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Representation of Women in Shakespeare's Hamlet
Representation of Women in Shakespeare's Hamlet
The role of women in a patriarchal society
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Hamlet, a tragedy written by William Shakespeare consists of many themes such as madness, portrayal of women, masculinity, imagery and suicide. In this play Shakespeare portrays women inferior therefore they receive a lack of respect from men. In the play, Shakespeare characterizes women as dirty and disgusting and refers to them as prostitutes. Women are also seen weak and obedient which are identified by the only two female characters, Gertrude who is the Queen of Denmark and Ophelia who is Hamlet’s love interest. William Shakespeare expresses women as dirty, low and as disgusting human beings. There are various lines in the play where this is shown. It is seen when Hamlet speaks to Polonius about being careful in letting Ophelia wander …show more content…
But, come, for England! Farewell, dear mother” (4.3. 48-49). This is a big insult to Claudius because Hamlet addresses him as a female and indirectly calls Claudius dirty and disgusting. Another perception of women seen by Hamlet is women turn their husbands into monsters and those women are unfaithful and cheat on their husbands. Hamlet says to Ophelia,
If thou dost marry, I'll give thee this plague for thy dowry: be thou as chaste as ice, as pure as snow, thou shalt not escape calumny. Get thee to a nunnery, go: farewell. Or, if thou wilt needs marry, marry a fool; for wise men know well enough what monsters you make of them. To a nunnery, go, and quickly too. Farewell. (3.1.11)
Due to this, he tells Ophelia to go to a nunnery. Hamlet believes that women deceive men by behaving a certain way, for example walking, talking, playing dumb and acting in a manner which attracts men. Hamlet says,
I have heard of your paintings too, well enough; God has given you one face, and you make yourselves another: you jig, you amble, and you lisp, and nick-name God's creatures, and make your wantonness your ignorance. Go to, I'll no more on't; it hath made me mad. I say, we will have no more marriages: those that are married already, all but one, shall live; the rest shall keep as they are. To
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The character Gertrude in the play is the Queen on Denmark, Hamlet’s mother, the wife of the King of Denmark who has been murdered by his younger brother Claudius and is now the wife of Claudius, the current King of Denmark. Gertrude is written by Shakespeare as weak, unfaithful, shallow, and sensuous. It is seen that Gertrude is shallow and sensuous when the Ghost of Old Hamlet appears to Hamlet and says, “So to seduce! – won to his shameful lust the will of my most seeming- virtuous queen” (1.2. 45-46). This proves that Gertrude is shallow and sensuous because she’s easily won over by Claudius. Gertrude wasn’t able to resist her temptations in marrying Claudius, especially so
Hamlet is one of the most controversial characters from all of the Shakespeare’s play. His character is strong and complicated, but his jealousy is what conduces him to hate women. He sees them as weak, frail, and untrustworthy. He treats Ophelia, the women he loves, unfair and with cruelty. Similarly, he blames his mother for marrying her dead husband’s brother, who is now the King of Denmark. Hamlet’s treatment for women stems from his mother’s impulsive marriage to his uncle who he hates and Ophelia choosing her father’s advice over him.
Ophelia is a character in Hamlet that is chronically faithful to everyone else but herself. Ophelia is deeply in love with Hamlet, and she is certain that he loves her as well. This is clear from the assertions she makes in Hamlet’s defense: “My lord, he hath importuned me with love in honest fashion. And hath given countenance to his speech, my lord, with almost all the holy vows of heaven” (1795). Ophelia’s downfall emerges when she doubts her own feelings and beliefs about Hamlet, upon instruction and advice from her brother and father. Ophelia, a confident and intelligent woman, begins to rely on others to tell her what to think and how to act. “I do not know, my lord, what I should think” (1795). Upon Polonius request, and going against her own hearts desires, she starts to avoid Hamlet. “No, my good lord, but, as you did command, I did repel his letters and denied his access to me” (1806). By doing what her father advises and wishes Ophelia is no longer capable of making decisions for herself. The loss of Hamlet’s love and the death of her father leave her with confusion and doubts about her future. “Well, Go...
