Wilfred Owen Religion

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Written in the preface of one of his many poems, war poet Wilfred Owen explained, "My subject is war, and the pity of war. The poetry is in the pity”. Often referred to as the “soldier’s poet”, Wilfred Owen established a clear distaste for war and the insufferable conditions that soldiers were placed under. His poems, written during warfare, address the many issues that conditions of war placed upon soldiers. Owen’s war poetry reflects strong sentiments on the war at the time and possesses a brutal honesty to the conditions of war in Europe, which were often filled with sickness and dirt. Owen’s war poetry, now famous, was not singularly influenced by the war but his concepts on social justice, which began to sprout at a young age. Owen developed …show more content…

This idea grew as the social injustices of Europe grew around Owen as he developed. Eventually, Owen’s gross indignation at the war was cultivated by the contradiction between what European nations were doing and the religion they all professed. Owen became outraged by the inconsistencies that religion presented within the face of social injustices, like the war and began to understand ‘the unchristian ways of Christendom’ (70, Kerr). These inconsistencies became fuel for his poems. Owen, at the age of eighteen, took to working as a lay assistant under Rev. Herbert Wigan, it was under Mr. Wigan that Owen began to cultivate a grievance to Christian attitudes and …show more content…

The idea that those who would minster to the masses preferred to work with “the soul and not society” is echoed within the idea of the windowsill. Owen is implying that there is a split between belief and actions that Mr. Wigan possessed. Mr. Wigan’s inability to take interest in his parish irked Owen, as well as the inaction upon social and political issues(118, Kerr). Despite this increase in irritation with the hypocrisy of religion, Owen’s early poems did not yet reflect these themes that he grew to be so infamous for. Owen’s poetry was scattered with images of violence, blood, and horrifying figures. The idea of the disfigured body would be one theme that Owen carried through his poetry, as seen later in ‘Dulce et Decorum Est’. Dominic Hibberd explains that “Wilfred was working his way towards poetic vision years before he knew anything about the ‘bloodiness and stains of shadowy crimes’ of war”(68, Hibberd). During 1912, Owen wrote of his increasing liberal ideas and liberation of thought despite the church’s specific distaste for identifying with ideas of social

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