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Love in literature essay
Love in victorian literature
Love in literature essay
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Woebegone Lover and Wayman in Love
Although in an ideal world it would fit that our lover was a soulmate, most rational people would agree that this is not always the case. Tom Wayman's "Wayman in Love" details an encounter between a man and a woman that, although devoid of true love, the man feels has been a long time coming. Conversely, Carol Jane Bangs' "Touching Each Others Surface's" is the remembrance of a love that is no longer alive. Both of these poems explore the topic of physical encounters that possess no feeling. However, they do so from opposite ends of the spectrum. While "Wayman in Love" is the story of a one-night stand (and therefore devoid of real emotion), "Touching Each Other's Surfaces" is a tale of love long past.
Tom Wayman's "Wayman in Love" is a satirical look at the consequences of passion and sex through the eyes of one of the participants. Jut as the main character has finally succeeded in persuading a young lady to join him in passionate embrace, he feels the tug of conscience in the form of a nineteenth-century thinker who joins the couple under the covers. "I'm here to consider for you the cost of a kiss" (11), says the intruder, a gentleman by the name of "Doktor Marx". Since Wayman had previously been "locked in one of those embraces so passionate that his left arm was asleep"(2-3), it is clear that the young man is now having second thoughts about his one-night stand.
After the initial shock wears off, the main character is able to regain enough composure to break into Doktor Marx's outline of "costs" of the encounter. These costs are not limited to fiscal matters, but also include the eventuality of longterm commitment and the hinted possibility of sexually transmitted diseases (a...
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...and "Touching Each Other's Surfaces" both deal with a romantic encounter that is not based on love. Tom Wayman's poem is a story recounting the inner turmoil faced by a young man who has finally captured his sexual quarry. While Wayman does face the humiliation of losing his focus (among other things), his situation pales in comparison to that of the speaker in the poem by Carol Jane Bangs. "Touching Each Other's Surfaces" chronicles an act of passion, with no love to be shared anymore. Both of these poems show a wish that the moment would not end, and both speakers know that it will never happen again. However, for Mr. Wayman, the consequences are only a night of failed pleasure and embarrassment. For the speaker in "Touching Each Other's Surfaces," the love is gone and all that is left are the night and memories.
"Love is that condition in which the happiness of another person is essential to your own," said Robert Heinlein (YourTango). Affirmative, love can be really powerful in which the value of love from others is the greatest ecstasy in life. Love is existence everywhere around us; we are born to love and love to die with the love of family, lovers, and friends. In Galway Kinnell’s poem “After Making Love We Hear Footsteps” Kinnell writes about the love between parents and child, and it was published in 1980. Kinnell was born in Pawtucket, Rhode Island. He is married, and has a son and two daughters on his own, so that the poem “After Making Love We Hear Footsteps” is relating to his own married life as he mentions about his son, Fergus, in the poem. Galway Kinnell is an excellent poet for his poems are always “connect to the experiences of daily life” (Poetry Foundation). The main theme of this poem is the speaker of the poem portrays a serious and resentful attitude towards the speaker’s child interrupting their act of passion, but eventually leads into a sentiment of commitment and innocence when the speaker realized that the love of a child is significantly more important than sex. In “After Making Love We Hear Footsteps,” Galway Kinnell uses tone, diction and irony to express the humorous and admiring outlook of sex, and also the effects of children on sex intercourse.
Kim Addonizio’s “First Poem for You” portrays a speaker who contemplates the state of their romantic relationship though reflections of their partner’s tattoos. Addressing their partner, the speaker ambivalence towards the merits of the relationship, the speaker unhappily remains with their partner. Through the usage of contrasting visual and kinesthetic imagery, the speaker revels the reasons of their inability to embrace the relationship and showcases the extent of their paralysis. Exploring this theme, the poem discusses how inner conflicts can be powerful paralyzers.
“Love is pure, love is painful, love is sweet and love is dreadful” (“20 Interesting Facts”). Love has both up’s and down’s. How people prepare and react to love’s down will determine the outcomes. Poets throughout history have had difficulties with love, and Edgar Allan Poe, author of “For Annie,” and Rick Springfield, songwriter for “Jessie’s Girl,” are no exception. Poe and Springfield’s approaches on love are like peanut butter and jelly, they can go together, but do not mix. While Poe is the fault of his disconnection from love, Springfield has no control over his love life.
The victims evolve into the aggressors, destroying the values they once treasured—all for “three dollars ...
Poets often times share their opinions through their poems. It is not always easily understood. Poets use metaphors, similes, and play with their words to show how they feel about a certain situation. In “Sex without Love” by Sharon Olds, a lot of this comes into play.
Today, there are many different interpretations of the word love. Love could be as simple as a four-letter word, or as infinitude of caring and emotions. There is a difference between being in love with someone and loving someone; and a difference in the people you share that with. Love shared between two best friends or a husband and wife is the type of love you want to last for a lifetime, however, there is never a guarantee that it always will. But the love between a parent and child, or between any family members is the type of love that is infinite. In the poem, “After Making Love We Hear Footsteps”, written by Galway Kinnell, Kinnell creates a story about the love between two parents and their child. The author writes about this recognizable
Although their love has endured through many years, it has come to an end in the story. All throughout the story the couple is reminiscing about their life and while they are there are some odd details that are strewn throughout.
