By:Tine Ndhlovu
Hamlet 's Conflicting View of Women
INTRODUCTION
Although women do not appear often or say much in Shakespeare 's Hamlet, they constantly are displayed through the motives and actions of the men in the play. The Elizabethan era and the Chain of being in the sixteenth century, may play a part in the play 's tragedy. Hamlet’s conflicted view of women, prevents him from extracting revenge and it leads him to his downfall. Hamlet views women as weak, sexualized, untrustworthy and inferior. Hamlet views women this way, due to the situations that occur around him and the only two women in his life, Gertrude and Ophelia. His focus on his mother 's aging sexual desires, takes his focus away from his initial thought of extracting revenge.
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Which started to appear in his relationship with Ophelia and his views towards all women.
WEAK
In the play, Ophelia and Gertrude 's actions and decisions are influenced by the men in the play. The women depend to a great extent on the men that surround them and are extremely weak, when it comes to them having authority and control over things. Ophelia is powerless, when it comes to the men in her life, she allows them to make decisions for her. When she is told to do something she immediately obeys. With such a desire, Ophelia always feels the need to please others, even when it goes against her moral feelings. For example, when Polonius tells Ophelia, “[f]rom this time, daughter, [b]e somewhat scanter of your maiden presense/[l]ook to’t, I charge you”(1.3.120-135), without hesitation, she says, “ I shall obey, my lord”(Shakespeare 1.3.136) . This shows her lack of power when it comes to men and that she has no rights. In relation, Gertrude is a strong woman, who makes decisions on her own, but she constantly relies on the men around her and is also very passive. Gertrude’s passive personality is seen, when Claudius
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Hamlet views women as sexualized and constantly finds fault with the women in the play, over their sexuality. He continuously brings them up even when there is no specific female he is referring to. With this in mind, Hamlet has a major focus on his mother 's sexual actions. Rather than focussing on Claudius and his father 's murder, he begins to find a greater interest in his mother 's sexuality. Hamlet is so concerned with his mother 's sexual relationship,that he tries to make her aware of her wrongful sexual relationship, by aggressively stating that “[i]n the rank sweat of an enseamed bed, [s]tew’d in corruption, honeying and making love [o]ver the nasty sty”(3.4.94-96). Hamlet is convinced of his mother 's sin, that he tells her about her compulsive sexual odour, that he sees as corruption. Moreover, Hamlet uses sexual innuendo to degrade women through sexual remarks and comments through his thoughts. Hamlet, talks about women in such an inappropriate way, referring to women as a strumpet, which in modern text is a whore, when he says “[i]n the secret parts of fortune? O most true; she is a strumpet”(2.2.234-235). The fact that Hamlet is able to openly talk about women in such a way around his friends and refer to them as whores, shows that he has very little respect for women. In addition, when Ophelia asks Hamlet to sit by her side during The Mousetrap play, he immediately suggest to
Hamlet has the disillusion that women are frail after his mother’s rushed remarriage as shown by “Frailty, thy name is woman!” He also believes women do not have the power to reason. (“O God, a beast that wants discourse of reason.”) Ophelia has the power to change his view but her unexplained rejection of him only adds to Hamlet’s disillusion. The ghost’s revelation that Gertrude dishonored Hamlet’s father but also their marriage by the adultery with Claudius is contemplated by Hamlet until he goes into Ophelia’s room to look upon her. As Hamlet searches Ophelia’s face for some sign that might restore his faith in her, he instead believes her face shows guilt and thinks she is another false Gertrude.
Hamlet is one of the most controversial characters from all of the Shakespeare’s play. His character is strong and complicated, but his jealousy is what conduces him to hate women. He sees them as weak, frail, and untrustworthy. He treats Ophelia, the women he loves, unfair and with cruelty. Similarly, he blames his mother for marrying her dead husband’s brother, who is now the King of Denmark. Hamlet’s treatment for women stems from his mother’s impulsive marriage to his uncle who he hates and Ophelia choosing her father’s advice over him.
