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Comparing gertrude and ophelia
Comparing gertrude and ophelia
Roles that women play in hamlet
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“Hamlet thou has cleft my heart in twain”
Most productions present Gertrude and Ophelia as sympathetic victims of Hamlet’s cruelty. As your starting point, refer to either the closet scene or the nunnery scene and, paying close attention to the language, show how it reveals the interaction between Hamlet and the women characters here and throughout the play.
Referring to Hamlet’s portrayal of a cruel character, the major victims that first come to mind are Ophelia, his girlfriend possibly his future wife and Gertrude, his mother.
The significance of Hamlets attitude and behaviour shows an important aspect of the play in the relationship with two women. It shows clearly intense relationships which cause Hamlet a certain amount of pain. He is ‘trying’ to portray madness in his character with Ophelia in the nunnery scene and with Gertrude in the closet scene. Perhaps the reason of madness towards Gertrude is the fact that she has married his uncle. The reason behind the cruelty towards Ophelia could also be the fact that it is a kind cruelty trying to push Ophelia away from him.
In the scene known as the closet scene we can see Hamlet and Gertrude alone altogether. He starts with an accusation “You are the queen, your husband’s brother’s wife...” Shakespeare uses such language in order to strengthen Hamlet’s character, which tries to trap Gertrude, informing her of the incestuous performed by her with her husband’s brother. This dialogue in its own sense creates the atmosphere and the theme of the scene. Gertrude in her own self does fear Hamlet “What will thou do? Thou will not murder me...” this emphasises on the fear held within Gertrude, maybe it is the body language or rather face expressions of Hamlet towards Gertrude which causes to outbreaks the fear within her. As Hamlet kills Polonius, the uncertainty in the atmosphere becomes as strong as Hamlets anger, in this case we can say that it’s more of his madness which is portrayed. It shows to what extend he may go to take revenge, despite the fact that he is creating this commotion in the presence of his mother. Another factor is that he could be showing his power in order to prove a certain point to his mother, that he the dominant person of the conversation. Knowing the fact that he is holding a knife, yet he attempts to put the knife through the curtain, leading to the killing of his own love’s fa...
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...refore whilst a woman was unmarried of her young stage of life, her life would be controlled by her father. As she would get married her life would then be controlled by her husband. Women had no power and were subject to the authority of men.
This shows why Ophelia had to obey her father Polonius and do as he said, because at the time she had no choice considering the time they were living in. perhaps what Hamlet really wanted from Ophelia is to forget the love they shared and move on, because they future may have held nothing in store for Ophelia and Hamlet. Hamlet in his own position devoting all his attention towards taking revenge, he would want his mother’s side and to be away from Claudius. Gertrude in another sense had to marry the king, to stay within the royal family, and re-gain the status that she had lost by the death of King Hamlet.
BIBLIOGRAPHY
• “HAMLET PRINCE OF DENMARK”
Edited by Philip Edwards
• “HAMLET”
York Notes
• Cambridge Student Guide
Rex Gibson
• Class Notes on Hamlet-English Literature
• Oxford Dictionary
Hamlet has the disillusion that women are frail after his mother’s rushed remarriage as shown by “Frailty, thy name is woman!” He also believes women do not have the power to reason. (“O God, a beast that wants discourse of reason.”) Ophelia has the power to change his view but her unexplained rejection of him only adds to Hamlet’s disillusion. The ghost’s revelation that Gertrude dishonored Hamlet’s father but also their marriage by the adultery with Claudius is contemplated by Hamlet until he goes into Ophelia’s room to look upon her. As Hamlet searches Ophelia’s face for some sign that might restore his faith in her, he instead believes her face shows guilt and thinks she is another false Gertrude.