Gaitskill’s “Tiny, Smiling Daddy” focuses on the father and his downward spiral of feeling further disconnected with his family, especially his lesbian daughter, whose article on father-daughter relationships stands as the catalyst for the father’s realization that he’d wronged his daughter and destroyed their relationship. Carver’s “What We Talk About When We Talk About Love” focuses on Mel and his attempt to define, compare, and contrast romantic love, while leaving him drunk and confused as he was before. While both of my stories explore how afflicted love traumatizes the psyche and seem to agree that love poses the greatest dilemma in life, and at the same time that it’s the most valued prospect of life, the two stories differ in that frustrated familial love causes Gaitskill's protagonist to become understandable and consequently evokes sympathy from the reader, but on the other hand frustrated romantic love does nothing for Carver's Protagonist, except keep him disconnected from his wife and leaving him unchanged, remaining static as a character and overall unlikable. In comparing “Tiny, Smiling Daddy” and “What We Talk About When We Talk About Love”, together they suggest that familial love is more important than romantic love, which we relentlessly strive to achieve often forgetting that we’ll forever feel alone without familial love, arguably the origin of love itself.
On the other side of the spectrum Parker tells a story of an occasion where she received a single rose from an unknown lover. This poem is a love story but as the author suggests it is not a normal love story, the speaker wants more than the customary roses and romanticism every relationship has.
Some may say love is just an emotion while others may say it is a living and breathing creature. Songs and poems have been written about love for hundreds and thousands of years. Love has been around since the beginning of time, whether someone believes in the Big Bang or Adam and Eve. Without love, there wouldn’t be a world like it is known today. But with love, comes pain with it. Both William Shakespeare and Max Martin know and knew this. Both ingenious poets wrote love songs of pain and suffering as well as blossoming, newfound love. The eccentric ideal is both writers were born centuries apart. How could both know that love and pain work hand in hand when they were born 407 years apart? Love must never change then. Love survives and stays its original self through the hundreds and thousands of years it has been thriving. Though centuries apart, William Shakespeare and Max Martin share the same view on love whether i...
Love means different things to different people. Love kindles powerful emotions in every human being and yet it is truly unique for each of us. Today, love and sex are topics that together become very controversial and raise many questions in a society, especially a religious society. One of my favorite poems about love is “Sex Without Love” by Sharon Olds. In the poem, love becomes a contentious topic to write about because it is so particular for each particular person. Olds was raised by fiercely religious parents, which seems to have influenced her attitude towards sex. The poem quite passionately reveals Olds’ disgust for purely casual sex. Through literary elements such as syntax, metaphor, free verse,
This poem has captured a moment in time of a dynamic, tentative, and uncomfortable relationship as it is evolving. The author, having shared her thoughts, concerns, and opinion of the other party's unchanging definition of the relationship, must surely have gone on to somehow reconcile the situation to her own satisfaction. She relishes the work entailed in changing either of them, perhaps.
Philip Larkin’s poem “Talking in Bed” tells the truth about life and how relationships can slowly descend overtime. It explores the idea that no matter how close we are to someone, we can still experience intense depths of loneliness. The language emphasizes the feelings of what an empty marriage may feel like. The poem also gives the impression it is from the male’s perspective. It is written in four stanzas, each with three lines of ten syllables apiece. This makes it a short lyrical ballad. Through the tone, the language, and the imagery, Larkin is able to create a feeling in which he can effectively criticize and deconstruct the subject of innocence in relation to his current life experiences. There are many examples of imagery in this poem, all of which show two people in bed, lying close to each other, but somewhat distant in their relations as they realize how much they have changed. “Talking in Bed” also shows symbolism and lines that express multiple meanings by explaining the ultimate error throughout human history, man and wife living out their days with each other, yet being completely alone. They are not able to find the words that were once there, or knowing that the words that were once there never had true meaning.
So in these two Donne poems, "Elegy 19" and "The Sun Rising", various poetic structures are used to create a split atmosphere of both romantic love and sexual love, which coexist within the fabric of the poetry. Donne skillfully uses such forms as direct address, indirect address, both stanzaic forms conventional and unconventional, and adept language manipulation to convey two messages simultaneously, and in doing so he paints an accurate portrait of the reality of love: that there is always a mix of romantic and sexual sentiments in the relationships between lovers.
Cynthia Rylant, William Stafford, and Joni Mitchell all convey a similar message in their literature works.The story “Checkouts”, the poem “Fifteen”, and the song “Both Sides Now” all express the idea of romanticizing realities. In “Checkouts” the girl has “that moment” when she immediately falls in love with the bag boy after he breaks a jar of mayonnaise. This conveys the cliche of instant love, or seeing someone and immediately falling for them. The bag boy falls for her the same way at the same time. In “Fifteen”, the young teenage boy finds a motorcycle, engine running, laying on the ground. At that moment he imagines jumping on the motorcycle and riding away, over the hills and all the way to the end of the road. In “Both Sides Now”,