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Revenge as a theme in Literature
Revenge as a theme in Literature
Revenge in literature throughout time
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In the story “Lysandra's poem” Lysandra is the real villain because all she wanted was revenge. Lysandra not only stole Elaine's guy 4 years after the contest, but is also secretly sending bad messages about Elaine through her world famous poems. You can tell Lysandra was only after revenge because in the story it says “The days,the months that followed...Lysandra withdrew into a secret self and refused to speak with me.” Budge 130. Lysandra was also being a bad sport instead of being happy that her friend won she was being stubborn. This shows that Lysandra was only after vengeance. She had waited 4 years for the perfect time and not once did she try to fix their friendship. Their friendship meant nothing to Lysandra because as soon as something
bad happened they split, Lysandra never making an effort to talk to Elaine. I decided to side with Elaine because I had a similar experience to Elaine’s.during the summer I was at an event at the library because I have to bring my younger sister whenever there is an event and this time I decided (knowing I was likely to win whatever the prize was) to join in. The goal was to build a newspaper tent and my team won along with my sister in second. I got a bag as she got a boomerang, but she wanted the bag so she kept complaining about it and eventually my parents made me give her the bag. That's why I think that Elaine should not be punished for winning a contest fair and square. That is why I believe that Elaine was not the villain and Lysandra was doing all the wrongs.
No one would considered mocking such a display of self-confidence.”(128). She should’ve known that her winning the contest would be healthy for her and would allow her to stop being made fun of. Additionally, Elaine slowly started separating from Lysandra when the poetry contest was announced. In the story, Lysandra doesn’t seem to have any other friends. The only friend that Lysandra had would be Elaine. That’s because she doesn’t have anyone else to talk to personally. Her dad, Mr.Cochrane is known to snap “At his pale wife”,(127). Lysandra feels unsafe around her family because of this. When Elaine and Lysandra were younger, Elaine stayed by Lysandra even when it would be boring for Elaine. However, slowly Elaine would distance herself away from Lysandra. While Lysandra was busy writing her poem, Elaine “Played with other kids during this period, because Lysandra was of no use at all to me.” (128). Basically, saying that Lysandra was useless to her and didn’t really value their friendship. Lastly, after Elaine won the contest, Lysandra was heartbroken after she lost. This leads to Mr.Cochrane burning all of Lysandra’s poems. Later on, Lysandra blames Elaine actions lead to the burning of Lysandra’s poems. Elaine knew that
The mood immediately changes and we discover that Hermia rather than being filled with filial love is determined to marry Lysander rather than her father’s choice for her. And so the love theme is made more complex as we have the wrathful love of her father confronted by the love of her daughter for the man who is not her fathers’ choice. The love theme is further complicated by the arrival of Helena. Here we see the platonic love of two friends.
... past was so quickly forgotten. "Good Hermia, do not be so bitter with me. I evermore did love you Hermia, Did ever keep your counsels, never wronged you " (3. 2. 306 -- 308) Hermia, however, feels hard done by. She feels that Helena has caused her true love to turn against her, and if Helena disappeared, everything would be fine. "Why, get you gone. Who is't that hinders you?" (3. 2. 317) Helena also has the solution of running away, but can't as she foolishly still loves Demetrius. Helena and Hermia's relationship has changed completely, entirely because of the effect of the love potion on Lysander and Demetrius. The friendship shown before the argument contrasts greatly to the hostility afterwards. The change has been for the worse, completely destroying the women's trust in each other, and all because of a fight between two men, caused by a mischievous spirit.
In a modern day production of Lysistrata, a director’s role would involve the overseeing of the whole play making course and ensuring that all the cast members realize the vision of the production. This role covers all the steps of production from the interpretation of the script to the final performance. This means that the director has a say over a range of disciplines and has to have artistic vision. Lysistrata was produced in 411 B.C., at a time when Athens and Sparta had just concluded a two-decade long war and the general population was in despair. Comedies such as these were used then to communicate instructions to the people (mbc.edu). This essay will focus on the scene where Lysistrata has gathered all the women to convinces the to withhold sex from their husbands until they sign a peace treaty.
That Lysander, the devil who stole Hermia’s heart with bewitched “knacks, trifles, nosegays” and “sweetmeats”
Lysander calls Demetrius a?spotted and inconsistent man?, indicating Demetrius? fickleness towards women, that he is flirtatious and flawed. Demetrius is willing to go to any extent to have Hermia marry him, even allowing Hermia to be subject to a life of a nun or death, if she does not marry him. Demetrius. infatuation with Hermia brings out the tyrannical and possessive part of his character, as can be seen when he says?and, Lysander, yield thy crazed title to my certain right?
Aristophanes was a craft comedy poet in the fourth century B.C. during the time of the Peloponnesian War. Aristophanes’ usual style was to be satirical, and suggesting the eccentric. The most absurd and humorous of Aristophanes’ comedies are those in which the main characters, the heroes of the story, are women. Smart women. One of the most famous of Aristophanes’ comedies portraying powerfully capable women is Lysistrata, named after the female lead character of the play. It depicts Athenian Lysistrata and the women of Athens teaming up with the women of Sparta to force their husbands to conclude the Peloponnesian War. The play is a comedy, which appears to be written for the amusement of men. The play can be seen as a historical reference to ancient Greece, but it seems highly unlikely that women would talk with such a crude sexual tone. Instead Lysistrata is strictly a satirical play written maybe even to make men doubt the innocence of a woman.
