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Theory of death anxiety
The perception of death
The perception of death
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Cheryl Strayed gained strength through the long grieving process from the loss of her mother. The unexpected, horrid journey on the Pacific Crest Trail has changed her character in a way that she can now bear living another day in life; she now is married with two kids. The wilderness taught her how to find her own inner self-actualization. From heroin abuse to multiple sexual encounters, Strayed was finding different paths to feel something within her again; to feel alive. “I get to do this. I get to waste my life. I get to be junk” (Strayed 53). It took strength, motivation and determination to start working extra shifts to save up for the expense of the hiking equipments, to then quit her job, and set out on this “preposterous” journey to hike 1100 miles without realization of what she was really asking for.
During and after her time of stress in the forty-nine days of her mother's cancer battle, Strayed had many sexual impulses. Sometimes the doctor give morphine to her mom without a word, sometimes he told her no in a voice as soft as this penis in his pants (Strayed 21). She was the one out of the three children who stayed with her mother during her suffering. Instead of bursting into tears frequently and avoiding seeing her mom in pain, Strayed showed courage by staying by her mother’s bedside to cherish the last few moments. Her disbelief in god also affected her helpless times because she had no where to turn to for comfort but to have these sexual impulses.
Strayed spiraled out of control and was destroying and endangering her life by drug usage and sexual encounters, but she did give up on her life. She fought and insisted upon finding happiness; “I was ravenous for love” (Strayed 23). She no longer knew how to take...
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...om such negative experiences breaking the boundaries of emotional freedom and testing her physical and emotional boundaries.
“Every part of my body hurts. Except my heart. I saw no one, but, strange as it was, I missed no one” (Strayed 70). This takes a turn of events. “Every part of my body hurts, except my heart,” gives new meaning and how Strayed manages to gain emotional stability in the wake of her mothers’ death, and illness. This shows great strength in regards that she rises above the obstacles thrown in her path--the feeling of what it means to be alive. This work invites and informs the reader of the many ways one can cope with loss; moreover, Strayed demonstrates what what may work for everyone--the method of sublimation.
Work Cited
Strayed, Cheryl. Wild: From Lost to Found on the Pacific Crest Trail. New York: Vintage Books,
2012. Print.
Wild: From Lost to Found on the Pacific Crest Trail by Cheryl Strayed is a book about several events that took place in her life after her mom died and how she lost everything including herself and made the impulsive decision to walk the Pacific Crest Trail, alone. This book was possibly intended for people who have been in the same situation as she has been: going through the loss of a loved one or just feeling like you have nothing left. I will conduct a rhetorical analysis of Strayed’s memoir, Wild, and critique her use of rhetorical appeals in order to show that her memoir was written
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
As humans, the journey through life means forming emotional attachments to each other. The first type of attachment we form is with our family. Eventually, people grow older and form emotional attachments to individuals outside the family, as friends. Then later in life, the possibility of developing romantic relationships can arise. However, each person at some point must face the reality that the people they have bonded with will depart this world. Similarly, one must also deal with the new assortment of emotions that follow after a passing or separation. In Lydia Davis’s poem “Head, Heart”, she depicts a conversation between a head and a grief-stricken heart, which represents the internal conflict between logic and emotion following a separation
Strayed, Cheryl. Wild: From Lost to Found On the Pacific Crest Trail. New York: Alfred A.
My grandmother has a certain look in her eyes when something is troubling her: she stares off in a random direction with a wistful, slightly bemused expression on her face, as if she sees something the rest of us can’t see, knows something that we don’t know. It is in these moments, and these moments alone, that she seems distant from us, like a quiet observer watching from afar, her body present but her mind and heart in a place only she can visit. She never says it, but I know, and deep inside, I think they do as well. She wants to be a part of our world. She wants us to be a part of hers. But we don’t belong. Not anymore. Not my brothers—I don’t think they ever did. Maybe I did—once, a long time ago, but I can’t remember anymore. I love my grandmother. She knows that. I know she does, even if I’m never able to convey it adequately to her in words.
Some people in this world feel like they are outsiders in society. Also, there are many examples of stories, in which people and the main characters face the feeling of being neglected from society and others. The authors use figurative language, word choice and death as a way to show the narrator’s sense from being disconnected from society and the pain it causes them.
