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Themes in lord of the flies essay
Themes in lord of the flies essay
Themes of the novel Lord of the Flies
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Literature can cause a reader to burst into laughter, tears, and fits of rage uncontrollably. This is possible because structure. Authors use structure to make the reader go through an emotional rollercoaster with the characters, and therefore it helps a reader relate more closely with them. William Golding expertly applies this to his book The Lord of the Flies. The book’s focuses is a group of boys on an uninhabited island who have to figure out how to survive without society. Golding’s writing displays the group’s descent into savagery and madness through their thoughts and actions, which turn from rational thinking and practical actions to fear of a nonexistent “beastie” and inhuman practices. In chapter 8 specifically, this savagery is …show more content…
exemplified by the struggles of one boy named Simon. To help the reader understand what Simon is going through, Golding shaped the structure of Simon’s struggle with dialogue and a sequence of events that bring deeper meaning to his words.
Dialogue, and even a lack thereof, can help the reader relate to characters as they face challenges and grow. Because of this, authors often use it liberally to explain plot developments. When Simon’s struggle starts to unfold in chapter 8, no dialogue occurs. Instead, Golding elaborated on the heat and thirst Simon is experiencing. Because the text is not broken up by conversation, it contains a long paragraph that feels solid and sturdy. This subconsciously makes the reader understand that Simon is in a sound state of mind, by relating the solidity of the text to that of his own thoughts. However, when Simon is brought up again later in the chapter, dialogue is present. Simon speaks to the Lord of the Flies, a severed sow’s head …show more content…
that was drove onto a stick and then stuck in the ground. He feels that the sow is assured him “. . . that everything was a bad business . . .”, so he responds with “. . . I know . . .” (Golding 140). This interaction helps the reader understand that Simon is beginning to lose his grip on reality, as displayed by his abnormal behavior. Finally, the scene just before the apex of his struggle contains a full conversation between the Lord of the Flies and Simon. The dialogue here contains strange phrases typically avoided on the island like “. . . they think you’re batty . . .” and “. . . there isn’t anyone to help you . . .” (146). Because such ideas are usually pushed from the mind on the island, the dialogue insinuates that Simon has fell into a unhealthy mental state. Because the dialogue shows Simon’s progression from sanity, to an unstable mentality, to near insanity, its inclusion in the structure of chapter 8 helps the reader relate to Simon’s struggle throughout the chapter. Similarly, Golding uses sequence of events to make the progression of Simon’s struggle understandable to the reader. When Simon’s struggle begins, he is not faced by any overpowering or awesome problems. Instead, he is simply dehydrated from the sun and all the work he has done. Though this by itself is not very crucial to the development of Simon’s struggle, when put in a sequence of events, dehydration becomes a game changer. When Simon sees the head of the sow, his weary physical state takes a toll on his mind. He views the pig as “grinning amusedly in the strange daylight, ignoring the flies, the spilled guts, even ignoring the indignity of being spiked on a stick . . .” (140-141), and was even under the impression that the beast agreed with his thoughts. Without both the background knowledge of Simon’s dehydration and Simon’s thoughts in this scene, neither would seem important. However, because the reader learns of Simon’s parchedness, he understands that Simon’s weird cognition means his physical state is getting worse. In addition to this, after continuing his conversation with the Lord of the Flies, Simon loses consciousness. Again, if Simon had simply passed out, it would not seem significant or have an effect on his struggle. Contrastingly, because Golding used a sequence of events to lead up to this scene, the reader can understand just how desperate Simon’s situation may be. The impact the order of scenes had on the reader shows that Golding used a specific sequence of events to help the reader relate to Simon’s struggle throughout chapter 8. Chapter 8 is the epitome of structure put to good use.
By incorporating both dialogue and order of events into the chapter, Golding related Simon’s experiences to the reader flawlessly. However, Golding did not only use structure throughout Simon’s struggle. Through the structure of the plot development of Lord of the Flies and chapter 8 specifically, Golding draws parallels between Simon’s and all of the boys’ struggles and creates an emphasis on the group’s downward spiral into
savagery.
William Golding’s Lord of the Flies portrays the lives of young British boys whose plane crashed on a deserted island and their struggle for survival. The task of survival was challenging for such young boys, while maintaining the civilized orders and humanity they were so accustomed too. These extremely difficult circumstances and the need for survival turned these innocent boys into the most primitive and savaged mankind could imagine. William Golding illustrates man’s capacity for evil, which is revealed in man’s inherent nature. Golding uses characterization, symbolism and style of writing to show man’s inhumanity and evil towards one another.
As Jack hunts his “frustration seemed bolting and nearly mad” which shines in his slowly deranging eyes (Golding 67). In Lord Of The Flies by William Golding, stranded boys struggle to find order and civilization on an island with no other humans. After their plane crash lands, a few boys, such as Ralph and Piggy, are quick to set up standard rules. But, not everyone agrees that rules and rescue are what is most important. Jack, a boy who cares more about hunting, disrupts the goodness and order that remains in the boys. When a simulated hunting influenced and led by Jack goes awry, the boys kill Simon. The now deceased Simon is the purest and kindest of the boys. Jack leads the elimination of the only good left on their island. Whether it is his intention to kill him or not, Jack should be held responsible for Simon’s demise because he leads the group to kill him, regardless of his age.
