Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Narrative analysis reflections
Don’t take our word for it - see why 10 million students trust us with their essay needs.
For me, Zombies have always held a certain appeal to them. I remember sitting in the basement of a mutual friend's house watching one of the most ridiculous movies I had seen in quite a while. I later learned, as I had come into the movie late, that this movie was appropriately titled Zombieland. Zombieland had its opening night on October 9th, 2010 and earned more than $60.8 Million dollars in 17 days, exceeding the earnings of Dawn of the Dead as the top-grossing zombie film in the United States, that is until World War Z was released in 2013 (1). The appeal of zombies has significantly increased in the last decade and Chuck Klusterman's article "My Zombie, Myself: Why Modern Life Feels Rather Undead" discusses why zombies have had such …show more content…
Here, Klosterman references the popular movie Warm Bodies. By alluding to his popular movie, Klosterman brings up another metaphor about zombies: "Zombies are a target-rich environment, literally and figuratively...Roughly 5.3 million people watched the first episode of The Walking Dead on AMC, a stunning 83% more than the 2.9 million who watched the Season 4 premiere of Mad Men". This quote is an example of an analogy in Klosterman's article, and through these efficient analogies, Klosterman leads his readers to logically infer that zombies have long served to express our fears as well as have many interpretations of their character. It then becomes clear to the reader that "Zombies are like the internet and media and every conversation we don't want to have. All of it comes at us …show more content…
By bringing this commonsense comparison to the attention of the reader, they are persuaded into the thought path of the author. Klosterman also quotes Alice Gregory from one of her recent essays, "Opening Safari is an actively destructive decision. I am asking that consciousness be taken away from me." By connecting the lack of consciousness that occurs with the internet and the mind-blank zombies, Klosterman effectively influences the reader that we do have some sort of connection to these lifeless
Torie Boschs “First eat all the lawyers” appeared in Slate october 2011. Her piece was to reach out to horror fans and to explain to them why zombies are a great monsters in current media. Zombie fanatics who read this short essay will love her vast knowledge of zombies while others who still do not understand why zombies are horribly terrifying can get behind her argument. Bosch explains that the current zombie craze has to do with our current society and how white-collar workers would be left defenceless in a world over run with a rampant horde of zombies. While blue-collar workers can flourish in this current state as they have more skills suited for survival. Boschs essay uses rhetorical devices such as ethos, foil and satire to make her
Both White Zombie and “Dead Men Walking in the Cane Fields” represent the early zombie and both of them embody Cohen’s first thesis “The Monster is a Cultural Body” Both the story and the film have zombies and both of these works make their zombies appear scary with dead like characteristics, however the real reason why they are scary is that, at the time, they tried to change society and that scared people. The people that liked society the way it was didn’t want another group to gain power or righ...
Max Brooks explains in his article ‘’The Movies That Rose From The Grave’’ [2006], that zombies and the supernatural forces have impacted and have become popular in the world today. The first main idea that Brooks points out is the way society has changed the meaning and glimpse for the supernatural creatures like zombies causing them to become increasingly popular. To support this zombie movies have changed from darkness and mystery to violent and bloodier scenes therefore making them more prevailing. The second main idea that is discussed by Brooks is how the media has helped to increase the popularity of zombies, vampires, ghosts. Highlighted by the author particularity both ‘’resident evil,
James Parker essay “Our Zombies, Ourselves,” informs readers that the zombie has almost outranked the vampire, and why they’re so popular. This undead monster originated from a Caribbean folk nightmare and was adapted over time by, the Halperin brothers, William Seabrook and George Romero and numerous others. Much like the vampire, zombies owe their fame to the progressiveness of technology, allowing them to consistently invade various media forms. The zombie has infested countless tv shows, movies, video games, and books, throughout the 21st century. Zombies themselves are soulless corpses who were regurgitated back into the world of the living. This making them rejects from the underworld, this presents the zombie as rejected yet inexpungable. What makes the zombie so popular, however, is that symbolizes everything that is rejected by humanity. “Much can be made of him, because he makes so little of himself. He comes back, He comes back, feebly but unstoppably” (Parker). The zombie represents humanity itself as well as what is rejected by humanity. Much like individuals today, the zombie is burdened by life’s demands, converting to nothing but a rotting, groaning human shell that stumbles through life without a purpose. The zombie is symbolizer of the real world, and all things irrepressible, whereas the vampire is a symbol of an alternate world and all things
