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William Faulkner’s An Odor of Verbena – An Act of Courage
William Faulkner’s short story "An Odor of Verbena" is the tale of a young, Southern man, Baynard Sartoris, who must come to terms with his father’s sudden (but not entirely unexpected) murder. Because this murder takes place in the decade following the Civil War, young Baynard is faced with the South’s ancient honorary code. This code dictates that, as the only son of his father, he must avenge this death. Should Baynard fail to retaliate on his father’s behalf by confronting the murderer, Redmond, who once was his father’s business partner, both Baynard and his family would lose face within their community.
Faulkner uses the two primary women of the story to represent the two options open to young Baynard—each is trying to pull him in an opposite direction. Drusilla, Baynard’s stepmother, and his Aunt Jenny represent the two conflicting views and solutions that Baynard must struggle with. Does he challenge Redmond to a duel? or merely walk away from the situation. Both women try to work on Baynard’s emotions and intellect in their attempt to sway him to their conflicting points of view. Either choice could have a lasting or fatal consequence for Baynard and his family.
In this story Faulkner appears to be using Drusilla as the primary voice representing the old Southern honor system, an honor system that is distinctly masculine. As the grieving widow, it is Drusilla who seems to be pushing the hardest for retribution in the form of a duel—an option that would put Baynard’s life at risk. Baynard is barely home after his long ride back from college when Drusilla directs, not asks, him to take the dueling pistols (Faulkner 459). Drusilla expects Baynard to challenge her husband’s killer with "the long true [dueling] barrels true as justice" (Faulkner 459). She is inflamed and passionate about Baynard’s chance to kill and speaks glowingly of what so many Southern men in the same position must have thought: "to be permitted to kill, to be permitted vengeance, to take into your bare hands the fire of heaven that cast down Lucifer" (Faulkner 460). Drusilla expects that Baynard one day will be grateful for her support. She tells him that "you will remember me who put into your hands what they say is an attribute only of God’s, who took what belongs to heaven and gave it to you" (Faulkner 459).
A Rose for Emily Life is fickle and most people will be a victim of circumstance and the times. Some people choose not to let circumstance rule them and, as they say, “time waits for no man”. Faulkner’s Emily did not have the individual confidence, or maybe self-esteem and self-worth, to believe that she could stand alone and succeed at life especially in the face of changing times. She had always been ruled by, and depended on, men to protect, defend and act for her. From her Father, through the manservant Tobe, to Homer Barron, all her life was dependent on men.
...n reference to Claudius: “It is a poison tempered by himself” (5.2.330). This statement could easily be applied to Hamlet himself. Had Hamlet simply killed Claudius in justified retribution instead of sparing him for the sake of unleashing a harsher torment upon him: Hamlet would have had a chance to have a happy ending with Ophelia, the woman he loved. Instead, Hamlet chose escalation, vengeance, and he ruined himself and all he loved in this pursuit. For dramatic affect and masterful literary necessity William Shakespeare had Hamlet choose his vengeance. Although this marks the ending of Hamlet as a hero and the beginning of the tragedy in the play, it could have been done no other way in keeping with the spirit of Hamlet. Put quite simply, had Hamlet chosen retribution instead of revenge, Hamlet, Prince of Denmark, would not exist as the famous play that it does.
William Faulkner elected to write “Barn Burning” from his young character Sarty’s perspective because his sense of morality and decency would present a more plausible conflict in this story. Abner Snopes inability to feel the level of remorse needed to generate a truly moral predicament in this story, sheds light on Sarty’s efforts to overcome the constant “pull of blood”(277) that forces him to remain loyal to his father. As a result, this reveals the hidden contempt and fear Sarty has developed over the years because of Abner’s behavior. Sarty’s struggle to maintain an understanding of morality while clinging to the fading idolization of a father he fears, sets the tone for a chain of events that results in his liberation from Abner’s destructive defiance-but at a costly price.
My Neighbor’s Keeper? William Faulkner's A Rose for Emily is set in the small southern town of Jefferson during the early decades of the twentieth century . At this time, vast and cardinal changes were being made by the upcoming new south to conceal and move from the horrid truths that were a part of the town's history. In lieu of this, Jefferson was at a turning point in which they were having difficulty coming to terms with these changes . Integrating Faulkner's use of character and symbols with other sources, it will be supported that despite of the attempts made to carry Miss Emily and others who expressed denial and fear of modernity, change is an inevitable reality that was unable to be escaped. The author uses Miss Emily, the main character as the prime figure of one who is unwilling to welcome change in any aspect but ironically it was present in her everyday life. To show this, Faulkner references the appearance of Miss Emily on numerous occasions. The first time in which her appearance is noted if is the narrator depicts Miss Emily’s semblance as a “small, fat woman in black" (Faulkner 30). After the reader receiving this description of her appearance, there is another time in which her appearance is mentioned again in the text: “When we saw her again her hair was cut short, making her look like a girl." (Faulkner 31). With this one may receive the impression of Miss Emily being so resistant to change on all aspects aside from traditional norm, the total contrary is the reality of this. Emily trying to appear more feminine, is a total change that she exhibited ever since her father has passed away. Later on in the story, a final mention of Miss Emily’s appearance is described: “She had grown fat and h...
