Throughout Othello, the reader can find that the female characters are presented similarly to the expectations of Shakespearean Elizabethan society as well as the patriarchal Venetian society. Desdemona, Emilia, and Bianca are the only three women in the play. This essay will focus on the feminist interpretation of Othello and how Othello provided an enabling outlet for feminist anger. Focusing closely on the representation and views of the female characters.
During Shakespearean times a male’s perspective on a woman was in my opinion quite demeaning as females were expected to be much more passive than they are currently. The men in Othello have differing views of women. From Othello who idolizes his wife to Iago who sees love as "merely
However, this isn’t foreign to Othello, as the first senator wishes Othello well and mentions ‘Use Desdemona well’ (Othello: Act 1. Sc. 3. 12). The word ‘use’ suggests Othello to ‘look after’ Desdemona, but it also agrees to the Venetian expectancy of women, that they are to bow to the needs of their husbands who may use them in any way they wish. The purpose of women in a marriage is defined by Othello’s ‘loving’ words towards Desdemona in Act two. He says: ‘Come, my dear love…The purchase made, the fruits are to ensue’ (Othello: Act 2. Sc 3. 8-9). This quote suggests marriage is described as an act of ‘purchase’. A woman is bought by her husband, more as a goodwill, and is anticipated to fulfil his sexual desires in return for the
It is also Iago who views women as a form of ownership. He obviously sees his wife as a possession. This is evident as he shows no respect nor actual love towards her. ‘Twixt my sheets. He’s done my office’ (Othello: Act 1. Sc. 3. 15). He’s infatuated by revenge on Othello for thinking he slept with his wife Emilia. The text suggests that Iago displays the tiniest amount of love for Emilia. He insults her in public and towards the end kills her off. The reason for Iago’s rage can be argued that it is because of ‘The lusty moor. Hath leapt into my seat’ (Othello: Act 2, Sc 1. 13). Meaning that Othello has used something of Iago’s. And it drives him very mad. What glues Iago’s rage and his treatment of his wife is the fact that Iago describes his wife metaphorically, his office as well as his seat. He objectifies her and takes away her humanity. Ultimately for Iago to gain his revenge: he uses both female characters Desdemona and Emilia as pawns in his wicked game. Iago wishes to be ’evened with him, wife for wife’ (Othello: Act 2. Sc. 1. 13) which means sleeping with Desdemona, he believes that Othello and himself will then be equal in doing so. Iago doesn’t care about Desdemona and Emilia’s feelings especially when he’s creating his revenge. Iago is said to be the exact example of a character who take females as possessions. Through his words and his thoughts, he demonstrates the fact that women in both
In Shakespeare’s The Tragedy of Othello the Moor of Venice, there are several strong, predominate female characters. Emilia, Desdemona, and Bianca have to defend themselves from the vicious men in the play. However, despite being victimized by the domineering men, their individual strengths set them apart from their abusers.
The definition of Renaissance women is fundamentally important in William Shakespeare's play Othello. One of the major causes of Othello's tragedy is his belief that Desdemona is not chaste. According to the men of the Renaissance, chastity, silence, and obedience are three attributes that define Renaissance women. Although Othello takes place during the Renaissance, the women in the play, Bianca, Desdemona and Emilia, defy traditional norms by lacking at least one of the major attributes defining women; Bianca's lack of chastity is clearly displayed when she unlawfully sleeps with Cassio; Desdemona's lack of silence is clearly displayed when she constantly urges Othello to give Cassio's position back. However, in the last two acts, Emilia displays the strongest challenge to the definition of Renaissance women as silent, chaste, and obedient, mainly to defend Desdemona.
Shakespeare’s tragic play Othello is an unfortunate example of gender bias, of sexism which takes advantage of women. The three women characters in the drama are all, in their own ways, victims of men’s skewed attitudes regarding women. Let us delve into this topic in this essay.