Hamlet shows much anger and disrespect to the women in his life. Ophelia’s believing her father’s words breaks Hamlets heart, being the reason for his treatment towards not just her but his mother. Ophelia
While Ophelia crumbles under depression, taking her own life, Hamlet overcomes his troubled mind and faces reality. “Oh that this too too solid flesh would melt, thaw, and resolve itself into a dew! Or that the everlasting had not fixed his canon ‘gainst self-slaughter! O God! O God!” (Ham. 1. 2. 129-32). Where Ophelia turns her feelings of anger inward, Hamlet turns his anger outward, lashing out at others. “There are overtones here of the slang meaning of “nunnery” as “whorehouse,” but primarily Hamlet consigns Ophelia to a life of pious chastity. Yet in effect, he is murdering Ophelia, and starting her on the path to suicide” (Bloom 41).
It all can be traced back to the murder of his father. This grief Hamlet has worsens his relationship with Gertrude, which makes him feel as though she is letting the murder of her first husband go without mourning. In conversation with the ghost of his father, Hamlet declares, “O most pernicious woman! / O villain, villain, smiling, damned villain!” (1.5.112-3). Hamlet is blaming Gertrude as a murderer by calling her a villain, highlighting his disdain of her actions. By focusing on Gertrude’s character instead of Claudius’s villainous nature, Hamlet cannot see the difference in their actions. Hamlet then comes to the conclusion that each of them played a role in the murder. As a result, Gertrude is weak because of the way Hamlet views her as a villain and this view oppresses her because she is put down by her own son, even though Gertrude was not directly involved in the
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
The reader is left guessing on Hamlet’s true feelings for Ophelia through his various insults, sexual innuendos, and admitted desire. Hamlet’s claim, “God hath given you one face, and you / Make yourselves another.” (3.1.155-156) is laced with irony and hypocrisy given Hamlet’s own deception regarding true feelings. This proclamation comes at the end of a lengthy tirade against Ophelia and womankind in general for their conniving deceit leading men astray. The fact that Hamlet cannot see this duplicity in his very own actions shows the double standard he holds for females. Ophelia’s immediate reaction is one of shock and defense due to the aggressive nature of Hamlet’s attack. She calls out “O, woe is me!” (3.1.174) in distress to the ferocity of Hamlet and is unable to form a particularly coherent response akin to the ones seen against Laertes and Polonius. She does show her intelligence and rebellion from this assumption of power by Hamlet in her songs while Hamlet is gone. While many attribute her madness to the death of her father, a large portion of her instability should be attributed to Hamlet and his earlier actions. In her first introduction as insane she sings, “And I a maid at your window, / To be your Valentine. / Then up he rose and donned his clothes / And dropped the chamber door, / Let in the maid, that out a maid / Never departed more.” (4.5.55-60). Due to her references to sexuality and deceit the
In William Shakespeare’s Hamlet, women are oversexualized, and are given no role other than to be the item of a man’s desire. The promiscuity of the only two women in the play, Gertrude and Ophelia, detracts from their power and integrity, and allows Hamlet a certain amount of control over them. Gertrude’s sexual lifestyle is often mentioned by her son, Hamlet, and Hamlet uses his knowledge of Gertrude’s sexuality as a means to criticize her. Ophelia’s sexuality initially appears to be controlled by Laertes and Polonius, and Hamlet takes advantage of the naive image that she is required to keep. However, in her later madness, Ophelia taints this image by revealing that her innocence is feigned. By exposing the sexual natures of both Gertrude and Ophelia, Hamlet strips these women of any influence they may have had, and damages their once-honourable names.
...nly woman he only loved and Hamlet lost Ophelia the only woman he truly loved but was foolish enough to tell her the whole truth before she passed. Interestingly enough both of our protagonists were forced to experience not only the death of their true loves but also society’s silent disdain on the fact that they committed suicide.
