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The concept of postmodernism
Postmodernism analysis
The concept of postmodernism
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‘Why did postmodernism threaten to end History, and why did fail?’ This question poses two clear questions, why postmodernism threatened the end of history, and why it failed to do so. While few would counter the assumption that it did fail, it can be argued that it massively changed history, and through answering the questions posed, this can also be addressed.
In 1986 A. Huyssen claimed that postmodernism possessed ‘the unshaken confidence of being at the edge of history’, in regard to its ability to offer explanation and understanding. Since then, historians such as E. Breisach have claimed that the initial ‘crisis’ is over, and the once present threat to the end of history, is ready to be assessed. Postmodernism is a Parisian phenomenon which became an established theory in the middle of the twentieth century. However, it went through a somewhat resurgence during the 1980’s, and became a notorious term to the world of history. Its radically sceptical manner, naturally led to great debate over such things as its meaning, its challenge to history, and even to its existence. Defining it, has been a consistent problem, E. Gellner summarised this confusion, ‘it is not altogether clear, what the devil it is!’. This failure to establish a clear definition has somewhat, understandably, hampered it’s assessment due to the resulting variances in interpretation. What can be established is that it sought to counter modernism, and that the concepts and ideas achieved from this, went on to challenge many academic practises, including history.
To successfully answer the questions posed, a full analysis must be taken of the various ways in which history has been challenged by postmodernism. Both L. Stone...
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...up with ...human mastery through science’. From this, as K. Davis states, ‘postmodern culture has lost a sense of historical consciousness, of both cause and effect’.
Having established why postmodernism failed to end history, an assessment as to the resulting impacts through this assault on modernist history can be given. Few historians seem able to argue that postmodernism had no impact on the way in which history is studied. L. Hutcheon has argued that postmodernism has played a role most ‘importantly in revising our sense of what history means and can accomplish’. Other historians agree, observing its ‘impact on language, textuality, and meaning’. This is important because it shows that postmodernism has established a conceptual watershed within history, showing that we, as historians, are more conceptual, even if we don’t agree with its doctrine.
HOTTOIS, Gilbert, De la Renaissance à la Postmodernité. Une histoire de la philosophie moderne et contemporaine, Paris and Brussels: De Boeck and Larcier, 1998
Postmodernism movement started in the 1960’s, carrying on until present. James Morley defined the postmodernism movement as “a rejection of the sovereign autonomous individual with an emphasis upon anarchic collective anonymous experience.” In other words, postmodernism rejects what has been established and makes emphasis on combined revolutionary experiences. Postmodernism can be said it is the "derivate" of modernism; it follows most of the same ideas than modernism but resist the very idea of boundaries. According to our lecture notes “Dominant culture uses perception against others to maintain authority.”
...between the present and the past. Defining symbols, customs, and allegations of the past, both real and perceived, provoke a human battle between rival notions of an ideal present. Literary deconstruction approaches a text in much the same manner, confronting and dismantling fixed signs, traditions, and assertions. Yet like war, a deconstructive reading does not provide a final answer or the ultimate truth.
Kubitschek, Missy Dehn. " Tuh de Horizon and Back: The Female Quest in Their Eyes Were Watching God." Modern Critical Lyotard, Jean-Francois. " Excerpts from The Postmodern Condition: A Report on Knowledge.
New historicism is premised upon an ideological attempt to wed the practice of history and literary criticism. In this type of textual analysis, the literary work is juxtaposed with historical events (characteristic of the time period in which the work was produced) in an effort to understand the implications within the text. This line of inquiry serves to recover a "historical consciousness" which may be utilized in the rendering of literary theory. "Poems and novels came to be seen in isolation, as urnlike objects of precious beauty. The new historicists, whatever their differences and however defined, want us to see that even the most unlike poems are caught in a web of historical conditions, relationships, and influences."[1] Such an introspective framework ultimately contributes to a wide variety of conceptualizations in literary analysis; such as Marxism, Feminist criticism, and post-structuralism. This attempt to contextualize literary works in a historical manner is also supplemental to more conventional types of literary analysis such as deconstructionism. New historicism, however, tends to be representative of a postmodern project which inevitably leads scholars to question the application of historical concepts as an ideological tool in literary analysis. The attempt to establish a connection between a literary text and historical event is often reflective of the paradigms characteristic to the practice of writing history. These paradigms foster a notion of exclusivity which may actually hinder a literary analysis. Such an introspective framework ultimately contributes to a wide variety of conceptualizations in literary analysis; such as Marxism, Feminist criticism, and post-structuralism....
