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Gender and roles of women in literature
Gender and roles of women in literature
Gender Roles in Literature
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In many ways, Wolf-Alice could be seen as the most faithful evocation of a gothic heroine in The Bloody Chamber. To what extent do you agree with this statement and why?
The gothic heroine can be easily defined as perfection; the best at everything she does, almost to the point of parody. She is often more intelligent, more beautiful, more accomplished, more chaste and more resilient than any other woman. These are the characteristics within the control of the young woman. There are, however, outside factors surrounding the behaviour of the gothic heroine. These women are faced with huge obstacles, particularly in their quest to maintain their perfection. Wolf-Alice is pure, chaste, and angelic; much more so than the other heroines of The Bloody
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Chamber. Wolf-Alice takes pity on the Duke because she sees him as the wolves saw her, pitied for being a human, an imperfect wolf.
Like the heroine in ‘The Courtship of Mr Lyon,’ she transforms the tormented half-being by her kindness alone. Wolf-Alice’s pity and kindness are not human traits, however. The heroines in ‘The Courtship of Mr Lyon’ as well as ‘The Tiger's Bride’ have to become both less civilized and less human in order to save their respective beasts. They both reject their fathers' wealth and the social standing in favour of lives with their beasts, whom the rest of humanity have forced into isolation. The heroine in ‘The Tiger's Bride’ regresses so far that she actually becomes a tiger herself. All the human peasants in the story want to kill the beast because they do not understand his hunger and bane, but Wolf-Alice can because she has experienced the same thing. In ‘The Tiger's Bride,’ the heroine transforms into a tigress. In ‘The Courtship of Mr Lyon,’ the beast transforms into a human. In ‘Wolf-Alice,’ the heroine becomes more human throughout the story, while still being animalistic enough for her kindness to save the Duke. Because her name does not change like Mr Lyon's does, Wolf-Alice is assumed to be still caught between worlds. As for the Duke, it is unknown as to whether he transforms into a human or a wolf. The mirror reflects ‘the face of the Duke’ – but what face is
that? Wolf-Alice is so innocent she does not even know what her period is: she thinks ‘a wolf… must have nibbled her cunt while she was sleeping’. This shows how untouched she is – she is so pure her mind is untainted by knowledge of her ‘first blood’ and what it means. The wording of that phrase is indicative of the same; she has no stigma over the word ‘cunt’ because she sees no shame in her private parts and does not know about swearwords – how would she? She is unknowing of the vulgarities of the world and as such is not shamed by them.
I read the book Lonesome Howl, which is a drama book and a love story. The book was about two main character whose names are Jake and Lucy. They lived with their family in two different farms, but in the same community besides a mountain covered in a big wicked forest where many rumors took place. The farmers around the place lost many sheep’s since a feral beast. It was a quite small community and a lot of tales was told about it to make it even more interesting. Lucy was 16 years old and lived with her strict father and a coward of mom who didn’t dare to stand up for her daughter when she were being mistreated and slapped around by her father. Lucy was a retired and quite teenager because of that. She had a younger brother whose name was Peter. Peter was being bullied in school and couldn’t read since the education of Peter was different compare too Lucy’s. She helped him in school and stood up for the mean bullies, although all she got in return was him talking bullshit about her with their cruel dad which resulted with her getting thrash.
Mina Harker is one of several characters who display both a mysterious pasts and supernatural abilities. These aspects of her personality create a fear of the unknown which in itself is a powerful trait of gothic th...
Her lionhearted clothes reflected her valiant and strong attitude. However – Elisa Allen hid her true feelings. She was deceitful in interpersonal communication. Her tongue spilled bittersweet black smut like that of industrialized coal engines. However – it was compassionate, her concern and subtle behavior. A girl screaming to escape maiden life, but only knew it was disrupt order. “Her face was eager and mature and handsome; even her work with the scissors was over-eager, over-powerful. “The chrysanthemum stems seemed too small and easy for her energy.” Verily, she had the heart of a lion and the appearance of a virgin.
In order to discuss the decline in masculinity (or manhood) and moral values, synonym of religious values in both books, it becomes necessary to define what Late-Victorian society considered them to be. In Dracula, masculinity is defined almost exclusively by contrasting it with femininity. The men in the book are praised when they show the opposite qualities that women are described as possessing. While women are shown as obedient and complacent, men are stern and in command of themselves and situations. Men are expected to protect women while women expect and cherish the protection of men. While men are expected to face the unpleasant facts of life, the darkness and the evil, with integrity and courage, women are to be sheltered from danger to avoid the breakdown of their fragile characters. When the group headed by Van Helsing starts their mission of vanishing the Count and all the dangers he brings for England, the men unanimously decide to hide all the unpleasant facts f...
his goal is to bring back proof of the wolves decimating effect on the northern
Moers, Ellen. "Female Gothic: The Monster's Mother." Reprinted in Mary Shelley's Frankenstein. Norton Critical Edition. 1976; New York: W. W. Norton, 1996. 214-224.