In the novel Othello, written by William Shakespeare, there are a variety of ways in which women are portrayed. There are strong willed women such as Emilia, who stands up to the men, especially to her husband. If he is wrong she would openly admit that he is incorrect. There are also women who are thought to be a possession as well as extremely submissive to their husbands such as Desdemona. She is the type of woman that will obey her husband to the day she dies. Desdemona believes that her husband is always right and he will never do anything that will lead her into the wrong direction. Many of the women in this time thought the same way. They are viewed as house workers, cooks, and teachers to the children. In addition to those qualities women obtain, having no authority in marriages is also added to the list. In this novel, there is judgment against women because they are “unequal” to men. They are not allowed to do the same as men for the reason that they do not possess the same qualities as men. Men were considered to be superior to women. Women were treated as their “slaves.” In contrast, today’s time women now have power. They have the right to vote, run for office, and even work outside their homes. Women now play the part as the male and female figure in the households. They are considered independent women, not relying on a male figure. Even if they are married now, they do not listen to everything that their husbands tell them to do. It states in the Bible that a male figure is the head of the households; however women today have strayed away from that view that they had back then. They want to be the dominate figure. Times have really changed from the past to the present. W...
This line in Act I spoken by Othello, is an indication that he is a good person, although it may appear that he has stolen Desdemona away from her father. Othello says that although he has taken Desdemona as his wife without Brabantio’s consent, he is a good person for stating his reasons for his actions as well as standing his ground. After Othello’s marriage to Desdemona, the conflict starts when Iago insinuates that Desdemona may be having an affair with Cassio, Othello’s honorable lieutenant.... ... middle of paper ...
Within Shakespeare’s Othello there is an analysis into the context of the female. Brabantio’s rhyming couplet “Look to her, Moor, If thou hast eyes to see/ She has deceived her father, and may thee,” demonstrates his domineering and patronising attitude, as the Elizabethan era was a patriarchal society and the role of the female was to be ‘obedient’ to their father or husband. Brabantio also endeavours into placing a seed of doubt in Othello’s mind as a result of his jealousy. Consequentially Brabantio objectifies Desdemona when he states, “Where has thou stow’d my daughter?” exemplifying how he deems her as a possession, which can be stolen like any other. Othello prolongs this objectification through asserting that he “won his daughter” portraying Desdemona as a prize to be won, and a possession to be owned and argued over by husband and father. Desdemona is depicted early on in the play as the “angel” wi...
In Othello, the lead female character, Desdemona, starts off with a strong desire for independence. The marriage of Desdemona to Othello “is contracted despite the wishes of her father” (Gruber 100). By not informing her father of her recent marriage, Desdemona renounces traditional practices. It was very contradictory that she shunned “the institution of the fixed marriage” (Calderwood 353). Even beyond that, she marries outside her race which took the whole thing one step further. Her father feels very displeased and believes such a ...
During the Elizabethan era women had a status of subordination towards men. They had a role to marry and oblige to their husband’s wishes. Shakespearean literature, especially illustrates how a woman is psychologically and physically lesser to their male counterpart. The play, Othello, uses that aspect in many different ways. From a Feminist lens others are able to vividly examine how women were subjected to blatant inferiority. Being displayed as tools for men to abuse, women were characterized as possessions and submissive; only during the last portion of the play did the power of women take heed.
Iago uses the implications of gender roles throughout the play. He creates doubt about Othello’s masculinity, and feeds off of the anxiety these observations create. Iago is not immune to the negative impact of gender standards that cannot be fulfilled. Mark Breitenberg describes these feelings as “…male, heterosexual jealousy – the anxiety and violence engendered in men by a patriarchal economy that constructs masculine identity” and explains these anxieties are “…dependent on the coercive and symbolic regulation of women’s sexuality” (377). Iago’s hatred of Othello is due to the insecurity he feels about his own masculinity and it causes him to feel jealousy towards Othello. As Karen Newman opines, “Othello both figures monstrosity and at the same time represents the white male norms the play encodes through Iago” (153). He is as a brutish, savage monster, but these negative traits can be warped into desirable ones by means of masculine stereotypes. Othello is large, strong, and a warrior. ...