People have mostly seen women inferior to men because women have been thought of as simple-minded and could not take care of themselves. Shakespeare’s Hamlet shows how men treated and thought of women during the 1500s. There was an order most did not interfere with; however, some did. In the 1500s, women were supposed to conform to men’s wishes. Throughout the play, Ophelia first obeyed her father and brother’s wishes, ignored the social norms later, and then went mad, which caused her to never gain her own identity.
Ophelia, in William Shakespeare’s Hamlet, represents a self-confident and aware female character. She analyzes the world around her and recognizes the multitude of male figures attempting to control her life. Her actions display not only this awareness, but also maturity in her non-confrontational discussions. Though she is demeaned by Laertes, Polonius, and Hamlet, Ophelia exhibits intelligence and independence and ultimately resorts to suicide in order to free herself from the power of the men around her.
In William Shakespeare’s Hamlet, women are oversexualized, and are given no role other than to be the item of a man’s desire. The promiscuity of the only two women in the play, Gertrude and Ophelia, detracts from their power and integrity, and allows Hamlet a certain amount of control over them. Gertrude’s sexual lifestyle is often mentioned by her son, Hamlet, and Hamlet uses his knowledge of Gertrude’s sexuality as a means to criticize her. Ophelia’s sexuality initially appears to be controlled by Laertes and Polonius, and Hamlet takes advantage of the naive image that she is required to keep. However, in her later madness, Ophelia taints this image by revealing that her innocence is feigned. By exposing the sexual natures of both Gertrude and Ophelia, Hamlet strips these women of any influence they may have had, and damages their once-honourable names.
In the play, Hamlet is described as an intelligent, emotional, and grief-stricken protagonist but he is consumed by his own thoughts which make him a highly-indecisive individual; Hamlet’s inability to act on his father’s murder, his mother’s hasty remarriage, and his uncle assuming of the throne are all evidence that Hamlet does not know what is going on in his own life. Perhaps Hamlet wants to place the blame on someone else after he wreaks vengeance on King Claudius, or capture the attention of certain characters so that he may find out exactly what has gone “rotten in Denmark” (Act 1, Scene 5, Line 90). Throughout the play Hamlet is deeply hurt by his mother’s decision to remarry his uncle. As Hamlet says, “Frailty thy name is woman”, her actions cause Hamlet to curse women all together (Act 1, Scene 2, Line 146).
In Elizabethan times, Ophelia is restricted as a woman. She is obedient to the commands of the men in her life although she often attempts to do the right thing. Polonius, Laertes, and Hamlet all have a grasp on Ophelia and who she is. She does not have the freedom to change her fate as Hamlet does. Shawna Maki states, “Ophelia’s life is determined by the whims of men who control her” (1). Polonius takes advantage of his relationship with Ophelia by using her to achieve a better relationship with Claudius. Polonius and Laertes teach Ophelia how to behave, therefore, abusing their power in allowing Ophelia to become who she wants to be (Brown 2).
Shakespeare’s Hamlet, shows strong prejudice against woman especially with such characters of Ophelia and Gertrude. Shakespeare created an interesting character with Gertrude; he created a character that sits in the middle of all the conflict and appears to not partake in much of it. However Gertrude does seem intent in defusing it at every possible chance she receives. Gertrude is a central figure in the play. She appears a great deal but doesn’t say much – implying mystery and creating an interesting uncertainty in the audience. Hamlet spends a lot of time dwelling on her marriage to Claudius and Shakespeare leaves many questions unanswered with Gertrude such as did she have an affair with Claudius behind old hamlets back? Why does she drink the poisoned wine that is intended for her son? Does she know it is poisoned? Gertrude is the mother of Hamlet and although they do not have a typical mother son relationship she does love him. Queen Gertrude is often interpreted by many as an adulterate, incestuous woman. Catherine Belsey states that typical interpretations of Hamlet maintain: ‘Gertrude a slut; and Shakespeare a patriarchal bard’ (Belsey,1997:34). Gertrude’s actions throughout the play could be read to show her to be a very passive character, far from a strong independent woman. This is shown with her obedience to Claudius, three times during the play, Gertrude is told to leave and each times she complies without hesitation. In Act 1, scene 2 Claudius says to Gertrude, ‘Madam, come’ (122). Then again, Act 3, scene 1, Claudius says to her, ‘Sweet Gertrude, leave us .’ (28), she complies with ; ‘I shall obey you’ (37). And finally, in Act 4, scene 1, Claudius say, ‘O Gertrude, come away!’ (28). This obedience that Gertrude ...