Klosterman, does in fact, attempt to respond to a counterargument, mentioning the vampire craze that was brought about from the Twilight franchise. However, instead of using it to consider other views, Klosterman uses it to dismiss any other perspective. He emphasizes that the reason why vampires are popular is completely different from the reason why zombies are popular. In his article, Klosterman says, “Vampire love can be singular. Zombie love, however, is always communal.” He mentions that it is possible for people to like vampires as individuals because they have the ability to be multidimensional characters. Zombies, on the other hand, do not possess the ability. Klosterman continues to say, “If you dig zombies, you dig the entire zombie concept,” and he does not even attempt to bother with finding any similarities between the
As said in the previous discussion regarding the second chapter of Better Off Dead: The Evolution of the Zombie as Post-Human, zombies and their culture are examined and broke down in order to understand their motives for the progression of zombies globally. Through different perspectives from individuals based around the world, the discussion of the zombie culture debates over the idea that zombies have not just evolved within the narratives that have brought them to life, but they have evolved in such a way that ultimately transforms the narrative itself. However, in this specific chapter, “They are not men…they are dead bodies!”: From Cannibal to Zombie and Back Again, Chera Kee breaks down the introduction of zombies into mainstream consciousness,
George Romero's reinvention of the zombie in Night of the Living Dead (1968) is clearly a critique of elements of the American society, and the film as a whole is easily twisted into a warped view on the 'American Dream'. Themes throughout Romero’s film, dealing with controversial topics during the time that the film was made, are still, to this day, debated by critics and film historians. Themes of racism and war are defined within the movie, hidden underneath the idea of carnal, cannibalistic zombies and over the top heroes who, eventually, succumb to the reanimated despite their every effort. These themes are colored over and painted to hide subtle references to the typical American Dream during this time, and Romero does quite the good job at it too. This dream, whilst continuously changing in the everyday lives of modern Americans, can be loosely defined as a national ethos of the United States, or a set of ideals dealing with freedom and the opportunity for success - an upward social status that can be achieved through hard work and effort.
While facing death in every direction, whether from walkers, physical or mental illness, other people, or even the idea of suicide, the world in which Rick and his group live within is a hardened and cold one. Even as such is true, these people still crave survival and must do so by having food and water inside them and supplies on their back. But what would these people be able to eat as a constant food source you may ask? Well the answer is not a constant one but why not look inside the diet of such people. With much hunting and gathering to be accomplished, nutrients are needed, thus the day is usually started off with fresh garden vegetables or whatever they can muster up from the trees and dirt around them in their
As they enter the park, we see cheerful twinkling lights, almost Christmas-like in contrast to the desolate wasteland of the majority of the movie, with, ironically, Zombies milling around just as, pardon the pun, consumers would have been before the ‘Zombie Apocalypse’, which supports the theme of consumerism. The Zombies are just as hungry to consume as the humans were, only instead of expensive snacks, games, and rides, the zombies only want flesh. These are not cheerful fairgoers anymore, but they are just as
“Because the living dead freeze solid” (122), when word starting to get out that there were zombies, people’s first instinct was to go north. Family after family packed their belongings and ventured to campsites throughout northern Canada or wherever they felt was cold enough to escape the plague. Many people were still trying to hold on to their materialistic ways and brought “hair dryers, GameCubes, [and] laptops by the dozen” (123) with them to the campsites. These families realized very quickly that these items were not beneficial for their survival. Those that did survive the cold Canadian winters were not those who brought the most belongings, but those who had the will power to survive. As days got colder, people were forced to steal from each other, kill each other, and eventually eat each other. The only way to succeed during this brutal time was to go into this ultimate survival mode. “Eventually the sun did come out, the weather began to warm, the snow finally began to melt” and those that were left were the ones that were had the determination to survive (129).