Since the beginning of time, women have been seen as different from men. Their beauty and charms have been interpreted as both endearing and deadly to men. In the Bible, it was Eve’s mistake that led to humanity’s exile from the Garden of Eden. However, unlike in the Bible, in today’s world, women who drive men to ruin do not do so through simple mistakes and misunderstandings, they do so while fully aware of what effects their sexuality can cause. One thing remains constant through these portrayals of women, and that is that they are portrayed as flawed creations and therefore monstrous. It is a woman’s sex drive and sexuality that can lead to her monstrosity. The femme fatale is an enticing, exquisitely beautiful, erotic character who plays the ultimate trick of nature: she displays her beauty, captures the man and goes in for the kill. Films such as Adrian Lyne’s Fatal Attraction and stories such as Geoffrey Chaucer’s The Wife of Bath’s Tale, and Sir Gawain the Green Knight use the femme fatale as a means of making a woman into a monster; the femme fatale can never win in the battle of the sexes. But what is it that makes the femme fatale such a dangerously character for the hero as well as the readers or viewers?
on the gothic genre of the book, and her life is also mirrored in that
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
All five elements of purity in the Gothic genre have been deceived and destroyed in more ways than one. So whatever ideas of purity that anybody had before reading Ann Radcliffe's "The Italian," they are now completely altered and set in an entirely different genre. Do not always believe what you hear or see because you never know what deceptive or destructive element might be lurking around the corner.
In “Ashputtle”, the main ‘Cinderella’ character, Ashputtle, decides immediately she wants to go to a ball which the prince is throwing. She makes every effort to do so. She prepares her stepsisters while pleading with her stepmother for permission to attend. She secretly calls upon magical animals which she controls, namely birds, to perform her assigned work. When all of this fails to get her to the ball, she resorts to the use of magic again, this time to produce a stunning gown. Upon her arrival, the prince is immediately enamored with Ashputtle. Though the prince is perhaps not the brightest man, he a valuable and powerful asset for any poorer woman to be associated with. After placing the prince under the spell of her beauty and charming , Ashputtle fearlessly uses magic to inform the prince he has retrieved the wrong bride.
The obedience curse in Ella Enchanted and the desire for beauty in Fairest are reflective of the expectation imposed by the gender norms of society and the obsession with appearance. The young female heroine in The Paper Bag Princess defies the social norms of women by courageously saving her prince. Much like Lady Wendylyn in The Knight Who Was Afraid of the Dark faces her fears to help Sir Fed the brave female roles stand out as more than the damsel in destress or the needy princess waiting for her prince to sweep her off her feet. The plots of all four of these books present the reader with a strong female character and a non-conventional spin on the gender norms we expect to read in a
...the young girl prior to meeting the wolf, how the young girl strays from the ideals of femininity once she meets the wolf, and last, what is inherently not feminine as represented by the wolf and his masculine characteristics. The wolf does not naturalize masculine characteristics within the reader because he still acts somewhat like a wolf, he is used as a tool to further naturalize the ideals of femininity, by standing in stark contrast to them.
Women in the 18th and 19th century were expected to follow the orders of the males in their lives. They were forced into arranged marriages to connect families in a pursuit for social power and they were expected to abide by anything the males in their lives asked of them. Free will was nonexistent. Much gothic literature effectively highlights the women’s expected role of the time. However, another aspect that seems to surface in gothic literature is whenever there is a woman who is not following the social norms, they seem to be the driving conflict behind the plotline and ultimately lead to any present happy ending.
The Damsel has spanned throughout history as a popular archetype in literature, movies, and music. Through these forms of entertainment, The Damsel is portrayed as naïve, innocent, and feeble. In media, she eagerly awaits to be rescued and protected by a handsome prince, and live “happily ever after.” The Damsel has potential for greatness, yet only realizes it when guided by a prince. In addition to the naïve feebleness of The Damsel, the archetype originally symbolized purity, kindness, and an immunity to the taint of evil. In relation to romance, the light attributes of The Damsel encourages her to rely on herself, and recognize the qualities of a healthy romance. The shadow attributes of The