The Bigger Picture
Women have been looked upon as people who take care of things around the house. Women have been accustomed to always work in the household but in the 1940’s that was all going to change. In the book The Catcher in the Rye by JD Salinger he portrays what affect women had in Holden’s life, and how he treated and looked at him. In the 1940’s women began to play a bigger role in the work force. Salinger put these women in his life to teach him a lesson that he can take with him, and help him understand how they are treated different from one another based on the way they grew up with their family.
During the 40's women's roles and expectations in society were changing rapidly. Previously women had very little say in society
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As times passes women slowly became ore and more important and started playing a bigger role in society. During the 1940’s-1950’s women were working in large companies as men went away to fight in the war. As women began to work more they promoted the fictional character of “Rosie the Riveter” as the ideal woman worker: loyal, efficient, patriotic, and pretty. Norman Rockwell’s image on the cover of the Saturday Evening Post on May 29, 1943 was the first widely publicized pictorial representation of the new “Rosie the Riveter”. This led to many other “Rosie” images and women to represent that image. For example, the media found Rose Hicker of Eastern Aircraft Company in Tarrytown, New York and pictured her with her partner as they drove in a record number of rivets into the wing of a Grumman “Avenger” Bomber on June 8, 1943. Rose was an …show more content…
Holden looks at Jane as the realest girl you will meet. At Pencey Holden always kept a close watch on Jane while she and Stradlater were dating. He knew and understood Stradlater's intentions. Holden saw the true beauty in Jane he states, “She was a funny girl, old Jane. I wouldn't exactly describe her as strictly beautiful. She knocked me out, though. She was sort of muckle-mouthed. I mean when she was talking and she got excited about something, her mouth sort of went in about fifty directions, her lips and all. That killed me. And she never really closed it all the way, her mouth. It was always just a little bit open, especially when she got in her golf stance, or when she was reading a book. She was always reading, and she read very good books. She read a lot of poetry and all.” Holden liked her for who she is. The way Salinger portrayed Jane that she is oblivious to her natural beauty. She is modest about the way she dresses and looks, and doesn't talk about herself a lot. Salinger portrays Jane as a humble person with a complicated background. Salinger states, “All of a sudden this booze hound her mother was married to came out on the porch and asked Jane if there were any cigarettes in the house. I didn't know him too well or anything, but he looked like the kind of guy that wouldn't talk to you much unless he wanted something off you. He had a lousy personality. Anyway, old Jane wouldn't answer him when he asked her if she
Rosie the riveter was the face of recruiting women into the Armed Forces during WWII. The increasing demand for soldiers was not being filled fast enough by just males. As a result, between the years 1940 and 1945, the percentage of female service members increased from 27% to 37%. Even on the civilian side of things, the ratio of married working women outside of their homes increased to one out of every four. The population of women that did not join the war was prompted by Rosie the Riveter’s iconic image to work in one of the many munitions industries throughout the US. In 1943, not only had the female population contributed exponential numbers in support of the war; but women had begun to dominate. Reports indicate that more than 310,000 women worked in the U.S. aircraft industry; this made up more than half of the total workforce. Prior to this moment in history, women’s involvement in the aircraft industry was merely one percent.
This interpretation of Rosie was firmly entrenched in the concept of women entering the workforce as their patriotic duty. In the painting you can see that Rosie is stomping on a copy of Mein Kampf, Adolf Hitler’s 1925 autobiography and political manifesto. The message was clear; although men did the physical fighting on the frontlines, women were also doing their part to defeat the enemy (Hawkes). The war industry during WWII gave women the opportunity to earn their own living and contribute to the war effort. The imagery of “Riveters” we are accustomed to serve as an allegory; the war propaganda used “Rosie” as a metaphorical representation of the millions of women (of all colors and socio-economic classes) who took action during war time when patriarchal order was relaxed. These women joined the work force in order to help their country, to gain the benefits of employment, and to improve their quality of life
Holden really listens to women and he pays attention to what they have to say or do. When Holden found out that Stradlater was going on a date with Jane, he kept talking about her. He was telling Stradlater about the things they did as kids. Holden was telling Stradlater about the time they were playing checkers. Holden
With the beginnings of the cold war the media and propaganda machine was instrumental in the idea of the nuclear family and how that made America and democracy superior to the “evils” of the Soviet Union and Communism; with this in mind the main goal of the 50’s women was to get married. The women of the time were becoming wives in their late teens and early twenties. Even if a women went to college it was assumed that she was there to meet her future husband. Generally a woman’s economic survival was dependent on men and employment opportunities were minimal.
