Women Have the Right to Abortion
Webster's New World Dictionary defines the word abortion as, "any spontaneous expulsion of an embryo or a fetus before it is sufficiently developed to survive" (Webster's 1988; Pps. 3- 4). Assuming the reader of this essay agrees with the above definition, I will explore the following thesis, and support my answer with appropriate, adequate documentation, from "Conversations":
"Should abortion be legal? At what point in time, and under what criteria should it be restricted?"
Let me begin with a rather neutral source. Sallie Tisdale, a registered nurse and writer (Tisdale, 737) in her essay, 'We Do Abortions Here', states:
"Like many women my age, I took the pill as soon as I was sexually active. To risk pregnancy when it was so easy to avoid seemed stupid, and my contraceptive success, as it were, was part of the promise of social enlightenment. But birth control fails, far more frequently than laboratory trials predict" (Tisdale, 738)
According to the 'left', abortion shouldn't be legal for anyone, regardless of the circumstances. What about this first example? Do those with this philosophy imply that women just shouldn't have sex, plain and simple, until they're ready to handle caring for a child? How does this conflict with the reality in our society that young men and women are having sex at an earlier age, then in previous generations? Is it possible that although this idea is well-intentioned, it may not take into account a person's need to be sexual, which is just part of the human condition?
What's a woman to do, if she's taken the necessary precautions, including one of several choices, including condoms (both for men and women), or the pill, and either method fails...
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...ld have the option to terminate the pregnancy immediately, as such conditions arise, regardless of the developmental stage of the unborn fetus.
Works Cited
Irving, John. Pornography and the New Puritans. 1992.
Conversations: Readings for Writing. Ed. Jack Selzer. Boston: Allyn and Bacon, 1997. 617.
Tisdale, Sallie. We Do Abortions Here. 1987. Conversations: Readings for Writing. Ed. Jack Selzer. Boston: Allyn and Bacon, 1997. 737-741.
Quinn, Sally. Our Choices, Ourselves. 1992. Conversations: Readings for Writing. Ed. Jack Selzer. Boston: Allyn and Bacon, 1997. 756.
Meehan, Mary. Abortion: The Left Has Betrayed The Sanctity of Life. 1980. Conversations: Readings for Writing. Ed. Jack Selzer. Boston: Allyn and Bacon, 1997.747-752.
"Abortion." Webster's New World Dictionary. 1988 ed.
"Murder." Webster's New World Dictionary. 1988 ed.
Gothic literature just continues to get better and better! Since the first gothic novel, The Castle of Otranto in 1764, gothic literature has persistently flourished and has been altered over time. The changes are prominent in the excerpts from Vathek, The Italian, Frankenstein, and Wuthering Heights. Over many years, the expansion of gothic literature has displayed an increase in the amount of modern vocabulary, the literature itself has become darker and more unnatural, and the literature has incorporated further character development. All of these factors have transformed gothic literature in a way that has both complimented The Castle of Otranto and progressed away from it as well.
In conclusion I have shown that “the red room” has the most gothic terror features and “the Yellow Wallpaper” has the least. However all three Victorian stories scare the reader even though they only have a few features of gothic horror.
Hinman, Lawrence. “Abortion: A Guide to the Ethical Issues.” May 13, 2010. University of San
Critic Mark Edmunson calls Gothic literature “the art of haunting”, adding that “Gothic shows that life, even at it’s most ostensibly innocent, is possessed, that the present is in thrall to the past. All are guilty; all will, in time, pay the price. And Gothic should also possess the reader; scare him, so he can think of nothing else. He has to read it--or see it--again and again to achieve some peace.” Edmunson quotes Chris Baldick, author of a book on the Frankenstein myth, that Gothic literature "should combine a fearful sense of inheritance in time with a claustrophobic sense of enclosure in space, these two dimensions reinforcing one another to produce an impression of sickening descent into disintegration” (Edmunson, p. 48).
In Judith Fryer’s essay, The Faces of Eve” Women in the 19th Century Novel, she puts forth her positions on The Scarlet Letter by Nathaniel Hawthorne. The reader can gather that she believed that the book was written as a feminist novel as Hawthorne created the ambiguous female character, Hester Prynne. Fryer raises valid points about the novel by explaining how Hester came about because of Hawthorne’s personal conflicts in his society as he was alienated from a masculine society. She also stated how Hester was the most self- reliant character in the novel, making her stand out from the rest of society. Finally, Hawthorne described the male characters in the novel as being much weaker than Hester.