When Puck mistakenly applies the love potion to Lysander’s eyelids. At this point, both male characters of the main plot have fallen in love with Helena, leaving Hermia out of balance. The struggle of the four lovers is one of the more complicated conflicts in the play. The conflict could have been avoided if Puck had not misused his magic. However, because Puck mistakenly used his magic on Lysander, conflict erupted.
Though Puck adds much humor to the play while tormenting and drugging the lovers in the forest, he also acts as a catalyst in redirecting their devotions among one-another, thus demonstrating the fickle nature of love. For example, Lysander, who in one instant is blindly in love with his fair Hermia, will suddenly wake to find himself obsessed with Helena. Without questioning this drastic change, he boldly proclaims to Helena, “Content with Hermia? No, I do repent /The tedious minutes I with her have spent. /Not Hermia, but Helena I love. /Who will not change a raven for a dove?” (II.ii.118-21). Lysander’s drugged state (courtesy of Puck) was the source of his apparent change of heart, but even to this day this abrupt transformation happens more often than the average person would care to admit. Drugged or not, it is in the human nature to desire what isn’t ours, and admire the greener grass that our cute neighbor seems to have growing. The reader can also relate to Demetrius’s statement, “Lysander, keep thy Hermia. I will none. /If e’er I loved her, all that love is gone” (III.ii.172-73)...
The relationship between Demetrius and Hermia is problematic, in that Demetrius is seeking the affections of Hermia, while she is in love with Lysander. However, Hermia’s father approves of Demetrius and tries to force her to marry him, but Hermia refuses because of her love for Lysander (A Midsummer Night’s Dream 1.1.22-82). Lysander points out the flaw in the situation through this comment, “You have her father 's love, Demetrius –/Let me have Hermia 's. Do you marry him,” (A Midsummer Night’s Dream 1.1.93-94). The second flawed relationship is between Lysander and Helena, as a result of an enchantment put on Lysander that made him fall in love with Helena. Helena does not want the affections of Lysander, but rather the love of Demetrius, and believes that Lysander is taunting her. In addition, this relationship creates tensions because Hermia is in love with Lysander (A Midsummer Night’s Dream 2.2.109-140). Both relationships are not desirable due to a lack of mutual admiration and the creation of non-peaceful and unsatisfying
Presented with many obstacles and complications to overcome, we know that Hermia is the protagonist in the play. She has relations with almost all the characters in the play. The first and most important relationship is her love, Lysander. From the very beginning we see that Hermia loves Lysander with all her heart and soul and he loved her the same. The only tragic flaw in their relationship was when Puck put the magic juice in Lysander's eyes and he fell in love with Helena. Hermia felt sad and rejected when that happened. But when Puck finally realized that he had made a mistake and corrected it, Hermia and Lysander were in their heavenly bliss of love once again.
Curley’s wife was the villain in this novela. As Lennie told Curley's wife that he can't talk to her, she still tempted to talk
In the first part of the play Egeus has asked the Duke of Athens, Theseus, to rule in favor of his parental rights to have his daughter Hermia marry the suitor he has chosen, Demetrius, or for her to be punished. Lysander, who is desperately in love with Hermia, pleads with Egeus and Theseus for the maiden’s hand, but Theseus’, who obviously believes that women do not have a choice in the matter of their own marriage, sides with Egeus, and tells Hermia she must either consent to marrying Demetrius, be killed, or enter a nunnery. In order to escape from the tragic dilemma facing Hermia, Lysander devises a plan for him and his love to meet the next evening and run-off to Lysander’s aunt’s home and be wed, and Hermia agrees to the plan. It is at this point in the story that the plot becomes intriguing, as the reader becomes somewhat emotionally “attached’’ to the young lovers and sympathetic of their plight. However, when the couple enters the forest, en route to Lysander’s aunt’s, it is other mischievous characters that take the story into a whole new realm of humorous entertainment...
Demetrius, Helena, Lysander, and Hermia are the for young teens of the story. At the beginning of the play it is Lysander and Helena who are madly in love, and are planning to to escape from Athens to elope. Helena is in love with Demetrius, and Demetrius cared for Helena and liked her a lot but was not in love with her. As soon as Demetrius sees Hermia he immediately stops having any feelings for Helena whatsoever and is deeply in love with Hermia. Demetrius thought that he had fallen in love at first sight, but Helena was determined to show him differently. Demetrius: ³ Tempt not too much the hatred of my spirit,/ For I am sick when I do look on thee.² Helena: ³And I am sick when I look not on you.² (Act II, sc. i, lines 218-220) This piece of dialogue shows how much Demetrius is now in love with Hermia from just seeing her, and how disgusted he feels when he looks upon Helena who he used to care about. Helena is simply just expressing how much she is love with Demetrius and how bad she feels that he is treating her in such a manner of hatred.
...ities. Love is a long hard road and cannot be reached by taking a straight, clear-cut path. Even though throughout the scene Hermia and Lysander are in constant conflict, a resolution is eventually reached. Hermia and Lysander remain in love, proving that true love can prevail.