It is made evident that Holden is enamored with Jane Gallagher, and this first manifests itself when Holden talks about her to Stradlater. “I used to play checkers with her,” Holden recounts. “ ‘She’d get [her kings] all lined up in the back row. Then she’d never use them. She just liked the way they looked when they were all in the back row.’ Stradlater didn’t say anything. That kind of stuff doesn’t interest most people” (41). In a world where almost everything is so “goddam depressing,” thinking about Jane’s minor traits actually makes Holden happy, even if it is the kind of stuff that does not interest most people. It allows him to channel his childhood, where he was oblivious to the phoniness around him. However, this silly nostalgia cannot get across to Stradlater, who is more interested in Jane as a sexual being than trivialities such as her checker tactics or struggles with ballet. This physical interest eventually becomes the root of their brawl in their dorm. Although Holden’s interrogative mood agitates Stradlater, Holden is only showing his genuine care for Jane. Unlike Stradlaer, Holden has enough sense to know that Jane, being the humble, intelligent girl she is, deserves to be treated right. So, even though Holden lets his anger get the better of him and eventually start a fight, he has reason to do
Salinger had a deep love and fascination with young children, especially young women. In the 1970s, Salinger maintained a close connection with an eighteen year-old girl, Joyce Maynard, who eventually moved in with the author. J.D. Salinger continued to have many relations with younger women, much like this one. His fascination with young women is reflected in Holden, who has a similar mind-set. Even as a seventeen year-old, Holden is infatuated with his perception of Jane Gallagher as a little girl. It is this picture of innocence that Holden is in love with, and not what Jane is like now. The concept of, "the catcher in the rye," itself projects his interest in children. He day-dreams about standing at the edge of the rye field catching any children that are too close to the edge of the cliff.
Like stated earlier, gender roles in the 50’s were very strict and narrow-minded. That being said, women were extremely limited in their role in society. First of all, women were expected to be homemakers. By homemaker, I mean the women w...
The role of women in American history has evolved a great deal over the past few centuries. In less than a hundred years, the role of women has moved from housewife to highly paid corporate executive to political leader. As events in history have shaped the present world, one can find hidden in such moments, pivotal points that catapult destiny into an unforeseen direction. This paper will examine one such pivotal moment, fashioned from the fictitious character known as ‘Rosie the Riveter’ who represented the powerful working class women during World War II and how her personification has helped shape the future lives of women.
"Societal Roles and Expectations through the 1940's-50's." : Role of Women during the 1940's. Web. 13 May 2014. http://americanhistory1940-50.blogspot.fi/p/role-of-women-during-1940s.html
Actually the blasts of the 1950s highly affected various ladies; books and magazine articles ("Don't Be Afraid to Marry Young," "Cooking To Me Is Poetry," " Femininity Begins At Home ") encouraged ladies to leave the workforce and spotlight on their parts as spouses and moms. The possibility that a ladies' most imperative role was to hold up under and back kids wasn't new yet it began to create a considerable measure of disillusionment among ladies who yearned for a better life. (In her 1963 book "The Feminine Mystique," ladies' rights promoter Betty Friedan contended that suburbia were "covering ladies alive."). This discontent, in this way, added to the restart of the feminist movement in the
The Catcher in the Rye by J.D Salinger is a coming-of-age novel set in New York during the 1940’s. Holden Caulfield, the protagonist of the story, is a detached seventeen-year old boy harboring feelings of isolation and disillusionment. He emphasizes a general dislike for society, referring to people as “phonies.” His lack of will to socialize prompts him to find nearly everything depressing. He’s alone most of the time and it’s apparent that he is very reclusive. This often leads him to pondering about his own death and other personal issues that plague him without immediate resolution. Holden possesses a strong deficit of affection – platonic and sexual – that hinders and cripples his views toward people, his attitude, and his ability to progressively solve his problems without inflicting pain on himself. The absence of significant figures in his life revert him to a childlike dependency and initiate his morbid fascination with sexuality. In this novel, Salinger uses Sunny, Sally Hayes, and Carl Luce to incorporate the hardships of discovering sexual identity and how these events affect adolescents as they try to understand their own sexuality.
During the war, men were off fighting for America, and the women were left behind to take over their jobs in the factories. Women proved that they can do almost all of the same jobs as men. Rosie the Riveter, a picture of a woman flexing with a caption of “We Can Do It,” became the symbol for women all across the nation. After the war, years later, women began to receive equal pay for the same jobs that the men were doing. Many other minority groups, such as African Americans, played a huge
In The Catcher in the Rye, Holden Caulfield feels a compulsion to protect women over anything else. The reason for this is that Holden views women as the last innocent people left in society. J.D. Salinger makes it a point to display the powerful influences that women have had on Holden throughout his life by retelling Holden's experiences with his own mother as a younger man. These trends continue throughout the story, as the events that unfold involving Phoebe and Jane Gallagher become focal points during Holden's time in New York City. Holden's desire to protect women seems to go so far that he begins to feel immediate hostility -- hostility that may or may not be justified -- towards several male characters.
In the 1950s, the stereotypical female was expected to fill a role that was awfully repressive and constrictive. Many standards were placed on women
J.D. Salinger's The Catcher in the Rye is a remarkable book that gives readers a unique and perhaps gloomy perspective of the 1950's through Holden Caulfield, a cynical and peculiar teenager. Through The Catcher in the Rye Salinger describes important aspects of the 1950's. Salinger emphasizes several key characteristics of the 50's and criticizes them through Holden. In addition, Holden Caulfield is a very interesting character with several traits that put him at odds with society.