Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Critical essays about The Winters Tale
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Critical essays about The Winters Tale
For my extra credit I have decided to select the Winter’s Tale and discuss some of the horticulture aspects that were highlighted in its text. One aspect that was mentioned on our last quiz was the conversation between Perdita and Polixenes, in regards to “nature’s bastards” and regular carnations. I chose this particular topic because I found it fascinating and I was intrigued by the completely different perspectives of the two people. In the conversation they started arguing about which flower was better and more “superior”, the one with the striped and pied appearance that had been hand crafted, or the plain, solid colored one which was solely crafted by nature itself. Within this argument, the reader is able to infer that there is a plant
In Ethan Frome, the theme of winter is predominantly used, with its confining nature, to portray each character’s hardships. For example, the theme of winter is directly linked with Ethan Frome and the harsh conditions he has to endure to survive. To Ethan, the wintry snow in Starkfield seems elegant and appealing, but as he sees later on, the snow is unveiled as a major obstacle, preventing Ethan from achieving his dreams. Winter manifests itself as the ice, cold, and snow symbolically representing the isolation that Ethan experiences. As the narrator states “when winter shut down on Starkfield, and the village lay under a sheet of snow… must have been in Ethan Frome's young manhood,” The solitude that winter brings causes Starkfield to
Lehner, Ernst, and Johanna Lehner. Folklore and Symbolism of Flowers, Plants and Trees. New York: Tudor. 1960
Steinbeck, John. “The Chrysanthemums”. Literature: Reading Fiction, Poetry, Drama. 2nd ed. Ed. Robert DiYanni. New York: McGraw, 2008. 459-466. Print.
Beauty can be defined in many ways. Though, regardless of its definition, beauty is confined by four characteristics: symmetry, health, vibrancy and complexity. Michael Pollan, in the book The Botany of Desire, examines our role in nature. Pollan sets out to discovery why the most beautiful flowers have manipulated animals into propagating its genes. Most people believe that humans are the sole domesticators of nature, although, beauty in some sense has domesticated us by making us select what we perceive as beautiful. In flowers, for example, the most attractive ones insure their survival and reproductive success; therefore the tulip has domesticated us in the same way by insuring its reproduction. Whether it is beauty or instinct humans have toward flowers they have nevertheless domesticated us.
Throughout the Romanticism period, human’s connection with nature was explored as writers strove to find the benefits that humans receive through such interactions. Without such relationships, these authors found that certain aspects of life were missing or completely different. For example, certain authors found death a very frightening idea, but through the incorporation of man’s relationship with the natural world, readers find the immense utility that nature can potentially provide. Whether it’d be as solace, in the case of death, or as a place where one can find oneself in their own truest form, nature will nevertheless be a place where they themselves were derived from. Nature is where all humans originated,
The Snows of Yesteryear is a series of portraits of Gregor von Rezzori’s family including two of his significant nurses and their lives during the two World Wars and the time in between. His home city of Czernowitz was caught in the aftermath of the Austro-Hungarian Empire’s fall when it was continually handed over between Romanian, German, and Russian rule. Rezzori’s autobiography gives an in depth look into his family—materially privileged but emotionally fractured—with each chapter focusing on a person who was essential to his journey into manhood. Rezzori draws parallels throughout the novel of the dissipation of the empire—pre- and post-World War I—and the disintegration of the family. In comparison to Rezzori, Stefan Zweig’s The World of Yesterday is more successful in portraying the grievance of losing his homeland, Austria.
There are two settings for this story. The first and main setting is an eye appealing garden next to Giovanni Guasconti’s room which is located in Padua, Italy. This garden is used in this story as a symbol for the Garden of Eden. The garden is described by Hawthorne in such a way that the reader can almost picture a garden that is alive with vibrant colors and an array of flowering plants and shrubs. There are a variety of types of plants and herbs growing in the garden. Some of the plants are vines, some are growing in decorative urns, and some have grown wild until they were wrapped around statues (2217). The entire garden was “veiled and shrouded in a drapery of hanging foliage” (2217). The plants in the garden “seemed fierce, passionate, and even unnatural” to Giovanni (2225). Some of the plants in the garden “crept serpent-like along
Plants can teach us how to nurture living things and help people carry out their responsibilities in life.In Paul Fleischmen’s novel Seedfolks, two main characters who change because of the garden are Curtis and Sae-Young.Fleischmen’s vacant lot garden changes the lives of Curtis and Sae-Young, because the garden helps Curtis by gaining a better perspective of what he should do in life.Sae-Young was changed by the garden, because she felt like she was accepted and could socialize with others.
