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Difficulties in writing history
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John Edgar Wideman’s “Our Time”, and Patricia Nelson Limerick’s “Empire of Innocence”, are two very different stories about one particular theme. In these selections both authors are writing history. Wideman is writing the history of his brother’s life, and Limerick is writing the history of the old west. Although the theme is the same, the two authors’ styles, methods, and writing concerns differ greatly.
In the following passage from “Our Time”, John is visiting his brother, Robby, in prison. While listening to Robby’s story, John begins to question the type of book this project will become:
The business of making a book together was new for both of us. Difficult. Awkward. Another book could be constructed about a writer who goes to a prison to interview his bother but comes away with his own story….the inevitible conflict between his role as detached observer and his responsibility as a brother would be at the center of such a book. When I stopped hearing Robby and listened to myself listening, that kind of book shouldered its way into my consciousness. I didn’t like that feeling. That book compromised the intimacy I wanted to achieve with my brother. (Wideman p. 723)
This passage stresses the concern Wideman expresses on how to make this book the type of book he wants to present. Later in the selection the answer to this problem appears.
Still listening to Robby’s story, John discovers their recollections of th...
The character that causes the most trouble and chacos is Abigail Williams. Abigail is Reverend Parris’s niece and she
It has long been contested that works of great Literature have certain qualities and that they belong to an exclusive canon of works. Value is placed upon them for a number of reasons, including their reflection of cultural or social movements, the special meaning they possess, and even their use of specific narrative elements. Up until recently, scholars and intellectuals would never dream of examining works of lower caliber with any hopes of discovering value or merit. A new movement within intellectual circles, however, has shifted focus onto so-called low-brow novels like Chester Himes’ If He Hollers Let Him Go and God’s Little Acre by Erskine Caldwell. Surprisingly enough, the works of Himes and Caldwell can be held up to the same tests as more canonical works through their appeal to ideological remnants of Romanticism and the Enlightenment, their use of literary devices to create meaning, and the narratives’ use of these devises to enhance the elements of enjoyment and pleasure in reading.
...s, and why he writes them at all. Instead of judging him, she tries to understand and fix it her own way, and it affects how he sees his writing:
John Edgar Wideman’s essay “Our Time” presents us the story of his brother Robby. The essay is unique because Wideman uses the “voices” of his brother Robby, his mother, and himself to convey the different perspectives of each person. The author uses the three different points of view in an attempt to express his emotions, and what he was going through while trying to understand the motives behind Robby’s transgressions. Wideman articulates that choices in life are often difficult to make, and other people will be unable to understand the reasons behind a particular choice. In addition to telling Robby’s story, Wideman includes the problems he faced as a writer in order to tell the story from his brother’s point of view.
When inditing, authors incline to tell their own personal story through their literature work, sometimes done unknowingly or deliberately. Albeit some components of the author’s work are fabricated and do not connect with their own personal lives whatsoever, this is sometimes what causes a reader to do their own research about the author and their background of the story. Upon researching Wallace Stegner’s novel Crossing to Safety, one may discover that he did indeed, reveal bits and pieces of his own experiences in his novel. “You break experience up into pieces and you put them together in different amalgamations, incipient cumulations, and some are authentic and some are not… It takes a pedestrian and literal mind to be apprehensive about
Cormac McCarthy was wise in choosing the Southwest as the setting for a novel of unprecedented bloodshed. No other land would have done McCarthy’s ideas justice, given that only the Southwest harbored such wanton violence. A ...
Wideman, John Edgar. "Our Time". Ways of reading: An Anthology for Writers [ninth edition]. Ed. Bartholomae, David and Anthony Petrosky. N.Y.|Boston: Bedford/St. Martin Press. 2011.655-694. Print.
Tindall, G.B. & Shi, D.E. (2010). America a narrative history 8th edition. New York, NY: W.W. Norton & Company, Inc. p.205-212.
Baym, Nina, and Robert S. Levine. The Norton Anthology of American Literature. New York London: W. W. Norton & Company, 2012. Print.
other piece of information could provide insight into his mind. The book is divided into
All in all, the treatment of the American Indian during the expansion westward was cruel and harsh. Thus, A Century of Dishonor conveys the truth about the frontier more so than the frontier thesis. Additionally, the common beliefs about the old west are founded in lies and deception. The despair that comes with knowing that people will continue to believe in these false ideas is epitomized by Terrell’s statement, “Perhaps nothing will ever penetrate the haze of puerile romance with which writers unfaithful to their profession and to themselves have surrounded the westerner who made a living in the saddle” (Terrell 182).
Narration has a profound, formative influence in conveying the complex nature of human communication. This in turn, effects the ways in which the reader responds to the text. In ‘The curious incident of the dog in the night time’ Christopher’s father Ed understands his sons inability to interpret human emotion and reasoning and thus, has developed alternate ways in which he can communicate with his son which are accepted by Christopher. This is evident in chapter 31 where Christopher describes “ He held up his right hand.. we made our fingers and thumbs touch each other. i do not like hugging people so we do this instead. It means he loves me”. Through the simple sentences used in the first person narration, the intricate nature o...
Evans, Robert C., Anne C. Little, and Barbara Wiedemann. Short Fiction: A Critical Companion. West Cornwall, CT: Locust Hill, 1997. 265-270.
Baym, Nina et al. Ed. The Norton Anthology of American Literature. Shorter 8th ed. New York:
In order to see how cultural and historical situations affect literature throughout history, it is important to get a brief history on each era discussed in this paper. The first era we will be reviewing will be writings from 1865-1914. The Civil War was just ending in 1865. America lost over a half of million Americans in the war. The nation was in a state of disorder and the south was devastated. Nevertheless, the country prospered. America became industrialized and saw innovations such as; the railroads, telegraph, telephone, and electricity. The population of the United States had also started to increase due to immigration.