..., a moaning sound is heard prior (Walpole, 34). In The Haunting of Hill House, it is the female protagonist who hears a hammering against the upper edge of a bedroom door that sounded like “something children do”. She also hears "little mad rising laugh" outside the door (Jackson, 95,97).
Hester Prynne shows herself in The Scarlet Letter as a female who struggled with male dominance in her society, but she overcomes the powerful, Puritan males by defying them with her own perspectives. Hester, compared to other traditional woman, enables herself to be represented as a very distinctive female. She was embodied with her noble character of rebellious spirit, self-reliance, and strong mind; all these factors contribute to what feminism encourages. Hester abled herself to transform and improve the old world to new world, and she believed in the possibility of a new morality in the world. Using her female conscious, Hester establishes herself as a silent rebel through her self-reliance, independence, selflessness, and defying nature in her Puritan, male dominated
English literature in the Romantic period can be characterised as emphasising on free and natural utterance of authors’ feelings as the reaction toward the world. Romantic authors stress on the influence of feelings over rationality and mind over body—they admire the potential power of human’s mind to engage in the external world emotionally, reflect on it and envisage a spiritual and idealistic one through imagination. In Gothic writing, an important genre in Romantic literature, authors try to evoke readers’ fear and anxiety, cultivate their sensibility and explore human’s mind through presenting horrible myths and supernatural. Horror, as a highly pertinent element in Gothic writing, plays an important role in stimulating readers and awakening their sensibility in a thrilling but aesthetic way. In Gothic novels, horror is often created by personal memories, historical events, uncontrollable subconscious and anything that people attempt to escape from. The symbolisation of horrible sources and even the embodiment of horror itself are rather common.
Hester, the protagonist in Hawthorne's novel The Scarlet Letter, effectively challenges the efforts of the Puritan theocracy to define her, and at the same time, contain the threat she poses to the social order.
Newkirk, C. D., & Forker, T. A. (2007). Does YouTube's Bright Past Mean a Cloudy Future?. Intellectual Property & Technology Law Journal, 19(1), 1-6.
The Gothic elements expressed in Horace Walpole’s The Castle of Otranto were so new and controversial during the Romantic period that it caused an extreme rise in reputation amongst Romantic writers and readers, creating a ground-breaking genre that would remain popular within entertainment today. These literary elements, alongside the turning of a literary age and the unofficial fight for recognition between the Romantic and Gothic writers, were the key turning points that would maintain the Gothic’s literary form within history. By reviewing Walpole’s work, it can be seen where the Gothic genre was born and what elements from this writing has trickled down to the modern day.
Through every choice in life, there is a decision that must follow. Abortion is a woman’s individual choice; therefore, must be a legal part in todays society. Individual rights have an outstanding role in the controversial topic, on whether abortion should become legal in the United States . The individual rights for abortion show rights of life, liberty, and pursuit of happiness. As well, women should be able to have the choice to choose to have an abortion for several important reasons. The right to make these decisions should lie in the hands of the “mother” to make decisions concerning their own to make decisions concerning their own bodies. In addition, women should be given the choice to have an abortion if they are too young and unable to take care their child financially or emotionally. Additionally, the right to have an abortion is if the pregnancy negatively affects the woman's or the baby's health. Without abortions as a choice for the “mother” to resort to while she is going through hardship on deciding whether to keep the baby or not, the endless possibilities could negatively influence the mother to put her and the baby in a dangerous positions.
Since medieval era, gothic is well known as a fiction which always had been connected with mystery, darkness, and past. Thus, gothic was associated with old religious and often using the old building for the settings. Furthermore, setting is one of the most important parts in a story because settings can build an atmosphere and communicate with the reader. Usually, gothic stories use cemeteries and old castles as the place setting and for the time setting, gothic story usually at night or in dark places. On the other hand, imagery also often used to clarify the circumstances of how creepy the situation
Many people think differently about YouTube, some people think that it has an immoral effect towards society, but it actually has a positive effect towards society. YouTube is given a negative impact towards society by all of the immature people on it. It has many education and funny YouTubers on it so it can be entertaining.
“YouTube is used by more adults than any other cable network” (youtube.com/2012). Therefore one person would not know that at least every person on earth at least views 140 videos in their life entire time; millions of subscriptions happen per day and YouTube partners make 6 digits a year (bullas 2012). From this one would believe that “the YouTube subscription pilot program has defiantly the potential to offer consumers a variety of channels…” (Cherdar, 2013). Therefore meaning that YouTube is becoming a TV. Channel would benefit the audience watching in many ways such as entertainment, provide opportunities for one to get discovered and would have a huge benefit of one having opportunities to make money.