...d by the two families show that behind the civilized persona, the true actions of the feud reveal their dark human nature. This darker nature is mob mentality in which the basis of their family feud is a basis of none that can be remembered, causing the feud to be a meaningless struggle between the two families. Through these ironic actions of the Shepherdsons and the Grangerford families, Twain reveals the darker sides of the human nature.
The corruption of hidden sin and guilt is exemplified by the late Gilbert Parker who once said, “In all secrets there is a kind of guilt… Secrecy means evasion, and evasion means a problem to the mortal mind.” Nathaniel Hawthorne, one of America’s major authors, often wrote about the harsh realities of human existence such as sin, redemption, and morality. In “Minister’s Black Veil,” the main character, Reverend Hooper, wears a veil over his face during his sermons. Though his sermons are very powerful, a feeling of fear and mystery is evoked in the congregation and often in everyday life due to the strange veil that he refuses to remove. On his deathbed, miraculously, Hooper still has enough strength to resist his veil being lifted; his eyes forever covered, he dies with the veil. Hawthorne uses symbols of the black veil to portray hidden sin, guilt, and peculiar shame attaching to sin in Puritan beliefs.
Nathaniel Hawthorne's The Minister’s Black Veil is a story of guilt, humility, sin, hypocrisy, love, compounded emotional stability and trials of life. It is a work of gothic literary art that describes the complexity of emotions and the psychological give and take that takes place when processing and dealing with any human emotion. The gothic writing style Hawthorne uses in The Minister's Black Veil makes it easy for him to focus on one main emotion: guilt. Hawthorne is no stranger to guilt, a huge reason why he discusses its nature so much. The Hawthorne families, formally known as Hathorne, were involved in the Salem Witch Trials and have carried the shame and guilt of their families decisions through generations. Throughout this story, guilt is a prominent concern for all the characters involved: the minister, the minster's fiancé, and the towns people. Hawthorne uses gothic tones and descriptions to define and describe the natural human emotion of guilt.
...each into the international community. This is evident in the types of nationalism I’ve explored, both new nationalism and cosmopolitanism. They are opposing views of what nationalism is or can become in the future, but both have qualities that allow smaller nations to continue their existence in the international society. I have inadvertently expressed my opinion that nations are structurally political and that it is in the interest of their leaders to appeal to their unique traditions in order to maintain their power. Either way, the choice between these two approaches rests on the hands of the nation and its relationship with the international society. Globalization does not hinder the existence of the nation but rather helps it establish a place in the structure of power in a world which is still dominated by politically and economically dominant super powers.
The story opens with the self-righteous grandmother trying to manipulate her son, Bailey. The family is planning a trip to Florida, but the grandmother wants to go Tennessee. She has tried to persuade him to change the trip, but he will not listen. The grandmother finds an article in the local newspaper about an escaped convict, the Misfit. She tries to convince Bailey the family should go a different direction because the Misfit is on the loose. “Here this fellow that calls himself The Misfit is aloose from the Federal Pen and headed toward Florida and you read here what it says he did to these people. Just you read it. I wouldn't take my children in any direction with a criminal like that aloose in it. I couldn't answer to my conscience if I did” (O’Connor 356). The grandmother indicates she has a strong conscience, yet she continually lies throughout the story. If she really let her conscience guide her, then she would be more concerned about her own actions.
In the play Hamlet by William Shakespeare the theme of revenge is heavily embedded into its frame work, seeing it follows Prince Hamlet in his task of avenging the mysterious death of his father. After encountering the ghost of his father Hamlet was lead to suspect that his uncle Claudius, who took over as king of Denmark after marrying Hamlet’s widowed mother, was the father’s murder. So although by simple glance it may seem that Hamlet was in search for revenge throughout the play, Hamlet took many precautions to insure that the action of removing his uncle from power was truthfully deserved. So, Hamlet ultimately sought justice for the murder of his father, but through strong emotions hamlet did commit several uncivil acts that played an
Most women in Mrs Mallard’s situation were expected to be upset at the news of her husbands death, and they would worry more about her heart trouble, since the news could worsen her condition. However, her reaction is very different. At first she gets emotional and cries in front of her sister and her husbands friend, Richard. A little after, Mrs. Mallard finally sees an opportunity of freedom from her husbands death. She is crying in her bedroom, but then she starts to think of the freedom that she now has in her hands. “When she abandoned herse...
Taylor, Olivia Gatti. “Cultural Confession: Penance and Penitence in Nathaniel Hawthorne’s The Scarlet Letter and The Marble Faun.” Renascence. 58.2 (2005): 134-152. Academic Search Premiere. Web. 9 Oct. 2013.
...olyakova, A., S and Holtz, W. 2012. European integration, nationalism and European identity.JCMS: Journal of Common Market Studies, 50 (s1), pp. 106--122.
Marks, Gary and Marco R. Steenbergen. European Integration and Political Conflict. Cambridge: Cambridge University Press, 2004.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...