Zombies have become very popular due to their depictions of being easy to kill and being communal. Zombie apocalypses are also very relatable due to the fact that they are set in lives similar to our society and seem easy to overcome. Zombies, themselves, can be identified with because we see ourselves when we look at a zombie. Zombies drudge on through the same task of finding human flesh to consume every day just like we drag ourselves to either class or our job in order to sit through another boring lecture or perform the same menial task every day. Just like the zombie, R, in the book, Warm Bodies, said, “I am Dead, but it’s not so bad. I’ve learned to live with it,” we have learned to succumb to our daily routines and just live with
They use a lot of information that is overwhelming, and does not add a lot of validity to the point they were trying to make. Throughout the article, the authors take from various other zombie pieces, such as movies, books, and TV shows and use them to add to their ideas. In some cases, they also use other pieces and discredit them as a way to prove their own point. For example, they talk about the “Cyborg Manifesto” by Donna Haraway. This essay presents the idea of the cyborg, which is an organism that is part human and part machine. Throughout the essay, Haraway gives examples of where we see the cyborg throughout media, and how humans might be connected to it. The authors in “A Zombie Manifesto” stated how they were influenced to title their piece after her, but they go on throughout the essay constantly trying to prove the piece wrong. They argue that the idea Haraway is presenting is not truly what humans connect to, and the authors think their ideas are more relatable. They believe their zombie interpretation is more relatable than Haraway’s cyborg interpretation. The authors are trying to make their interpretation more valid by invalidating another interpretation. This makes the piece hard to agree with, for an interpretation is relative to each person, and tearing apart another interpretation is an unproductive way to persuade readers to agree with you and your ideas. Another reason the article is difficult to agree with, is the fact that it is very difficult to understand. With the piece being as persuasive as it is, the authors did not take the time to ensure the writing would be easy to understand for all. In reading the article, it felt as though the authors had a specific group of readers in mind and didn’t accommodate to others who might find interest in zombies. The article is written in such a way
Currently indulged in the new fabricated article, "My Zombie, Myself: Why Modern Life feels Rather Undead", by Chuck Klosterman expresses the concern of our society's normal day-to-day life within the small cubicle, nine to five, epitome of absolute dullness surrounding our lives. He explains and relates how zombies are considered our fears of our political, social, or possibly economical concerns, which is a very similar concept to Peter H. Brother's theory about how Godzilla was replicated to resemble the impact of the two atomic blasts, Hiroshima and Nagasaki in Japan (Brothers; "Japan's Nuclear Nightmare: How the Bombs Became a Beast called Godzilla"), and Stephen T. Asma's premise about how Frankenstein was created to imply the fear of exponential growth in science and technology of the 19th century (Asma; "Monsters and the Moral Imagination"). Klosterman determines the origin of zombies and
Although “Thriller” is beloved as a classic 80’s pop music video, it manages a successful dive into the social and political issues that make zombie flicks so great. Pulling from a history of work on zombies, Michael Jackson packs so much history into such a concise package. Through using the texts of Amy Devitt and Kerry Dirk we are able to uncover Jackson’s experience and social commentary in “Thriller”. He simultaneously writes a hit song, revolutionizes music videos, and still remarks on the societal problems of the early 1980’s. However, the story goes much further than that of a number one hit. “Thriller” owes its success to an important cultural figure that looms as large as
The ‘Night of the living dead” starts out in a graveyard with Barbara and Johnny. Johnny spots the zombie slowly approaching and tries to run while barbara stays behind and slowly walks towards the zombie. The zombie then grabs her and Johnny jumps in to try and break the zombie away from his sister. Doing so he falls and hits his head on a gravestone. Barbara then runs and starts to make her escape with the zombie following close behind. She makes her way to a house and finds her way inside. Running frantically around the house she spots a dead body at the top of the stairs. Barbara is then frightened and runs out of the house only to be greeted by headlights and a man standing tall in front of her.