William Golding’s novel ‘The Lord of The Flies’ tells the story of a group of English boys isolated on a desert island, left to attempt to retain civilisation. In the novel, Golding shows one of the boys, Jack, to change significantly. At the beginning of the book, Jack’s character desires power and although he does not immediately get it, he retains the values of civilized behaviour. However, as the story proceeds, his character becomes more savage, leaving behind the values of society. Jack uses fear of the beast to control the other boys and he changes to become the book’s representation of savagery, violence and domination. He is first taken over with an obsession to hunt, which leads to a change in his physical appearance This change of character is significant as he leads the other boys into savagery, representing Golding’s views of there being a bad and unforgiving nature to every human.
The Presentation of the Deaths of Simon and Piggy in William Golding's Lord of the Flies
Throughout The Lord of the Flies, the author shows how different Simon is from the rest of the savages on the island. He is much more innocent and pure than the others and has a religious demeanor. Light, very commonly a symbol of holiness and purity, is used quite often during Simon’s “funeral”. In the last four paragraphs of chapter nine, “A view to a death”, Golding makes clear the use of light imagery to suggest the apotheosis of Simon.
The Lord of the Flies by William Golding is tale of a group of young boys who become stranded on a deserted island after their plane crashes. Intertwined in this classic novel are many themes, most that relate to the inherent evil that exists in all human beings and the malicious nature of mankind. In The Lord of the Flies, Golding shows the boys' gradual transformation from being civilized, well-mannered people to savage, ritualistic beasts.
At the end of chapter 8, Simon finds what is called “The Lord of the Flies”. The significance of this event is this is the first time the reader is introduced to the object in which the novel is titled after. Secondly, it depicts good versus evil, the good being Simon. Simon is different from the rest of the boys; he has a sense of moral uprightness that doesn’t seem to fade with each passing day the boys are exiled and sets him apart from the others. He’s the one person on the island whose actions are out of love and the goodness of his heart. He is also the only one to help Ralph set up shelters (Golding 50). When the biguns’ hunt for the “beast” went on longer than expected he was the only one willing to go through the forest alone to tell Piggy. While he often wanders the forest alone, he still finds time to care for the littluns; whom others don’t pay much attention to at all. Constantly committing selfless acts, clearly Golding has put Simon on the island to represent goodness.
In the Lord of the Flies, William Golding uses characters to convey the main idea of his novel. The story begins with a war, and a plane carrying several young boys, who are being evacuated, is shot down from the sky. There are no adult survivors; however; the boys were brought together by Ralph blowing on the conch shell. They formed a tribe to stay alive. Slowly the stability and the sense of safety in the group started to deteriorate, similar to the downfall of societies during World War II. They are not only hunting animals now, but they are killing each other like savages in order to stay alive. This action of killing is like Hitler during World War II and his persecution of Jews during the Holocaust.
On the dystopian island of Lord of the Flies, authored by William Golding, one can observe the boy's’ descent into madness. When a group of young children were abandoned on an island without adult supervision, chaos rampaged. This loss civility is most clearly demonstrated by Jack and his effect on others. The text illustrates how quickly he succumbed to the savagery, the way his thirst for power and his dire situation brought him to barbarity, and how the boys followed suit, losing all their humanity.
In Golding’s book Lord of the Flies Simon is a very significant character, who strangely isn’t made very familiar with the reader until the end of chapter three. At this point in the book the group of school boys who have crash-landed on this uninhabited island, have found a course of action. Unfortunately, not all the boys are working hard to accomplish what needs to get done. Jack is set on catching a pig, Ralph on getting rescued, and the rest of the boys are enjoying their time without adult supervision. While Ralph and Jack are busy arguing over what needs to get done Simon sneaks away for some peace and quiet. At this point in the novel Golding then follows Simon’s walk alone into the forest. Through this Golding effectively establishes
All of the boys but Simon are becoming the beast at that moment. In Lord of the Flies, Golding proves that fear draws out man’s inner evil and barbarism. Within the novel, Golding uses characterization of the boys and symbolism of the beast to show the gradual change from their initial civility to savagery and inhumanity. Learned civility, order and humanity become ultimately futile in the face of fear. The author teaches that without logic, fear consumes us endlessly.
Although there are many interpretations of Golding’s Lord of the Flies, one of the most important is one that involves an examination of Freudian ideas. The main characters personify Sigmund Freud’s theory of the divisions of the human mind; thus, Jack, Ralph, Piggy and Simon are metaphors for the id, ego, and the super-ego of Freudian psychology, respectively. The inclusion of psychological concepts in this literary work distinguish it as a commentary on human nature, beyond labels of “adventure” or “coming of age” novel. Many readers are left in shock upon reading Golding’s masterpiece because of the children’s loss of innocence, but most fail to consider
By emphasizing several aspects of Simon’s character, speech, and eventually his cessation, Golding demonstrates how frail society is. As Simon’s rectitude diminishes, so does the strength and stability of society. Golding shows readers that the fabric and most basic factor of society is goodness. The events in The Lord of the Flies explain, through a series of symbols, the fine line between savagery and civilization that society resides on. Essentially, Golding makes the point that the prosperity of society is dependent upon the decisions of civilians in hopes that they abide by what is morally correct.
Golding’s diction in Lord of the Flies has exhibited Simon’s character with an abstract understanding of human nature and spirituality. Throughout the terrible events on the island Simon has always been able to remain his innate self. As all the boys begin to change, savagery and civilization have assimilated together in an attempt to destroy Simon’s spiritual truth.
Throughout William Golding's, Lord of the Flies, many of the characters go through changes in their personality traits. From beginning to end, Simon goes through the smallest amount of change than anyone in the novel. Despite the fact that Simon did not really fit in with the other boys, he tried his hardest to make a difference in his and the other's lives.