The power that the men have over the women in the play provides for the comparison between the two genders. The women are portrayed as weak and submissive, so when Hamlet is accused of becoming a “woman,” it greatly offends him. Because revenge and violence drive the play it revolves around the men.
William Shakespeare incorporates many themes and ideas into his play, Hamlet. Of the multiple important ideas, one potentially overlooked is the role of women. Only two of the characters in the play are female. Their lines are scarce, but hold huge importance in relation to the progression and plot of the play. Ophelia, the implied lover of Prince Hamlet, and Queen Gertrude, his mother, do not appear significant, but their actions and characters allow for other events to unfold. Gertrude and Ophelia are manipulated and belittled. In their weak will, they end up betraying Hamlet. Observing their manipulation by other people, Hamlet is able to justify and go through with his actions.
For many years, in the older eras, women had always been categorized as insignificant, and worthless. Because of this, women were forced to conform to the stereotype of depending on men, and were subjected to what the men said. William Shakespeare demonstrates this in the play Hamlet. The women are portrayed to deserve their fate because of their inability to be independent and their ability to be easily influenced. In the play, Shakespeare demonstrates that both Gertrude and Ophelia deserve their fate.
For many years in the past women played a small role socially, economically, and politically. As a result of this many works in literature were reflective of this diminutive role of women. In Elizabethan theatres small boys dressed and played the roles of women. In contrast to this trend, in Shakespeare's Hamlet the women in the play are driving factors for the actions of many other characters. Both Gertrude, Hamlet's mother, and Ophelia, Hamlet's love, affected many of the decisions and actions done by Hamlet.
Just like in society the men in Hamlet follow the rules for a patriarchal society. The three most masculine characters in Hamlet are Claudius, Polonius and Laertes. “Man is supposed to be strong, courageous, rational and sexually aggressive; while woman is weak, timid, emotional, and sexually passive” (De-Yan 1). The first identifiable masculine characters are Laertes and Polonius as they are introduced in the play conversing with Ophelia. In this scene they tell Ophelia what she is allowed to do and command to her to not be with Hamlet, “For Hamlet and the trifling of his favor, Hold it a fashion and a toy in blood, A violet in the youth of primy nature, Forward not permanent sweet, not lasting...” (1.3.5-9). After Laertes leaves, Polonius enters the scene and rebukes Ophelia for believing Hamlets words of affection. As in a patriarchal society the males of the household are the leaders. First in command is the father, and then the brother. Therefore just like in Act one scene three, Ophelia has to do what her father and brother tell her. Claudius is another masculine character in Hamlet. He shows this by murder...
In Shakespeare’s dramatic works there is no room for the heroic or the strong woman, and therefore many of his plays can be perceived as being antifeminist. Often he portrays women as weak, mad, sexual, and as even witches. Hamlet is no exception. The only women in the play, Ophelia and Queen Gertrude, are given confined and limited roles. These roles are from a male-dominated viewpoint and only add focus to the male characters instead of incorporating the insight and the impact of the women as well.
Throughout Shakespeare’s play “Hamlet” women are used as method for men to get what they want. The men in Hamlet, either directly or indirectly continuously use women to acquire something from other men. The only two women in the entire play are Gertrude and Ophelia, who are consistently used by the current king, Claudius, Polonius, and Hamlet. Ophelia is exploited by Polonius and the King (mainly together), and is also used by Hamlet. Gertrude is used by the King, as well as Polonius. In “Hamlet,” the women throughout the play are used as pawns for men to get what they want, mainly from the other men.