Beowulf is a very brave hero, he has fought and killed many creatures before, but this battle was different. He knew this battle was of great importance to everyone, and that made him that much more nervous. This creature was fierce and had been tormenting their village for as long as they could remember, so her death would be a huge victory for Beowulf and it would be an even bigger relief for the villagers. All of the people in the village were cheering for Beowulf as he walked away headed off to the greatest battle of his life.
...years later, it becomes clear that for all the emphasis put on art, on creation, and on mass production—nature is central to our human experience. We can symbolize this natural connection with art—but the art itself always harkens back to something that elicits an emotional response from the viewer. For Leontes, a statue of his presumably deceased wife, Hermione triggers a sorrowful reaction. Art indeed embellishes life as it does with flowers, but we are always working from some perspective, some emotion, before we are merely creating art. “The Winter’s Tale” takes on the challenge of investigating whether or not art can in fact breathe outside the womb of nature, and as we witness art break down, and nature hold the characters together, it becomes resoundingly clear that art seeks to react to nature, but that it cannot work without maintaining nature at its core.
One said, "Poetry is when an emotion has found its thought and the thought has found words." Four time Pulitzer Prize winning American poet, teacher, and lecturer, Robert Frost quoted this. Frost was born in 1874 and died in January of 1963. He lived in New England for practically his whole life, only moving to England for a short time to pursue his writing career in which he wrote many popular and oft-quoted poems. In his poem, "Fire and Ice", Frost uses imagery, diction and metaphors to create the themes of desire and hate, nature and its meaning, and opposites.
"The Chrysanthemums" introduces us to Elisa Allen, a woman who knows she has a gift for things, but can't make more use of it than to grow her chrysanthemums. She is trapped in the Salinas Valley, where winter's fog sits "like a lid...and [makes] the great valley a closed pot." Her human nature has made her complacent in ordinary life, but the short glimmers of hope offered by her flowers and a passing stranger reveal that there is more to Elisa than her garden. Her environment may be keeping her inside her small garden, but inside her heart there is a longing for more.
Spiritually, Snow White will complete her task through her journey with Christ. Her journey with Christ is the most prominent subconscious task that she will complete. When she enters the Dwarfs’ house, she sees “seven little beds…covered with spotless sheets” (Hallett, Martin, and Barbara Karasek 149). The repetition of the number seven is related to the seven deadly sins that she, as an innocent girl, has not had to deal with, and that’s why the sheets are spotless. As she matures and grows into a spiritual woman, she will have to overcome the temptation associated with the seven deadly sins. The first sins, Gluttony and Sloth, are shown when Snow White eats the dwarfs’ food and sleeps in their beds. The dwarfs are imaginative figures in her mind that represent the Holy Spirit within people of Christian faith. The dwarfs lead her away from the first sins that she comes into contact with because they tell her that she has to do the housework and cook if she wants to stay with them. This helps her move into maturity both spiritually and figuratively because if she continues to do the housework she won’t submit into laziness, and if she does the chores then it can help her to prepare for her duties as a wife or mother in the second stage of her life.
I picked up the large snow globe, admiring the precise detail of the miniature town inside. It showed the whole town just as it was today. Meyer’s, Target and Kohl's were all lined up as usual. Everything was the same. Except for one major detail. One, it wasn't filled with water and two, on the west side of town, instead of the store I was currently in, there was a golden gate. It had a tiny keyhole where you could unlock and open it. You could swing open the gate and take whatever was in the snow globe out. Compared to the gate’s small surroundings, it was huge. But to me, it was the size of a board eraser.
“‘Dead girl walking’ the boys say in the hall. ‘Tell us your secrets’ the girls whisper, one toilet to another.‘ I am that girl. I am the space between my thighs, daylight shining through, ... I am the bones they want, wired on a porcelain frame.’" (Lea, Wintergirls, pg. 19)