REFERENCESJean Baudrillard Simulations--1983 Semiotext[e]. America--1988 (English Edition) Verso. Seduction--1990 (English Edition) St. Martin’s Press. The Illusion of the End--1994 (English Edition) Stanford University Press. Simulacra and Simualtion--1994 (English Edition) University of Michigan Press. Jean-Francois Lyotard The Postmodern Condition: A Report on Knowledge--1984 (English Edition) University of Minnesota Press. The Postmodern Exaplained--1993 (English Edition) University of Minnesota Press. Michel Foucault Madness and Civilization--1973 Vintage Books. Discipline and Punish: The Birth of the Prison--1977 Vintage Books. The History of Sexuality--1980 Vintage Books. Linda Hutcheon A Poetics of Postmodernism: History, Thoery Fiction--1988 Routledge. The Politics or Postmodernism--1989 Routledge.
Postmodernism movement which began in the 1950’s and still prevails today, is the successor of Modernism. Postmodernism, in contrast to Modernism, seeks to challenge authority as a whole, refutes any belief in absolute truths, regards hierarchal power as distrustful and seeks to establish an approach in
John Lewis Gaddis, in his book, The Landscape of History, generates a strong argument for the historical method by bringing together the multiple standpoints in viewing history and the sciences. The issue of objective truth in history is addressed throughout Gaddis’s work. In general, historians learn to select the various events that they believe to be valid. Historians must face the fact that there is an “accurate” interpretation of the past ceases to exist because interpretation itself is based on the experience of the historian, in which people cannot observe directly (Gaddis 10). Historians can only view the past in a limited perspective, which generates subjectivity and bias, and claiming a piece of history to be “objective” is simplistic. Seeing the world in a multidimensiona...
...rificing the individual text to a broader structural analysis – "that a Marxist cultural study can hope to play its part in political praxis, which remains, of course, what Marxism is all about" (299). It is revealing (from a Marxist standpoint) that this final aside marks the only reference to concrete political involvement in the volume; perhaps more tellingly, The Political Unconscious treats this sacrifice of the traditional, individualistic literary text as a price which, however unfortunately, must be paid (in order to satisfy the demands of Marxism). But as a reconciliation of the poststructuralist, anti-transcendent insistence on specificity with some of the theoretical imperatives of Marxist cultural thought, The Political Unconscious remains a breakthrough; and as a proposal of a newly political, poststructuralist historicism, it is undeniably persuasive.
I am writing a book review of Telling The Truth About History by Joyce Appleby, Lynn Hunt and Margaret Jacob. In this book, the authors’ talk about the increased skepticism and the position that relativism has lessen our ability to actually know and to write about the past. The book discusses the writing of history, and how people are struggling with the issues of what is “truth.” It also discusses the postmodernist movement and how future historians can avoid the mistakes by historians from the past. Telling The Truth About History gives great insight and knowledge to those who are non-historians because it looks at the dispute and inadequacy of past historical approaches to the study of history and that science is dead. I hold that history was not written in Labs and therefore cannot be compared to science. In my review I will critique the three-absolutist ideas made by Newton and Darwin.
In the 1950s, authors tended to follow common themes, these themes were summed up in an art called postmodernism. Postmodernism took place after the Cold War, themes changed drastically, and boundaries were broken down. Postmodern authors defined themselves by “avoiding traditional closure of themes or situations” (Postmodernism). Postmodernism tends to play with the mind, and give a new meaning to things, “Postmodern art often makes it a point of demonstrating in an obvious way the instability of meaning (Clayton)”. What makes postmodernism most unique is its unpredictable nature and “think o...
Jean-François Lyotard was a French philosopher and literary theorist. He was a key figure in the development of postmodernist philosophy. Beyond helping to define postmodernism, Lyotard also analyzed the effect of postmodernism on the human condition. The Postmodern Condition is one of Lyotard’s seminal works on the impact of postmodernism on the modern world. The focus of the work is the current transition of societies from an industrial to a postindustrial framework. How does this shift revise the means and methods of productions and the products created? How does the alteration of legitimation from Enlightenment/Newtonian criteria for legitimation to postmodern ones affect the nature and status of science and knowledge? What change will this perform on the structure and nature of society?
The movement occurred after 1945 is postmodernism which had shown it’s powerful effects in every aspect of life. It’s a movement that can’t be defined with a simple sentence because postmodernism has lots of components and directions. A postmodernist reflects history’s theological interpretations. When we talk about post-modernism we also take the concept modernism in our concept. Postmodernism is defined related to modernism as” the legalization of illegal parts of modernism”. Modernity and postmodernity appear and reappear in philosophical, literary and other texts in what is at first sight a bewildering array of guises.
Postmodernism attempts to call into question or challenge the notion of a single absolute unified master narrative without simply replacing it with another. It is a paradoxical, recursive, and problematic method of critique.
Practice of postmodernism in novels and other literary fields has almost become an international phenomenon. As A.S.D. Pillai argues: