As a gazed at all the magnificent art the Montclair Art Museum contains, a painting by called Winter Spill by Philemona Williamson sparked my eye. This portrait is displayed on linen and painted with oil. The artist illustrated a black female striving to survive hectic conditions. This black female is shown clutching a bird which is wrapped in a torn beige cloth. Williamson describes the bird as “a compositional element with a good shape and color.” It looked extremely young and vulnerable. The young girl is shown laying on her stomach on ice, attempting to save her books with one hand while holding the bird in another. There is a circular hole in the ice which she attempted to punch in order to save her books from drowning. Personally,
Perhaps the most highly regarded of all Canadian portraits, the rendering of this mysterious woman sparks our curiosity through her captivating eyes and coy smile. She reappears in many of Varley’s paintings, and photographs by John Vanderpant, and later Harold Mortimer Lamb. An inspirational muse to many famous Canadian artists, her own worth as an artist is often underrated.
Alice Neel’s painting Suzanne Moss was created in 1962 using oil paint on canvas. As the title suggests, the painting depicts a woman’s portrait. Now resigning in the Chazen Museum in Madison, WI, this portrait of a woman lunging is notable for the emotional intensity it provokes as well as her expressionistic use of brush strokes and color. The scene is set by a woman, presumably Suzanne Moss, dressed in dull back and blues lounging across a seat, staring off to the side, avoiding eye contact with the viewer. The unique style and technique of portraiture captures the woman’s piercing gaze and alludes to the interior emotions of the subject. In Suzanne Moss, Alice Neel uses desultory brush strokes combined with contrast of warm and cool shadows
Mary Oliver’s unique responses to the owls illustrate the complexity of nature by displaying its two sides. Mary Oliver at first enjoys owls and all they have to offer, yet she later emphasizes her fear of a similar animal. The visual imagery she uses in her descriptions
In this tempera painting, he used matte opaque water based paints. Tempura paint is a fast drying, opaque matte paint which is inexpensive. Along with his use of tempura paints, he used paper-covered boards to create this beautiful painting. In addition, his use of vibrant colors is what brings this painting alive. In contrast, the “Alabama Plow Girl” is not a painting but an actual photograph taken by Lange. What is interesting is that the photograph is not in full color, but in black in white in contrast to the “Blind Beggars” painting, which has vibrant colors. Both Lange and Lawrence art works reflect on the theme of poverty and unfortunate circumstances of
The story “A Brutal Murder in a Public Place” by Joyce Carol Oates follows a person in an airport who hears a small bird but cannot seem to find it. Oates uses imagery and symbolism between the narrator and the bird to show how trapped and overlooked the narrator truly feels.
The name “black bird” is not a random happening, but carries its own meaning within the novel. The narrator calls the rare Maltese Falcon the Black Bird because it symbolizes Brigid’s façade built on lies and deception. Similar to the Maltese Falcon, which has a black coat covering the diamonds, Brigid selfish personality is hidden through her lies: Brigid “lied to [Spade] about [her] sister and all” in order to hide her true intentions of stealing the Black Bird. She utilizes her cunning mouth to hide everything true about herself: “You don’t think I had ...
Since its first appearance in the 1886 collection A White Heron and Other Stories, the short story A White Heron has become the most favorite and often anthologized of Sarah Orne Jewett. Like most of this regionalist writer's works, A White Heron was inspired by the people and landscapes in rural New England, where, as a little girl, she often accompanied her doctor father on his visiting patients. The story is about a nine-year-old girl who falls in love with a bird hunter but does not tell him the white heron's place because her love of nature is much greater. In this story, the author presents a conflict between femininity and masculinity by juxtaposing Sylvia, who has a peaceful life in country, to a hunter from town, which implies her discontent with the modernization?s threat to the nature. Unlike female and male, which can describe animals, femininity and masculinity are personal and human.
Through the novel Birdie Lee challenges herself to confront her own awareness of self, to understand her families blackness through the gaze of whiteness. Birdies physical appearance is known as a straight hair and pale child, which gave her an identity that is more closely to the whiteness within her family. Whenever she is in the presence of both her father and Cole, she often felt that she disappeared and becomes invisible. Cole existence “was the proof that his blackness hadn’t been completely blanched” (Senna 1998, p.56).
The story is about a friendly hunter who comes to a budding girl named Sylvia for help to find a bird for his collection. He offers her ten dollars. At first, she agrees because of the impression the hunter makes on her. Later, she has a revelation through her love for the forest and neglects to tell him where the bird is. Sylvia represents the purity of innocence and has a bond with the natural world. Many of Sylvia’s thoughts are associated with the ability to be free. This exemplifies the women’s rights activism that was happening in the 19th century. Sarah Orne Jewett develops her theme of the change from innocence to experience in her short story “The White Heron” through the use of imagery, characterization, and symbolism.
Margaret Laurence 's novel A Bird in the House is a collection of independent and intertwined short stories written from Vanessa MacLeod 's point of view. As an adult looking back on her childhood, the protagonist examines how she, and essentially everyone in her life, experiences a sense of entrapment and a need to escape. Because the author begins and concludes the novel with the Brick House, the major theme of escape is shown to have developed in Vanessa as she matures through childhood and adolescence and becomes an adult.
“After the Spill” is a documentary by Jon Bowermaster that shows the effects of the Deepwater Horizon oil spill. Mr. Bowermaster interviewed multiple people to further explain the connections between the state's support of the oil industry and the failed effort of the east bank to restore all wetland damages. Due to the interviews within the documentary the severe effects of both the oil spill and Hurricane Katrina were brought to my attention. Mr. Bowermaster also reveals the fears of the fishermen who have struggled against the effects of the two disasters. The movie was very inspirational and caused me to seriously think of a solution to this
Bird usually portrays an image of bad luck that follows afterwards and in this novel, that is. the beginning of all the bad events that occur in the rest of the novel. It all started when Margaret Laurence introduced the life of Vanessa MacLeod. protagonist of the story, also known as the granddaughter of a calm and intelligent woman. I am a woman.
Maya Angelou’s excerpt from her book “I Know Why the Caged Bird Sings” reveals the challenges facing a young black girl in the south. The prologue of the book tells of a young Angelou in church trying to recite a poem she has forgotten. She describes the dress her grandmother has made her and imagines a day where she wakes up out of her black nightmare. Angelou was raised in a time where segregation and racism were prevalent in society. She uses repetition, diction, and themes to explore the struggle of a black girl while growing up. Angelou produces a feeling of compassion and poignancy within the reader by revealing racial stereotypes, appearance-related insecurities, and negative connotations associated with being a black girl. By doing this she forces the
bird, is able to soar - through the prejudices of her traditions and through the
" University Of Windsor Review 16.1 (1981): 92-101. Print. The. Laurence, Margaret. A.S.A. & M.S.A. A Bird in the House. Toronto, ON: McCelland & Stewart, 2010.