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Analysis of twelfth night as a shakespearean comedy
Analyse a play Twelfth Night by Shakespeare
Analysis of twelfth night as a shakespearean comedy
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William Shakespeare's Twelfth Night In 'Twelfth Night' Olivia's trusted steward Malvolio, like Sir Andrew, is the 'butt of comedy'. His very name suggests 'ill-will', which echoes his role in the play. Malvolio is an egotistical, "overweening rogue", who is a straight laced, puritanical, social climbing rebuker of others for their anti-social and often sinful behaviour, or as he put it, "misdemeanours". Malvolio's character is summarised excellently by Maria in Act II Scene III: The devil a puritan that he is, or anything, constantly, but a time-pleaser, an affectioned ass that cons state without book and utters it by great swarths; the best persuaded of himself, so crammed, as he thinks with excellencies, that if is his grounds of faith that all that look on him love him. The positioning of this speech and its venomous tone is meant, without doubt, to prime the audience, and to turn the audience's neutral feelings towards Malvolio to ones of somewhat unjustified hatred considering the small amount that we have see...
Malvolio’s unfortunate issue is a warning tale of ambition overcoming good sense. At the close of the play, he is brought out of the darkness into a celebration in which he has no part, and where no one seems willing to offer him a real apology. “I’ll be revenged on the whole pack of you,” he snarls, stalking out of the festivities (V.i.365). His exit strikes a jarring note in an otherwise joyful comedy. Unfortunately, I do not believe Malvolio has no real place in the anarchic world of Twelfth Night, only to suggest that333 someone must suffer while everyone else is happy.
William Shakespeare's A Midsummer Night's Dream In the following essay I am aiming to show how Lysander's claim that 'the course of true love never did run smooth' is supported by other events in the play. "A Midsummer Night's Dream" was written by William Shakespeare. No one knows the exact date it was written but we know it was between 1589 and 1595. He combines romance with comedy to produce this popular story.
when he gets bored of it then he tells him to stop, just like that.
Hermia , Lysander , Helena and Demetrius represent young love in Shakespeare’s A Midsummer Night’s Dream . They are potrayed as foolish and fickle , acting like children and requiring a parental figure to guide them . The parental figures are Hermia’s father , Egeus , and figuratively Theseus , the mortal ruler , and Oberon , the mystical ruler.
Andrew is funny, it is not intentional. His faults include a lack of wit, a
In William Shakespeare’s Twelfth Night, Malvolio is considered an outcast by almost everyone in the play. He doesn’t act the same way that any of the other characters act, in that he doesn’t participate in any of their activities, he enforces rules that the others could care less about, and he is just overall a socially awkward guy. Malvolio not only claims to adhere to the rules of the household himself, but uses his relations with Olivia to try and help make the others follow the rules as well. This upsets certain characters more than others. For instance Sir Toby, Sir Andrew and Maria find his behavior particularly detestable. But Malvolio’s strict coherence to the rules allows him to have a rather high position in Olivia’s household. While Malvolio may be considered a social outcast to most of the characters in the play, Olivia considers Malvolio to be a very trusted steward of her household. For these reasons Malvolio is not only a social outcast, but an outcast that Shakespeare uses to keep people interested in his play.
and does not like a boring life. An evidence to prove my point is when
William Shakespeare's Twelfth Night as a Feminist Play The play Twelfth Night was written in the Elizabethan days, near the end of the ruling of Queen Elizabeth I. It was also during The Renaissance, which is also the rebirth of learning, which this play was born. It was a period of change, questioning and vitality. People no longer believed everything they were told, but tried to find things out for themselves. As to whether Twelfth Night is a feminist play, would have several differing points to show against or for it.
In Twelfth Night the relationships are anything but romantic. Shakespeare writes from the male point of view which implies an un-easy split between love and physical charm. In Twelfth night the romance is falsely produced by selfish desire. Duke Orsino and Viola stand out from the other relationships. By questioning the relationships between the other couples, Shakespeare highlights the true love between Viola and Orsino and the fake relationship of Malvolio and Olivia which is truly based on Malvolio’s desire of a higher status , despite his status and his personality , Malvolio tries to impress Olivia by dressing up in ridiculous clothes , which does far from his aim , and repulses Olivia.
After my school production of "Twelfth Night", nothing was the same. I gained a whole new way of thinking, a whole new purpose in my life, and had finally realized that acting was the thing I needed to pursue. All throughout my experiences in high school, I struggled to find my purpose, however, this one play, this one spectacular comedy by William Shakespeare, awakened me in a way that nothing ever had. It was as if a spark in my head finally struck and originated the fire I was seeking, giving me the passion and inspiration that I needed, this of which I could only access a portion of throughout any other performance.
The Role of the Fool in Twelfth Night by William Shakespeare In English Literature, a fool is a person professionally counterfeits. folly for the entertainment of others. They are always regarded as comic figures, which provide mediation under tensional circumstances. As Twelfth Night is an atypical romantic comedy, the jester is not the.
Shakespeare’s play Twelfth Night revolves around a love triangle that continually makes twists and turns like a rollercoaster, throwing emotions here and there. The characters love each another, but the common love is absent throughout the play. Then, another character enters the scene and not only confuses everyone, bringing with him chaos that presents many different themes throughout the play. Along, with the emotional turmoil, each character has their own issues and difficulties that they must take care of, but that also affect other characters at same time. Richard Henze refers to the play as a “vindication of romance, a depreciation of romance…a ‘subtle portrayal of the psychology of love,’ a play about ‘unrequital in love’…a moral comedy about the surfeiting of the appetite…” (Henze 4) On the other hand, L. G. Salingar questions all of the remarks about Twelfth Night, asking if the remarks about the play are actually true. Shakespeare touches on the theme of love, but emphases the pain and suffering it causes a person, showing a dark and dismal side to a usually happy thought.
largely about, the need for a balance in life, that you should not judge on
William Shakespeare’s Twelfth Night, which is commonly believed to criticize society’s romanticized idea of love, demonstrates that even though love may seem unachievable, it is still possible to find it even in the most unlikely places. Shakespeare illustrates this idea in Twelfth Night through the characters Antonio and Sebastian by subtly suggesting that Antonio and Sebastian are more than just friends. It is Sebastian’s physical beauty that attracts Antonio to him, which leads him to devote himself to Sebastian as a sign of love. Antonio’s love for Sebastian grows to obsession; however Sebastian considers their friendship to be completely plutonic. In addition Sebastian generally tries to save Antonio from his own desire; however he does a bad job by leading him on unintentionally due to his passive nature.
Malvolio is presented by Shakespeare as a serious puritan. The audience find his seriousness amusing when it is placed in contrast with the comedy provided by other characters such as Belch. Although Malvolio is only a servant, he is described to be pretentious and overly confident. Maria, who is another character of a similar status in society, uses other characters – Belch, Aguecheek and Fabian – to plot to ridicule Malvolio in front of everyone, especially Olivia. This ridicule is effective because the audience will laugh at a fool and Malvolio becomes a fool for Olivia’s love. Shakespeare tries to encourage the audience to laugh at Malvolio's puritanical ways as well as his wish to raise his status and he uses comedy features such as dramatic irony, physical comedy, word play and satire to aid Malvolio’s characterisation. However, Malvolio does ultimately invite our sympathy.