to members of opposing alliances blaming one another. (doc 4) This naturally left German blaming Russia for aiding Serbia, Austria blaming Serbia for the assassination, and England and France to blame Germany. Later Belgium and the United States would join the entente (to be later called allies) also blaming Germany. Furthermo...
Wyatt, Neal "Biography of Kate Chopin" English 384: Women Writers. Ed. Ann M. Woodlief Copyright: 1998, Virginia Commonwealth University. (26 Jan. 1999) http://www.vcu.edu/engweb/eng384/katebio.htm
Chopin, Kate. "The Awakening." 1899. The Complete Works of Kate Chopin. Ed. Per Seyersted. Baton Rouge: Louisiana State UP, 1969. 881-1000.
One of the causes of World War One was the Alliances. These were settlements or oaths to defend and help other countries. It was a thought that alliances would calm things down and make peace, and in case of war others would protect each other, so it would be harder to fight with that country. In 1914 the most powerful countries in Europe were divided into opposite Alliances, The Triple Alliance and the Central Powers or the Triple Entente. The Triple Alliance was made up of Germany, Italy and Austria-Hungary. The Triple Entente was made up of Britain, France and Russia. European Alliances had a major part of being in the war. These two powers were very worried about being attacked after all of the tension from Nationalism, Imperialism and Militarism. To make sure these countries weren’t attacked and defeated these alliances were formed. Germany and Austria-Hungary made an alliance but they made it secretly in 1879, after this happened Italy joined this Dual Alliance to form the Triple Alliance because it was annoyed with France for stopping its plans to col...
...e Alliance declared war on Serbia, Serbia asked Russia for help and Russia asked England and France for help. This is the most important cause of World War 1 because it brought 5 huge Empires unnecessarily into Serbia and Austria- Hungary’s war. Also from as soon as both The Triple Entente and The Triple Alliance were formed, it became clear for all to see, who was “friends” with whom and who hated whom.
In the world we live in the word maturity is thrown around and usually everyone has a different perspective on what the word actually means. With different experiences and backgrounds of people presents very different meanings of the word maturity. In some peoples situations it shows that maturity can occur to some humans earlier on in life and some later. Just because your body grew up doesn't mean that the maturity levels have grown.
Due to her father’s nobility, Desdemona’s high social standings translate to her angelic character which the Venetian culture pressures her to fulfill. Because of high expectations placed on Desdemona, Brabantio disbelieves Desdemona’s elopement with Othello, where he concludes “is there not charms/By which the property of youth and maidhood/May be abused?” (I.i.193-95). Utilizing the magic motif, William Shakespeare conveys Brabantio 's skepticism in his daughter’s deliberate abandonment, by logically reasoning supernatural forces must be at fault. By disregarding Desdemona’s desires for leaving, Brabantio assumes his daughter possesses virtuous qualities, making her incapable of defying him. Brabantio considers only one possibility for Desdemona’s elopement with the Moor: Magic. Compared to Desdemona’s father, Othello’s lieutenant, Michael Cassio also views her as possessing cherubic qualities. When Desdemona enters a room Cassio demands “hail to thee, lady, and the