At times it seems that Gertrude does not know or pretends not to know why Hamlet is so angry with her and with Claudius ('What have I done, that thou dar'st wag thy tongue/ In noise so rude against me?'). At other times she seems to know exactly what is troubling him ('His father's death and our o'er-hasty marriage', II.2.57). But Hamlet, too, does not come clean directly. He does not confront her with the murder, but rather sets out 'to wring her heart' (III.4.35), and plays upon her emotions rather than on her reason. Instead, he shows her two pictures, and compares at great length his father with his uncle (55 ff.). In this long speech, the son touches on many matters so delicate that critics can be forgiven for detecting more than a whiff oedipal sentiment in Hamlet himself. He plays on his mother's sense of shame, even bringing her eroticism or lack of it into play, and culminating in a vision of his mother making love in a bed stained with semen - not a pretty sight:
Gertrude was Hamlet’s mother. She was a selfish and evil woman. She cheated on Hamlet’s father with Claudius, Hamlet’s uncle. She married Claudius a month after her husband’s death. Gertrude wanted Hamlet to stop his grieving. She told Hamlet, “thou know’st ‘tis common, all that lives must die, passing through nature to eternity” (I.2.72-73). When Hamlet was depressed and grieving, it reminded Gertrude of the terrible sin she had committed. She wanted Hamlet to be happy just so she could feel better about herself. Throughout the play Gertrude’s motives do not waiver; she looks out for her own well being.
Hamlet’s sense of betrayal by Gertrude, although briefly taking him off course, ultimately infuriates and intensifies his urge for revenge. Because of Gertrude’s refusal to acknowledge her sins, Hamlet becomes even more personally motivated to kill Claudius for revenge. Queen Gertrude, though ignorant, has a huge impact on the play because her betrayal and abandonment motivates Hamlet to get revenge. When writing Hamlet, Shakespeare created a complex play that relies on the roles of two important women to aid the progression of the plot. Although Queen Gertrude and Ophelia rarely speak, they function as a way for the men to become informed about Hamlet’s mental state and motives for madness.
One of the most unique things about the play Hamlet (with Hamlet playing the main character) is the way relationships between the main and lesser characters have not changed from Shakespeare's time period in which he wrote this play to the modern dilemmas of today. The character Hamlet relates through individualism of self to others in the play and Shakespeare uses this confusion of self and nature thus assuring many types of readers who can relate to his Hamlet characterization. Hamlet portrays himself with all his human flaws, but it is this humanity that makes him distinctive from everyone else in the story. In addition, all of Hamlet's waking hours are preoccupied with his own thoughts thus adding more intensity to his feelings and perceptions about where he sees imperfections, worry and tension as well as confusion, but without a doubt it is these human qualities which makes his situation so impossible for him to resolve easily. Another tragic role of the play is its irony. The irony allows the storyline to show humor as well as the cause and effects of each action taken. There is usually little reason for a tragedy to be funny so Shakespeare has used this type of humor to add more irony to the already tragic events of the play. Pause for thought is in the types of conflict that play a major part in the play and the relationships between Hamlet and the two people who have been closest to him; being Ophelia and the ghost.
Gertrude influenced Hamlet significantly throughout the course of the play. Hamlet was very angered by his mother's remarriage. A few months after his father's death, Gertrude married Claudius, Hamlet's uncle. He was driven mad when his father's ghost appeared to him and revealed that Claudius was responsible for the death of Old Hamlet. Hamlet even termed the marriage as incest. Hamlet's fury is displayed when he throws his mother on the bed and says, "Frailty, thy name is woman" (Act #. Scene #. Line #). This shows his extent of anger because he makes a generalization that all women are weak. As a result of his mother's actions, Hamlet strives to seek revenge against Claudius for the death of his father. In order to marry Gertrude, Claudius kills his brother. Therefore, Gertrude is the driving factor for the whole setup of the play.
Gertrude, Hamlet’s mother can be seen at the beginning of the play as an overprotective mother, this is a driving force that led to Ophelia’s death. Near the beginning of the play, after a meeting with the state, Gertrude is seen tell Hamlet to stop overreacting, “Good Hamlet, cast thy knighted colour off, And let thine eye look like a friend of Denmark; Do not for
In the play “Hamlet,” Gertrude and Ophelia share similarities and they are also contrasting characters. Gertrude, the mother of Hamlet, is a loving, honorable, protective mother. Ophelia, Hamlet’s love interest, is young, foolish, and underestimated. One of the main stances, to which they both contrast, is their love for Hamlet.