Ophelia is portrayed as a sensitive, fragile woman. Easily overpowered and controlled by her brother and father, Ophelia is destined to be weak. Ophelia’s brother, Laertes, warns and pushes Ophelia to stay away from Hamlet and is further supported by their father Polonius. “Polonius enters and adds his warning to those of Laertes. He orders Ophelia not to spend time with Hamlet or even talk to him. Ophelia promises to obey” (“Hamlet” 95). Ophelia’s obedience to her father’s directions prove the side she
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
In William Shakespeare’s Hamlet, women are oversexualized, and are given no role other than to be the item of a man’s desire. The promiscuity of the only two women in the play, Gertrude and Ophelia, detracts from their power and integrity, and allows Hamlet a certain amount of control over them. Gertrude’s sexual lifestyle is often mentioned by her son, Hamlet, and Hamlet uses his knowledge of Gertrude’s sexuality as a means to criticize her. Ophelia’s sexuality initially appears to be controlled by Laertes and Polonius, and Hamlet takes advantage of the naive image that she is required to keep. However, in her later madness, Ophelia taints this image by revealing that her innocence is feigned. By exposing the sexual natures of both Gertrude and Ophelia, Hamlet strips these women of any influence they may have had, and damages their once-honourable names.
Shakespeare’s Hamlet, shows strong prejudice against woman especially with such characters of Ophelia and Gertrude. Shakespeare created an interesting character with Gertrude; he created a character that sits in the middle of all the conflict and appears to not partake in much of it. However Gertrude does seem intent in defusing it at every possible chance she receives. Gertrude is a central figure in the play. She appears a great deal but doesn’t say much – implying mystery and creating an interesting uncertainty in the audience. Hamlet spends a lot of time dwelling on her marriage to Claudius and Shakespeare leaves many questions unanswered with Gertrude such as did she have an affair with Claudius behind old hamlets back? Why does she drink the poisoned wine that is intended for her son? Does she know it is poisoned? Gertrude is the mother of Hamlet and although they do not have a typical mother son relationship she does love him. Queen Gertrude is often interpreted by many as an adulterate, incestuous woman. Catherine Belsey states that typical interpretations of Hamlet maintain: ‘Gertrude a slut; and Shakespeare a patriarchal bard’ (Belsey,1997:34). Gertrude’s actions throughout the play could be read to show her to be a very passive character, far from a strong independent woman. This is shown with her obedience to Claudius, three times during the play, Gertrude is told to leave and each times she complies without hesitation. In Act 1, scene 2 Claudius says to Gertrude, ‘Madam, come’ (122). Then again, Act 3, scene 1, Claudius says to her, ‘Sweet Gertrude, leave us .’ (28), she complies with ; ‘I shall obey you’ (37). And finally, in Act 4, scene 1, Claudius say, ‘O Gertrude, come away!’ (28). This obedience that Gertrude ...
Ever since Eve was fashioned from Adam’s rib, men have viewed women as objects that they use and abuse like an extension themselves. This idea exists because over time men have become to see themselves as superior beings. This idea has been reinforced by years of culture and tradition; it can be found in the media, the workplace and has even made its way into literature through the mind of William Shakespeare. In his play Hamlet, he explores themes of sexuality and how men view women. One of the ways he does is through the character, Hamlet, who has the idea that men are superior to women. In the play Hamlet by William Shakespeare the main character Hamlet, displays characteristics that proves that he is misogynist. These
Since Hamlet is notoriously the worst to the female sex, we will start with the assault on his character. Hamlet said "Frailty, thy name is woman,“ thus Hamlet believes his men are the epitome of stability and strength, right? Not really, but Hamlet's attitude toward women is definitely sexist and biased, and his hate seems to emanate from his revulsion at his mother's marriage to Claudius, which he considers “unfaithfulness” to his dead father. His attitude is totally unjustified.
William Shakespeare incorporates many themes and ideas into his play, Hamlet. Of the multiple important ideas, one potentially overlooked is the role of women. Only two of the characters in the play are female. Their lines are scarce, but hold huge importance in relation to the progression and plot of the play. Ophelia, the implied lover of Prince Hamlet, and Queen Gertrude, his mother, do not appear significant, but their actions and characters allow for other events to unfold. Gertrude and Ophelia are manipulated and belittled. In their weak will, they end up betraying Hamlet. Observing their manipulation by other people, Hamlet is able to justify and go through with his actions.
For many years, in the older eras, women had always been categorized as insignificant, and worthless. Because of this, women were forced to conform to the stereotype of depending on men, and were subjected to what the men said. William Shakespeare demonstrates this in the play Hamlet. The women are portrayed to deserve their fate because of their inability to be independent and their ability to be easily influenced. In the play, Shakespeare demonstrates that both Gertrude and Ophelia deserve their fate.
Just as every other male in this time, he viewed feminine characteristics as unthinkably negative. When considering the vengeance his father’s death, he goes as far as declaring: “Why, what an ass am I! This is most brave, That I, the son of a dear father murdered, Prompted to my revenge by heaven and hell, must, like a whore, unpack my heart with words and fall a-cursing like a very drab, A stallion! Fie upon’t! Foh!” (2.2.611-616) Hamlet seems to believe that a “whore,” a “drab,” or a “stallion” is comparable to not avenging his father’s death. One of the more famous lines of the play states, “Must I remember? Why, she hang on him As if increase of appetite had grown By what it fed on. And yet, within a month (Let me not think on ‘t, frailty, thy name is woman!)” (1.2.147-150) Hamlet begins this bold statement by being disgusted with the ways of his mother, however, ends the quote by stereotyping the female gender as a whole. He believes that women’s sexual “appetites” lead only to betrayal and corruption of relationships, which undoubtedly stems from his disgust with his mother’s sexual actions with his uncle and new king, Claudius. However, labeling all women as frail is a bold statement coming from the same character that overthinks every given situation and doubts every move he makes. Every male role in Hamlet exemplifies frailty in more than one way.
Polonius is the father of Laertes and Ophelia. His contribution to the ideology of sexism and incest is not as direct as the other characters but it is just as significant. His daughter, Ophelia, is deeply in love with the title character, Hamlet. Polonius constantly observes the suspicious relationship between Ophelia and Hamlet. He tries to intervene between his daughter’s relationships with Hamlet. Since her love for Hamlet is so strong, Ophelia becomes disobedient and rebellious to her father just so that she could make a way to fulfill the needs of Hamlet. Polonius tries to help Ophelia understand that she is basically “bait” to Hamlet and she must avoid falling for his word but she refuses to listen. Along with Polonius, his son Laertes is also attempting to protect Ophelia from Hamlet.
For many years in the past women played a small role socially, economically, and politically. As a result of this many works in literature were reflective of this diminutive role of women. In Elizabethan theatres small boys dressed and played the roles of women. In contrast to this trend, in Shakespeare's Hamlet the women in the play are driving factors for the actions of many other characters. Both Gertrude, Hamlet's mother, and Ophelia, Hamlet's love, affected many of the decisions and actions done by Hamlet.
In Shakespeare’s dramatic works there is no room for the heroic or the strong woman, and therefore many of his plays can be perceived as being antifeminist. Often he portrays women as weak, mad, sexual, and as even witches. Hamlet is no exception. The only women in the play, Ophelia and Queen Gertrude, are given confined and limited roles. These roles are from a male-dominated viewpoint and only add focus to the male characters instead of incorporating the insight and the impact of the women as well.
Throughout Shakespeare’s play “Hamlet” women are used as method for men to get what they want. The men in Hamlet, either directly or indirectly continuously use women to acquire something from other men. The only two women in the entire play are Gertrude and Ophelia, who are consistently used by the current king, Claudius, Polonius, and Hamlet. Ophelia is exploited by Polonius and the King (mainly together), and is also used by Hamlet. Gertrude is used by the King, as well as Polonius. In “Hamlet,” the women throughout the play are used as pawns for men to get what they want, mainly from the other men.