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Symbolism in the work of August Wilson
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Ashleigh Schaefer English 4 Professor Lopez 20 October 2014 Poe’s short story “William Wilson” is a doppelganger story. In it, Poe explores what happens when one’s self is split in two. In typical Poe fashion this story is shroud in mystery/horror. Poe explores how terrifying it would be if there was somebody who looked exactly like you was constantly in your life. What happens when the doppelganger tries to take over your life? One of the largest mysteries of this text is whether or not there really is somebody who exists that’s William Wilson’s double or whether it’s just a figment of his imagination. If William Wilson’s double really is just a figment of his imagination does that make it any less real to the real Wilson himself? In some …show more content…
ways it doesn’t matter if Wilson’s doppelganger actually exists or not. The doppelganger still terrifies, haunts, takes over William Wilson’s life in a way that is very real to him. Psychological distress can be just as terrifying as physical distress. Poe explores what happens when the self is divided by unconsciousness and consciousness. The original William Wilson can be seen as the conscious of his mind. The conscious part in Jungian psychology is the ego. According to Jung, the ego is only a small part of what makes up a person. The ego is also the part of one’s self that creates the story the want to tell the world. The person that they show to the world is created by the ego. “his ego maintains an illusionary sense of hegemony over the shadow, disowning whatever does not fit into his definition of self”. Explain more Jungian ideas of the ego here! According to Jung the unconscious contains the “shadow” of one’s self. This shadow is made up with rejected parts of the self. The ego considers the aspects that make up the shadow a threat, which causes these negative aspects of one’s personality to be buried and repressed in the trash bins of one’s unconscious. The shadow is formed when the ego rejects certain facets of personality they deem “negative”. “Jung left open the possibility that the shadow could also contain anything the ego finds threatening and thus rejects”. Within the shadow lies “sexual aggression, jealousy, vanity, self-centeredness, and any other negative trait”. What the ego deems negative is often influenced by the society that they live in. The shadow is not active unless the ego’s defense barriers are down. Like in the film Fight Club, when Jack’s (CH) alter ego Tyler Durden comes alive at night. The unconscious can only be active when the conscious is turned off. When there is a conflict between the conscious and unconscious that remains unresolved this is when inner conflict occurs.
If the conflict between the two selves is resolved then it makes room for an expanded self. However, if a conflict remains between the two ideals then a conflict similar to that seen in “William Wilson” can occur. The conscious or ego can only make room for the unconscious or shadow. The ego can never completely eliminate it. To destroy it would be to seriously destabilize one’s psychological identity. “William Wilson is a self whose identity is informed by two voices, each vying for dominance, each attempting to subjugate and subvert the other” (32). As the story progresses, William Wilson wrestles more and more with his conscious and unconscious taking over. The wrestling between these two parts of William Wilson’s brain can be seen as Wilson wrestling with doing what is right or wrong. The episodes with his doppelganger get progressively worse as Wilson makes progressively worse moral decisions until the very end. This can be viewed as Wilson succumbing to his unconscious/morally wrong desires. The doppelganger always appears as a voice to Wilson explaining what is right or wrong. According to Jungian terms, Wilson can be viewed as the ego and his doppelganger can be viewed as his …show more content…
shadow. In the beginning of the story Wilson’s doppelganger seems to only appear to him. He torments Wilson on the playground but “why the school, indeed, did not feel his design, perceive its accomplishment, and participate in his sneer, was, for many anxious months, a riddle I could not resolve” (230). This is the first evidence in the story that Wilson’s double might not be an actual person. For months Wilson’s doppelganger was picking fights with him but none of his other classmates seemed to care or notice. Wilson also becomes jealous of his doppelganger because the doppelganger takes over Wilson’s mastery over the students. Wilson mentions that the doppelganger never raises his voice above a whisper, which can also be evidence that he is not a real person. The fact that the doppelganger never raises his voice above a whisper can be seen as him literally being the voice in Wilson’s on mind telling him what is right or wrong. Although the doppelganger torments Wilson he states “in spite of the continual anxiety occasioned me by the rivalry of Wilson, and his intolerable spirit of contradiction, I could not bring myself to hate him altogether” ( Poe 229). Despite Wilson’s doppelganger tormenting him at school he can’t completely hate him. In Poe’s school days more evidence is provided that the doppelganger is not a real person but instead a figment of Wilson’s own over active imagination. As Wilson becomes an older student his interactions with his own doppelganger grow more and more violent. After one particular violent altercation with his doppelganger Wilson notices “something which first startled, then deeply interested me, by bringing to mind dim visions of my earliest infancy---wild, confused, and thronging memories of a time when memory herself was yet unborn” (Poe 231). Something in Wilson’s doppelganger stirs up the memories from a long time ago. Wilson goes on to say that at this moment he had a feeling that he knew his doppelganger. There was something that made him feel like he had a deep connection with his doppelganger. After this violent altercation Wilson decides he is going to play a practical joke on his doppelganger. Wilson’s practical joke is a way for him to get revenge with the doppelganger. An act of revenge can be considered something that is morally wrong. Wilson finally comes upon his doppelganger’s room and just as he enters the room his overtook by an “intolerable horror” (Poe 232). Wilson walks over to the bed and places his lamp over his face; to his surprise his doppelganger looks completely transformed in the dark. It terrifies Wilson. Wilson cannot believe that this is the same man who is trying to pass as him. Wilson states, in surprise, “Were these-these the lineaments of William Wilson? I saw, indeed, that they were his, but I shook as if with a fit of the ague, in fancying they were not” (Poe 232). There is something different about the doppelganger’s appearance. This is another moment in the short story that can be used as evidence to show that the doppelganger is not real.
It’s as though Wilson is projecting himself onto another student. If the doppelganger was real why would there be a sudden change in his appearance? The symbolism between the light and the dark in this particular scene can illustrate Wilson’s own fight between his good and his evil side. The darkness, where the doppelganger is, can be seen as Wilson’s own dark side or shadow. There’s a side to Wilson that literally looks different in the dark. Wilson walks in with a lamp, the only source of light in the dark room. However, the horror and evil of Wilson’s shadow win over in this scene and Wilson extinguishes his lamp before leaving the room. This can be seen as Wilson literally succumbing to his shadow and his own dark side. It can be seen as an extinguishing of his ego
(RIGHT?). After this scene in the story Wilson himself becomes more corrupt and evil. From this point on in the story, after he extinguishes his lamp, Wilson makes more immoral decisions. He gets drunk frequently, gambles, tricks people out of their money, and eventually tries to have an affair with a married woman. As Wilson becomes older and drinks more he states that he has given himself “up entirely to wine; and its maddening influence upon my hereditary temper” (Poe 237). There is something within Wilson that is violent and angry, he has been suppressing it for years. However, the alcohol brings out the dark side or shadow. The final scene in the story shows that Wilson has finally succumbed to his evil tendencies (CHECK). The final scene takes place at carnival in Rome. Wilson is at the carnival celebrations and is attempting to meet up with a married woman. The woman told Wilson what she would be dressed up as and Wilson notices someone wearing those same clothes. However, it turns out not to be the wife but Wilson’s doppelganger instead. Wilson is so angry “he turned at once upon him who thus interrupted me, and seized him violently by the collar” (Poe 238). Wilson becomes so enraged and angry at his doppelganger that he decides he will kill him once and for all. Wilson stabs his doppelganger and thinks that he has succeed in killing him but he is not successful. Wilson sees a mirror and “stepped up to it in extremity of terror, mine own image, but with features all pale and dabbled in blood” (Poe 238). Since the doppelganger was not a real person Wilson killed himself. The ending can be seen as Wilson finally succumbing fully to his shadow. This is what happens when the shadow and ego do not acknowledge each other.
Characterized by constitutionally-limited government, an emphasis on (and a wide-spread popular ideological enshrinement of) individual civil rights and liberties, and economic policy exhibiting strong laissez-faire overtones, the American political system certainly warrants the designation liberal democracy. This designation distinguishes the United States from similar advanced industrial democracies whose political systems lend themselves to preserving the public welfare rather than individual rights. With their government bound to precepts established in a constitution drafted and revised by a group of tyranny-fearing individuals, the American populace enjoys one of the most liberal, unrestrictive governments
Freedom of Speech is a fundamental right that makes America the “land of the free.” But this right is abused by many people, and Philip Malloy is one of those individuals. Philip Malloy’s First Amendment Rights regarding his Freedom of Speech were not violated because there was a rule that he was informed about multiple times, but he still disrespected it.
Have you ever wondered where you would be right now without going to high school? From the book “The Other Wes Moore” by Wes Moore, the author tells the story of himself and another boy named Wes Moore living in Baltimore who came from a similar background and community. Wes Moore the author tells the story of himself and how his way of life was and how one choice changed his life forever. And for the other Wes Moore, the author tells us his way of life growing up was and how one wrong decision defined his future forever. The author’s point in this book is to show how your choices that you make in life will affect you in the future. Therefore, the author Wes Moore tells the story of himself, the other Wes Moore, and the decisions that are made in their lives that changed their future.
Children fool around every day with parental supervision always there to catch the youth when they are at risk of vulnerability. Without parental supervision, they need to be self-conscious of their own well-being. Once a child becomes an adult, they learn to take their own path through life with no safety net and to take responsibility for their own actions, unlike Chris McCandless. The novel, Into the Wild, by Jon Krakauer, exposes a cocky and arrogant, Chris McCandless, who is to blame for his own death, because he lives a life of taking risks, and depends on those that care for him to save him from the edge of disaster.
In our reading we have met cheaters, liars, killers, and bullies. I believe that the worst character we have encountered is Tom Buchanan from The Great Gatsby by F. Scott Fitzgerald. Tom is an abusive and arrogant man. He is different from Kino, whose decisions were backed by pure intentions. Kino wanted a good life for Coyotito, but Tom is just a selfish man. His intentions are rooted in pride, arrogance, and greed. In my opinion, this makes him a worse character.
Self could be defined in different ways. In John Perry’s “dialogue on personal identity and immorality”, both characters Weirob and Cohen are correct on their argument of personal identity, there are just some imperfections on each of the views. My view of “persons are identical with brains” fills the gaps of ideas of them. Brain is the junction that could bring mind and
Journalist Jon Krakauer reassembles the fact of life of a young man who leaves his family and society to find true himself. Krakauer intends to reveal Christopher McCandless’s character and nature by interacting people who influenced him. The more people were attached to him, get to know more about him in depth; those who know him from outside often refered him as careless. In the book Into the Wild Krakauer presents McCandless as modest and caring person whereas other may see him as thoughtless.
While I can appreciate Thomas Peyser’s historical view on “William Wilson,” I believe the story corroborates the psychological perspective. “Poe’s William Wilson and the Nightmare of Equality” by Thomas Peyser offers a historical perspective on “William Wilson. A Tale.” He believes that “William Wilson” is a political allegory, rife with satire, illustrating Poe’s aversion to equality (Peyser 101) Peyser considers “Wilson’s account of his relations with his parents” to be an “allegorical rendering of the colonies’ revolt against a vacillating mother country riven by political strife” (101). He argues that William Wilson represents colonial America, and his “‘feeble and ill-directed’” parents assume the role of Great Britain (Peyser 101). Furthermore, he asserts that the semblance betwee...
The narrator William isn 't the best person to people he 's a bully and by the other William coming in Poe is trying to show the narrator how he acts. William has an alter ego and by having another William in the story Poe is trying to help him understand his actions. The main example of self-loathing in William is throughout the whole story, instead of trying to understand the other William he is constantly arguing with him and doesn 't even realize he was in a fight with his own self. Evil plays a role in this story because of Williams’s actions throughout it. At the beginning of the story William is torturing a boy at school and continues to torture people throughout. Evil is also in this story by Poe there’s a certain evil to it that
Freud, S., & Strachey, J. (19621960). The Ego and the Super-ego. The ego and the id (pp. 19-20). New York: Norton.
August Wilson’s The Piano Lesson, tells a story of a family haunted by the pain of their past and their struggle to find peace to move forward. The story begins with character Boy Willie coming up from the south visiting his sister Bernice. Boy Willie introduces the idea of selling the family’s heirloom, a piano, to raise enough money to buy the land on which his ancestors were enslaved. However, both Boy Willie and his sister Berniece own half a half of the piano and she refuses to let Boy Willie sell it. Through the use of symbolism, Wilson uses his characters, the piano and the family’s situation to provide his intended audience with the lesson of exorcising our past in order to move forward in our lives. Our past will always be a part of our lives, but it does not limit or determine where we can go, what we can do, or who we can become.
Carl Jung was a disciple of Sigmund Freud, despite the two having conflicting ideas. One of Jung’s most well known and accepted theories was the existence of different types of archetypes in the brain. These include the ego, which is where our conscious awareness and sense of identity reside, and the shadow, which is the part of the unconscious mind consisting of repressed weaknesses, shortcomings, and instincts. In the novel A Separate Peace, by John Knowles, the protagonist Gene exemplifies the shadow, while his friend, Finny, personifies the ego. The author narrates through the shadow, though he clearly supports the ego. However, he also makes it apparent that it is wrong to be dominated by either archetype.
McKay expresses his enemy as a pack of dogs, stating that they are “mad and hungry dogs”. He also states that the pack of dogs mock their prey. The dogs are supposed to represent the white men and how they treated African Americans at the time. The poem is simply stating let us (African Americans) die in peace and do not push us to death or torture us. This poem acts as a call to action for African Americans to rise up and not let the whites treat them like this.
The narrator's life is filled with constant eruptions of mental traumas. The biggest psychological burden he has is his identity, or rather his misidentity. He feels "wearing on the nerves" (Ellison 3) for people to see him as what they like to believe he is and not see him as what he really is. Throughout his life, he takes on several different identities and none, he thinks, adequately represents his true self, until his final one, as an invisible man.
Man may look and act a certain way on the outside but could be completely the opposite in actuality. The nature of man consists of sin, which is concealed by a mask of goodness and virtue. Society teaches humans to mask the evil tendencies we have and to only convey their angelic sides to the world. The doppelgangers that these characters carry with them do not stay tucked away forever; rather they slowly show themselves through their actions and the decisions that they make. The suppressed half is the gateway to understanding the entire person. Without the good part in people, there is no bad; without the evil, one can never fully know the person as a whole.