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Impact of the second wave feminism
Impact of the second wave feminism
Impact of the second wave feminism
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During the mid 1950s, a genre called doo-wop, a type of R&B, became popular among urban, African American communities along with the young audience. The genre involved girl groups using close harmony singing my mainly young singers. Girl groups emerged to provide a voice for an audience who had often been left voiceless-- young women, particularly African American--in a male dominated industry. It is also important to note that during this time, the pharmaceutical advancement, contraceptives, in American society coincided with the rise of Second Wave Feminism revolving around women in the workplace and in the bedroom. For the first time, the girls had the choice of sex which gave them a chance to go against the societal norms. “Will You Still Love Me Tomorrow” is a prime example of acting on one’s sexual desires in contrast to conforming to a traditional societal role. This song focuses specifically on this issue of the “morning after” and what the singer’s partner will think of them. Through lines like “Is this a lasting treasure / Or just a moment’s pleasure?” and “But will my heart be broken / When the night meets the morning sun?”, Goffin and King express the trepidation,anxiety, and insecurities over acting on one’s lust. While on one level, the singer is questioning what her boyfriend will think of her after …show more content…
In Will You Still Love Me Tomorrow has one main voice singing to the central lyrics while there are other girls singing to support the chorus and sometime in a different melody which creates the polyphonic texture. On the other hand, I Feel the Earth Move is homophonic because King is the only one singing along with her instrumental melody in the background. However, King sings it in a way that does not feel as the sound is thin because of her powerful roaring
Blues music emerged as an African American music genre derived from spiritual and work songs at the end of the 19th century and became increasingly popular across cultures in America. The Blues is the parent to modern day genre’s like jazz, rhythm and blue and even rock and roll, it uses a call-and-response pattern. While Blues songs frequently expressed individual emotions and problems, such as lost love, they were also used to express despair at social injustice. Even though Blues singing was started by men, it became increasing popular among women, creating one of the first feminist movements. Ma Rainey, a pioneer in women’s
Informally, Girls Inc. was started in 1864 in Connecticut, for daughters of working class mill families (girlsinc.org, 2014). This club was an informal gathering place, a bright spot in girls’ lives during the Great Depression, where they could learn sewing skills, make friends, and connect with mentors (girlsinc.org). It was feelings of belonging, increased self worth, and a home away from home, that was the driving force behind the effort to gather 19 clubs in the New England area to become the Girls Club of America in 1945, a name that would last ten years (girlsinc.org).
The roar in entertainment, the improvements in technology, and the rights that women have today, are all because of the events of the 1920’s. However,
The development of Rock ‘n’ Roll in the late 1940s and early 1950s by young African Americans coincided with a sensitive time in America. Civil rights movements were under way around the country as African Americans struggles to gain equal treatment and the same access to resources as their white neighbors. As courts began to vote in favor of integration, tensions between whites and blacks escalated. As the catchy rhythm of Rock ‘n’ Roll began to cross racial boundaries many whites began to feel threatened by the music, claiming its role in promoting integration. This became especially problematic as their youth became especially drawn to ...
In Deborah E. McDowell’s essay Black Female Sexuality in Passing, she writes about the sexual repression of women seen in Nella Larsen‘s writings during the Harlem Renaissance, where black women had difficulty expressing their sexuality. In her essay, she writes about topics affecting the sexuality of women such as, religion, marriage, and male dominated societies. In Toni Morrison’s short story, “Recitatif” there are examples of women who struggle to express their sexuality. The people in society judge women based off their appearance, and society holds back women from expressing themselves due to society wanting them to dress/act a certain way. Religion is one point McDowell brings forth in her essay, during the Jazz era she stated that singers such as Bessie Smith, Gertrude Rainey, and Victoria Spivey sung about sexual feelings in their songs.
Women’s sufferage was at it’s peak with the ratification of the United States Nineteenth Amendment. Women recived more independence after the end of the First World War and took a greater part in the work force. In the 1920s, there were many famous women Jazz artists such as Lovie Austin, a piano player and band leader, Lil Hardin Armstrong, a pianist who was originally a member of King Oliver’s band, and Bessie Smith, an African-American blues singer who inspired women like Billie Holiday and Janis Joplin. Although women were also making a difference in the Jazz industry, it wasn’t until the 1930s when they were recongnized as successful artists in the music world.