During this time period, the men would work to support their family. Additionally, the woman would stay at home and care for her husband and children. This society thought of women as weaker than men. They were often treated as possessions of their husbands, “This concurs with Othello 's own insight when he describes murderous jealousy as innate in the husband-wife relationship which posits the wife as the exclusive possession of the husband and is thus at odds with the human condition wherein one can never know another person 's inmost thoughts and desires” (Vanita 342).The language Shakespeare uses in the play supports that men seemed freer than women. When Brabantio speaks of his daughter he describes her as obedient. Likewise, Desdemona obeyed Othello’s orders and stated she is indeed obedient to him. When Othello was convinced Desdemona was cheating on him he proceeded to murder
Women were viewed merely as possessions. After the Duke allows Desdemona to accompany Othello to Cyprus, Othello says 'To my conveyance I assign my wife' (I.3.283), this statement implies that Desdemona and a possession to be transported and guarded. The first Senators phrase 'use Desdemona well' (I.3.288) may suggest he hopes Othello will look after Desdemona, but is more likely to support the the expectations Venetian women had in the 1600s. They were meant to be wives and to obey their husbands. Furthermore the act of marriage was described as a purchase, as seen in Act II when Othello says to Desdemona 'The purchase made, the fruits are to ensue' (II.3.8-9), A woman is purchased by her husband and in turn is expected to fulfill his desires as payment for the privilege of being married to him.
In Othello men see women as objects to control, first by their father, and then by their husband. When Iago yells to Brabantio, telling him his daughter has gone off to marry Othello, he yells "Thieves, thieves! / Look to your house, your daughter, and your bags! / Thieves, thieves!" (Othello I.i.79-80). Othello has taken away Brabantio's property, his daughter, and is called a thief because of it. Desdemona refuses to be treated like property, however and makes "A gross revolt, / tying her duty, beauty, wit and fortunes" (Othello I.i.134-135) to Othello. Her marriage to Othello is not an act of a free woman, but a revolt by Brabantio's property. Desdemona is also incapable of independent feelings or thoughts. Othello must have "Enchanted her" (Othello I.ii.63), "In chains of magic" (Othello I.ii.65), because she could never make such a choice on her own. In Brabantio's mind, only he can know what is in Desdemona's best interest and then choose it for her. Brabantio tries to guard her, but Desdemona has "Run from her guardage" (Othello I.ii.70). In Othello the culture of the time treats women as objects to be guarded and watched over, too tender and gentle to fend for themselves in a dang...
During the Shakespearean time women were treated as inferiors. The three women in Othello, Desdemona, Emilia, and Bianca encountered many degrading and unfortunate situations. They were to be obedient. The women had to comply with the commands, orders, and the instructions of the men. Women were made to believe that they had no rights. The men would publicly humiliate the three women. It was difficult for the women to stand up for themselves due to that time in society. In Shakespeare’s play Othello, he portrayed the three women to be viewed as obedient, loyal, and submissive to their husbands.
The play Othello is presented as a male-dominated society where women are only recognized as property; objects to own and to bear children. Women in the Elizabethan society and in Shakespeare society were not seen as equal to men and were expected to be loyal to their husbands, be respectful, and to not go against their husbands judgements or actions. Shakespeare presents Desdemona, Emilia , and Bianca as women in the Elizabethan time where they were judged based on their class, mortality, and intelligence. Shakespeare makes his female characters act the way they would be expected to act in an Elizabethan society. The role of these women in Othello is crucial because they show how women were treated and how unhealthy their relationships between men really were in both Elizabethan and Shakespeare's society.
In his novel, Othello, he uses the courage of the women in his literature to depict how women should be treated, and to contrast from how little respect they once obtained. The society in Shakespeare’s Othello is strongly dominated by men who were the political and military leaders of their homeland during the Elizabethan era. These men are expected to stay loyal to their reputations and to uphold the strong sense of character that earned them their positions in the first place. In contrast, during the Elizabethan period of time women were viewed as weak second-class citizens and inferior to males, with their only job being to serve their men.