In Amy Hempel’s Short Story “Going,” we take part in a journey with the narrator through loss, coping, memory, experience, and the duality of life. Throughout the story we see the narrator’s struggle through coping with the loss of his mother, and how he moves from a mixture of depression, denial, and anger, to a form of acceptance and revelation. The narrator has lost his mother to a fire three states away, and goes on a reckless journey through the desert, when he crashes his car and ends up hospitalized. Only his thoughts and the occasional nurse to keep him company. He then reaches a point of discovery and realizations that lead to a higher understanding of mortality, and all of the experiences that come with being alive.
During the process of growing up, we are taught to believe that life is relatively colorful and rich; however, if this view is right, how can we explain why literature illustrates the negative and painful feeling of life? Thus, sorrow is inescapable; as it increase one cannot hide it. From the moment we are born into the world, people suffer from different kinds of sorrow. Even though we believe there are so many happy things around us, these things are heartbreaking. The poems “Tips from My Father” by Carol Ann Davis, “Not Waving but Drowning” by Stevie Smith, and “The Fish” by Elizabeth Bishop convey the sorrow about growing up, about sorrowful pretending, and even about life itself.
Without extremely painful moments, we would never feel motivated to change, to become a better version of ourselves. Without pain and suffering we wouldn’t become the person we were destined to be. I went through that moment when I lost a dear friend, that lost help me discover myself and helped me grow as a person. In the story “The Children of the Sea” both Madam Rogers and Celianne went through the pain of losing the child, but at the end they went to join them. And in the story “Nineteen Thirty-Seven” Josephine found closer and inner peace with herself when she found out the truth of her mother, after her mother’s
Heffernan, Teresa. “Beloved and the Problem of Mourning.” http://www.questia.com/library/ 1G1-54196882/beloved-and-the-problem-of-mourning /. N. p. n. d. Web. Nov 24, 2012.
Charlotte will never be anything but a wife and mother with no room to become a writer. Dependent on her husband for emotional support as well as financial support, Charlotte did not outwardly disagree with John's diagnosis. Without much protest, Charlotte stays in one room for fear of being sent to Dr. Mitchell's for the Rest Cure. (4) Trapped in a room with no aesthetic pleasure, she was left to her own thoughts. Societal norms said th...
No person is inherently mad; humans have caused other humans to drown their own sanity which can then submerge that person into an ocean of madness. Historically, madness had become a common occurrence with women due to several stress factors they must endure on a daily basis: finding a husband, baring children, raising children, find a suitable job, retaining femininity, and more. Authors Charlotte Gilman and Jhumpa Lahiri explored the psyche of two women who were facing very stressful situations. Gilman’s The Yellow-Wallpaper, introduces her readers to an unnamed nineteenth century woman who is slowly falling into madness. The protagonist must endure the “rest cure” where she must live without artistic expression, human contact, or freedom to go where she pleases. After months of enduring, she is ultimately shoved into madness by her husband, whom originally started her treatment. Lahiri’s protagonist, Aparna, is forced into an arranged marriage, and then moves to Boston with her new husband to live a new life with their daughter, Usha. Aparna is being neglected by her husband, finds it difficult to adjust to Boston culture, and spends most of her time being a house wife. She finally finds a friend, and possibly a love, in another Bengali man named Pranab. Once he was engaged and then married, Aparna revels to Usha that she was on the brink of committing suicide. Both characters were being controlled and had little to no say in what they could or could not do. These restraints with the added on stress that they faced cause both to the edge of madness. Women who had to withstand the struggles of doing what is expected of them while still attempting to do what they desire encounter many restraints that force them to stray away fr...
downward spiral. This set her off of the path toward finding her own identity in society.
Most individuals have experienced the everlasting joy and love that comes with caring family and friends, but the realization is that agony and despair will always win the war of light and dark, and family and friends are simply just impeding the end result. When a child is born, agony is already set in place, for screaming and crying will commence as soon as the child feels hands clasped on to him. However, this agony is soon met with joy as the child is met with his mother’s soothing heartbeat. Moreover, sometimes this heartbeat never comes, and thus, agony and despair stay within this child’s heart forever. Jimmy Baca, a lost young man who has only witnessed pain in his life, is this child. Furthermore, there comes a time in every individual’s
She believes she is loosing herself and needs a new change. She continues to work through her problems with the counselor (Therapeutic Journeys, Exploring Choice, 2001).