Lewis, George H. “Lap Dancer or Hillbilly Deluxe? The Cultural Constructions of Modern Country Music”. Journal of Popular Culture, Winter 97, Vol. 31 Issue 3, p163-173, 11p
Looking back on the dazzling and male-dominant world of music in the Sixties and Seventies, there stood a petite woman who was especially eye-catching. Janis Joplin, the female icon of the Sixties’ counterculture, conquered millions of audiences with her confidence, sexiness, straightforwardness, hoarse voice, and electrifying on-stage performance. To this day, no one can ever compare with her. She is thus known as the greatest white female rock and blues singer. Not only has her flabbergasting singing style innovated the music in the Sixties and Seventies, Janis Joplin herself is also character with most controversial and interesting characteristics.
... it brought in sultry rhythms and made some adults worried about over-sexualizing music. However, today it is very common to hear something sexual in a song or verse. In today’s music industry, many women are just as successful as the men.
Women in popular music have created a tremendous history in the wake of feminism. They have made their presence visible by identifying themselves as feminists. Being a woman was hard during that stage. Women were not allowed to do many things due to gender inequality such as the right to vote and to own a property. Therefore, from that moment onwards, women decided to stand up and make some changes. During the early stage of feminism, women developed their skills in popular music to create awareness. They associate popular music with feminism. Although there were racial issues between the black and white during that time, both sides continued to establish in different ways, through different genres of music. Black women focused on ‘black genres’ such as blues, jazz, and gospel, whereas white women performed in musical theatres. Female artists such as Lilian Hardin, Sister Rosetta Tharpe, and Nina Simone were among the notable exceptions of female instrumentalists during feminism. In this essay, I will assess feminism focusing on the second-wave.
After many of World War II’s harmful effects, the 1950s served as a period of time of musical change that reflected the dynamic of society as well as the traditional norms and values. Many factors contributed to this transformation. For example, the civil rights movement heightened many racial tensions, and the music produced consequently manifested this tension in itself. Rock-n-roll and R&B music universalized music typically associated with African-Americans, and many African-American musicians gained fame; however, as with any relatively-widespread success, there were many musicians as well who missed their opportunities due to the same racial segregation. While “radical” genres such as R&B and rock-n-roll laid the foundation for music future forms of music, the standard pop, jazz, and country music adhered to traditional values, and thus continued to maintain popularity amidst phenomena such as the Elvis craze.
Since many individuals of the Latin American society who chose to write become intellectuals, these intellectuals, specifically women, whom have brought the social and development divisions of the Latin Americans into writing providing a variety of knowledge. Focusing on Latin American poetry, Julia de Burgos is commonly known as one of the greatest poets in Puerto Rico and Latin American history. In 1938 at the age of twenty-four, Julia de Burgos self-published a series of poems, Poema en veinte sucos, which portrayed her exploration of differing writing styles of Puerto Rican writers of that time, consisting of Luis Palés Matos and Luis Lloréns Torres. Through a developed skill of lyricism and unique imagery, Julia de Burgos expresses the
African-American music is a vibrant art form that describes the difficult lives of African American people. This can be proven by examining slave music, which shows its listeners how the slaves felt when they were working, and gives us insight into the problems of slavery; the blues, which expresses the significant connection with American history, discusses what the American spirit looks like and teaches a great deal from the stories it tells; and hip-hop, which started on the streets and includes topics such as misogyny, sex, and black-on-black violence to reveal the reactions to the circumstances faced by modern African Americans. First is about the effect of slave music on American history and African American music. The slave music’s
The negative perception of women throughout popular culture in the form of music has greatly impacted the portrayal of women on today’s society. This study involves on examination of sexist ideologies in dancehall lyrics that portray women in stereotypical and negative manner. This particular king of music explored in the study is dancehall music, a popular genre in Jamaican culture today. The primarily focus is on the effect of popular songs have on women in society, as well as how song lyrics can cause objectification of women and how are the roles of men and women reflected.